State and Peasant in Post‐Revolution China

The Reach of the State: Sketches of the Chinese Body Politic, by Vivienne Shue. Stanford, CA: Stanford University Press, 1988. Pp.ix + 175. $25.

This new book by Vivienne Shue posits that the reach of the Maoist state in the Chinese countryside was very short indeed: that the state never decisively penetrated the Chinese village and its peasant mentality. This review article challenges Shue's claims, and provides evidence to show that the Maoist state's grip on village affairs - politically, economically, and normatively ‐ was, in fact, excruciatingly tight.     

The Double Play of Mirrors: Anna Kavan,Autobiography and Self-Portraiture

Abstract

Better known as the author of complex visionary novels of female experience, it is important to note that Anna Kavan was not only a writer, but also an artist, painting throughout her adult life in tandem with her writing. This article considers the nature of the relationship between her literary life and her artistic life, and what her novels tell us about her relationship to the cultivation of her self-image. Famously destroying her personal archive, shirking notable correspondents and recapitulating a mental disquiet across many of her paintings and prose works, it is of little surprise that Kavan’s enigmatic presence often figures more prominently than serious discussion of her literary and artistic achievements. How did this mercurial relationship to identity shape the ways in which Kavan explored her self-image?     

Helena Normanton: legal crusader or myth Maker? ‘[S]urely the one thing history teaches us is that we cannot generalise,or even worse,categorise individual humans into saints and sinners,or heroes and villains’

ABSTRACT

Helena Normanton aspired to become a lawyer at a time when women were prohibited from entering the legal profession. This aspiration became a reality when, on 24 December 1919, she became the first woman to be admitted to an institution of the legal profession after the passing of the Sex Disqualification (Removal) Act 1919, thus enshrining her place in legal history. Her achievement was, without doubt, remarkable. She has become the ‘face’ of women’s entry to the legal profession, but what was her contribution to the opening the legal profession to women? How should history remember her? This article will examine her role in this history and compare it to her own narrative. Further it will consider how we reconcile her trailblazing challenge to the male exclusivity of the Bar with the difficulties her behaviour often presents to us. Helena Normanton: saint or sinner? And does it matter?     

Authenticity of self‐expression: Reinterpretation of female independence through the writings of simone de beauvoir

Based on the autobiographical writings of Simone de Beauvoir, this paper reinterprets the concepts of “dependency” and “independence” with respect to women's experiences. De Beauvoir, considered a strong and independent woman, continuously struggled for emotional independence, a struggle which she conceived as being against the need that drove her “impetuously toward another person”. However, a careful examination of de Beauvoir's inner voice as it is reflected in the subtext of her autobiographical writings, suggests that her true struggle revolves around a desire for authentic expression of her feelings and needs — rather than for separation from others.

As an adolescent de Beauvoir was caught between the expectations of her parents and her own needs, remaining the “dutiful daughter” at the expense of being false to her own self. This pattern of dependency reappears in her adult life, when she seems to be incapable of validating her feelings of jealousy and anger in her relationship with Sartre. Her means of coping with this problem is by giving it a literary expression, hence, she seems to gain a sense of freedom and independence by giving her repressed feelings an authentic outlet.

The re‐reading of de Beauvoir's autobiography in a new light of feminist criticism reveals a concept of dependency different from the need to rely on, receive help from, and be influenced by another. When one examines the meanings of dependency and independence through the female language of connectedness and women's values of care and involvement, the essential meaning of dependency shifts from the lack of self‐reliance to suppression of self‐expression, and from struggles for separation to struggles for one's personal truth and for authenticity in one's relations with others.     

‘This accursed child’: the early years of Marie Madeleine Jodin (1741-90) actress,philosophe and feminist

The childhood and early youth of Marie Madeleine Jodin (1741- 90) who later achieved some notoriety as an actress, correspondent of Denis Diderot and feminist, throws light on the lives of an artisan family in mideighteenth-century France and on the experience of one delinquent daughter. This study examines Marie Madeleine Jodin's life in relation to different categories of discrimination which she experienced; as a Protestant child, as a libertine daughter and as an actress. Her experience illustrates the workings of systems of authority employed in the eighteenth century to control young women as it impinged on an individual. It is argued that the violent familial and institutional conflicts of Jodin's early life were later reflected in her feminist treatise, Vues législatives pour les femmes (1790), which called for the establishment of a Women's jurisdiction over women. In particular her proposal to eliminate public prostitution and her attacks on the police des moeurs (morals police) have their origin in the bitter experience of her incarceration in a prison for prostitutes in her late teens. The collusion of authority (la police des moeurs) with les filles publiques came to symbolise for her the corruptions of the ancien régime     

The women's project: A profile

This paper offers an analysis of the Oprah Winfrey talk show's success as emanating from an ideal typical form of branding that we term “dynamic branding”, in which the gap between production and consumption is almost entirely bridged. Oprah has managed to maintain a dynamic relationship with her viewers based on multiple feedback and feed-forward processes in which consumers' concerns are immediately translated into Oprah's performed identity in her talk show. Such an ongoing exchange of information with her viewers was the basis for Oprah's performance of her own self as a “failed self” embattled with the problems of everyday life, thus creating an equalitarian relationship with her audience. The success of Oprah's brand identity thus derives from its content as much as from the mode of its construction, a mode which involves an intimate and adaptive relationship with consumers that enables Oprah to immediately respond to and incorporate viewers' concerns, values and norms. This paper analyzes in detail Oprah's performed identity with analytical tools informed by linguistic anthropology and brings it into conversation with contemporary branding theories.     

A ‘fully bloomed’ existence for women: Miyamoto [Chūjō] Yuriko in the Soviet Union, 1927–1930

As a young woman, the Japanese writer Miyamoto Yuriko travelled to the Soviet Union in late 1927 and was transformed by the experience. In the world’s first and only socialist state, she perceived the possibility of equal relationships between men and women that were both emotionally and intellectually satisfying. In Soviet Russia, a woman could be ‘fully bloomed’: an equal citizen and worker as well as a wife and mother. Through an examination of her two self-narratives based on her time abroad - her diary and the retrospective, autobiographical novel Dōhyō (Signposts) - I will demonstrate how for Yuriko, the political and personal were inseparable. Her whole-hearted endorsement of the USSR and the equality it seemed to offer women was part of the individual journey begun with her love marriage, her divorce, and her relationship with Yuasa Yoshiko, whom she left for Miyamoto Kenji, a committed communist, after her return to Japan.     

The Impersonal Strategy: Re-visiting Virginia Woolf's Position in The Common Reader Essays

The concept of impersonality as a writer's strategy has been exposed to misinterpretations that either fail to exhaust its full meaning and deposit an unequal amount of attention on all components of the term or, in the worst case, tend to distort its true elements. In relation to Virginia Woolf's criticism, in particular, it is a critical commonplace that the author employed an impersonal position in order not to fully materialise her feminist vision, but to shy away from explicitly expressing her feminist convictions and openly supporting women's rights. Indicative of this is the criticism that suggests disapproval of Woolf's reluctance to side with her own gender and declare the power of female personality.

The aim here is to challenge such critical views, separate the discussion of impersonality from its association with that of androgyny, and re-visit the issue of Woolf's employment of the impersonal strategy. I examine two of Woolf's essays on nineteenth-century women writers included in her first volume of The Common Reader and offer an analysis from both a gender-oriented and a genderless angle. Woolf's strong affinity with female conditions of oppression, her modernist convictions, her need to compromise with the male-dominated context of the time and her concurrent urge to co-operate with the common reader of an unspecified sex for the sake of artistic creation reveal more complex reasons behind her intentions than those examined by critics so far.     

Fashionable ‘Formation’: Reclaiming the Sartorial Politics of Josephine Baker

ABSTRACT

This article historicises Josephine Baker’s use of fashion in terms of contemporary black stage performers, particularly Beyoncé Knowles-Carter’s evolving black feminist politics. It examines Beyoncé’s references to Baker as an inspiration for her own black feminist art and argues that they offer an opportunity to re-examine Baker’s legacy in our own contemporary moment. Using Beyoncé’s arguments about Baker as a starting point, the article examines Baker’s fashions and costumes and argues that she used them to manipulate her relationship to the models of white supremacy that attempted to structure her identity and relationship to the public sphere. Using contemporary black feminist criticisms of respectability politics, it argues that Baker’s fashions produced a politics of disrespectability, where clothing and body worked together to carve out space for black feminist experimentation. By constantly changing the terms through which her audiences and the public read her, Baker carved out a subjective space where she could become in relation to her clothes without restraining herself to the identity categories normatively allotted to black women.     

Alice Havergal Skillicorn,Principal of Homerton College,Cambridge, 1935-60: a study of gender and power

This article sharpens our understanding of the intersection of the discourses of gender and power in the woman principal's role by an in-depth study of Alice Havergal Skillicorn, Principal of Homerton College, Cambridge, 1935-60. Like previous principals, Skillicorn constructed a subjectivity which was dual gendered. In her public life as principal, she adopted a masculine discourse of power which subordinated feminine discourse into the private sphere. But this marginalisation of feminine discourse in her public role made her unable, except in her most intimate emotional relationship, to enact an appropriate femininity in her private life. After a theoretical and contextual introduction, it is shown how Skillicorn marginalised and negated her femininity through her body, by failing to adopt feminine standards of attractiveness in her appearance and clothes. She successfully wielded autocratic power in the public sphere with a masculine discourse of political skill, financial acumen and, most importantly, an instrumentality in her dealings with staff and students, which was entirely devoid of a feminine desire to be liked. The difficulties she faced in the private sphere - difficulties which were assuaged but not overcome by homoerotic friendship - are also discussed.     

‘This fair lady,in her laces’: Margaret Howie Strang Hall,the first woman in Scotland to try to become a lawyer

ABSTRACT

Margaret Howie Strang Hall was the first woman in Scotland, and the youngest woman in the UK, to try to become a lawyer through the same formal process open to her male contemporaries. This examination of Hall’s attempt aims to set it in context, using contemporary court documents and newspaper reports, while expanding on what is known of her life. Hall’s story is an important one in the struggle for equal professional opportunities and her experience in the Scottish legal system provides a counterpoint to the better-known English examples.     

Bedtime

In a review of the responses to British artist Tracey Emin's exhibition of her own bed as an artwork nominated for the 1999 Turner Prize, Merck considers it as a figure of the personal trauma said to be constitutive of subjectivity in the decade. Reviewing theorists of the period including Hal Foster, Marc Augé and Wendy Brown, she considers the artist's work as an illustration of individual isolation assuaged by narcissism. Must the woman artist function as the victim of her own cult of celebrity? In the ensuing months since her nomination, Emin's changing circumstances suggest that other fates- and other histories- may be possible.     

Testimonies in Light: Nan Goldin: Devil's Playground

Nan Goldin: Devil's Playground, recently shown at the Whitechapel Art Gallery in London, represents the first retrospective in the United Kingdom for this American photographer who has lived, and photographed, internationally. Renowned for her photographs of the intimate lives of her friends-herself and the queer and drugs/bohemian communities-Goldin has taken a startling aesthetic/pictorial turn in her new photography. Prosser evaluates Goldin's career and the changes in it, and considers where her photography leaves the documentary tradition from which she arose. Charting in particular a trajectory towards light in her oeuvre, and working with the notion of testimony rather than documentary, Prosser suggests that Goldin has moved from an empathetic but critical representation of gender roles to a spiritual, accepting and visionary perspective on life and loss. His readings of photographs are focused on those from the exhibition and the curating of the exhibition is considered.     

The Changing Images of Simone de Beauvoir in Norway

Abstract

The ways in which the French author and philosopher Simone de Beauvoir (1908–1986) has been portrayed in Norwegian print media have undergone significant changes since she was first introduced to the Norwegian reading public in the 1940s. But how—and why—did her image evolve? This article explores the interplay between the words and phrases used to depict de Beauvoir in Norwegian print media and her seminal essay Le deuxième sexe (1949) and different translations in Norway. By analysing how de Beauvoir is depicted, I aim to produce a better understanding of her multiple and changing images in Norway, and to show how they may be related to the different translations of her best-known work and to her changing status. The transformation of de Beauvoir—from being considered outdated and dependent on Sartre during the 1940s and 1950s, to being highly valued and recognized as an author and memorialist, significant philosopher, and popular feminist icon at the turn of the millennium—is partly a result of the different translations of her major work. At the same time, it could be claimed that her changing image prepared the ground for the translations.     

Constance Maynard's Languages of Love

This article chronicles my almost twenty-year academic journey through the archives at Queen Mary University of London UK (QMUL) for the purpose of researching the life of Constance Maynard (1849–1935). Maynard helped to found Westfield College (now QMUL) as a Christian-based college providing women with new university degrees, and she was Mistress of it for thirty-one years. This article begins by reviewing the scholarly literature behind my queer-gender-sex framework for interpreting Maynard's often contradictory narratives in her diaries and autobiography. I then illustrate how these records are disclosures of her tribulations as an educational leader whose atonement theology shaped her life. This study of Maynard's records of her life experiences, especially her religious-secularist language(s) of love, contributes to reinterpretations of gender-sex-power binaries, when most Victorian women were supposed to be sexually pure, subservient, and confined to the home.     

Caroline Phillips: balancing life as a journalist and a suffragette in a Scottish city

ABSTRACT

Aberdeen Art Gallery holds a unique collection in the history of the Scottish women’s suffrage movement: the correspondence of Caroline Phillips, journalist and honorary secretary of the Aberdeen branch of the WSPU, 1907-09. Through her correspondence, Phillips wrestled with the demands of London headquarters for more militant action, was tempted to join the Women’s Freedom League, and finally saw herself and her friend Helen Fraser replaced by the Pankhursts. Because of her involvement in the suffrage movement, Phillips found it difficult to gain entrance to some political events in the city, making it impossible to complete her work as a reporter, and was threatened with dismissal by her employer. She was also torn between the demands for militant action of the WSPU leadership and her own instinct for a more conciliatory approach. Her correspondence reveals the emotional and personal costs of working for ‘the cause’ in a city far away from the heart of the suffrage movement, but also the fulfilling friendships that sustained and supported her.     

Elena Poniatowska: The feminist origins of commitment

Elena Poniatowska is a well-known, living Mexican woman writer who portrays the reality of the marginal, the disenfranchised, the oppressed. There is therefore an irony at the centre of her ‘popularity’ for many of the men who have reviewed her books have not recognised the reality she presents: they have imposed their own male reality on her work — and praised it. By such means is her reality negated and made invisible while it is simultaneously appropriated.     

Hearts and Minds: War Neurosis and the Politics of Madness in Anna Kavan's I Am Lazarus

Abstract

Anna Kavan's fictional portrayals of psychiatric breakdown and its treatment provide a unique perspective on the patient's experience of early to mid twentieth-century psychiatry. This article looks in detail at Kavan's time working with soldiers suffering from effort syndrome during the Second World War, observing how the solider-psychiatric patient becomes a figurehead for her radical politics in her Horizon article ‘The Case of Bill Williams’ (1944), and a prominent protagonist in her stories. Through close reading of her correspondence, her journalism and her wartime stories collected in I Am Lazarus (1945), it examines how the intersection of psychological trauma and physiological symptoms characteristic of effort syndrome surfaces in Kavan's writing of this period and in her own psychic responses to the war. It observes the importance of figurative language to her portrayal of war trauma and psychological breakdown, as her characters embody metaphor in their psychosomatic symptoms, and explores a twisted reconception of mind–body dualism prevalent throughout her writing of this period. It goes on to examine how the peculiar interaction of the physical and the psychological extends to the relationship between Kavan's characters and their external environment in her Blitz stories. Against the backdrop of the war-torn city, mind and body engage in ongoing conflict, affect and emotion bleed into her physical landscapes, and everyday objects become animated and hostile towards her protagonists.     

desire,Duras, and melancholia: theorizing desire after the ‘affective turn’

This article considers how the concept of desire can be theorized in light of recent work on emotion and affect. In so doing, it questions what desire does and how desire can be theorized, particularly within cinema. Instead of arguing that we must move away from a psychoanalytic interpretation of desire, I ask how this approach can be revitalized and reconsidered through work on affect. This article also highlights the way in which Lacanian and Deleuzian models of desire are constantly set in opposition to each other; in so doing, it seeks to move beyond this impasse and gesture towards alternative ways of theorizing desire. One of the central issues foregrounded within psychoanalytic theory is the process of remembering and forgetting: the method through which the subject can ‘let go’ and move forward. This relationship is figured primarily in terms of the discourse between self and other. Marguerite Duras' work questions this process of ‘letting go’ and offers an alternative conceptualization of desire through her use of melancholia. Beyond an intrinsic interest in her work, because Duras has been admired by psychoanalytic, feminist and Deleuzian scholars, her films present an opportunity to rethink a theorization of desire in light of competing interpretations. In discussing melancholia in terms of Duras' work, this paper also considers the extent to which her use of Hiroshima as a backdrop to the affair presented in the film colonizes desire and its transformative potential.