Commissioning,Community, and Conscience

In all societies, collective memory practices are integral parts of local tradition and culture. While the recent “memory boom” has resulted in a massive international proliferation of commemorative monuments and memorials, not enough attention has been paid to cultural differences in the ways societies remember. By comparing processes of commemoration and memorialization in postapartheid South Africa with selected case studies in the USA, this article highlights the definitive role that material culture and tangible objects as containers of memory play in American society, while among black South Africans, oral and performative modes of remembering have traditionally been more important. In both societies, museums and commemorative monuments are promoted as officially sanctioned sites of collective memory, but their public reception differs significantly. It is argued that official forms of commemoration are most successful when they are connected to; flow naturally out of; or stand in a meaningful, symbiotic relationship with, vernacular forms of commemoration. While the tangible aspects of specific commemorative cultures can easily be imitated internationally or cross-culturally, its intangible aspects can never be assumed to transfer automatically.     

Plantation colonialism,capitalism, and critics

Scholars have variously described the development experience of the Indian state of Kerala as a “model” or a “paradox” or an “enigma” and posited different meanings and significance to its developmental trajectory. Rather than following the usual one-dimensional accounting of Kerala's achievements and shortcomings, we present a historically informed social and political analysis to reveal the meaning and significance of the “Kerala model” of development. This article, thus, critically appraises Kerala's development experience since decolonization to show how the discourse on development and the discursive practices of the dominant actors involved in governance of Kerala diverge in recent years, especially after the second round of economic liberalizations at the national level in 1991, which coincidently corresponds to the beginning of the newest phase of economic globalization. Old lessons are reviewed based on the notion of replicability of the “Kerala model” and new lessons are analyzed within the contexts of sustainability and economic globalization.     

On Music,Censorship, and Globalization

Malik Bendjelloul’s music documentary, Searching for Sugar Man (2012), uses the narrative of its central figure, American rock “n” roll musician Sixto Rodriguez, to allegorize South Africa’s emergence from censorship and isolationism to a post-apartheid and increasingly transnational dispensation. I look at the cultural politics of apartheid-era censorship in attempt to account for Rodriguez’s cult appeal in South Africa, despite his artistic shortcomings and his obscurity in the USA. I then focus on the film’s final concert sequence, featuring Rodriguez’s first South African performance, which Bendjelloul subtly positions as a moment of celebration over the new possibilities enabled by the demise of apartheid and the rise of an increasingly integrated global culture.     

Fourfold subalterns: Catalan,women, translators,and theorists

In Europe’s cultural poly-system, the two women translators examined in this paper can be considered subalterns four times over: because of their nation (Catalonia), gender (female), intellectual activity (translation), and genre (for daring to write translation theory). Born in the late nineteenth century, Carme Montoriol (Barcelona, 1893–1966) and Maria Antònia Salvà (Palma, Majorca, 1869 – Llucmajor, Majorca, 1958) were pioneering women of letters. These two, of different origins, were among the first Catalan women translators to reflect on translation in the male-dominated literary circles of the early twentieth century. In 1928, Montoriol added “Brief Introductory Notes” to her Catalan translation of all of Shakespeare’s sonnets (Els sonets de Shakespeare). In 1945, at the height of the terrible repression of Catalan language and literature by Franco’s dictatorship (1936–1975), Salvà wrote a brief but pertinent “Introduction” to her translation of the poems of St Thérèse of Lisieux (Poemes de santa Teresa de l’Infant Jesús). By framing these two paradigmatic translations and accompanying forewords in their context, we will attempt to ascertain how and why these Catalan translators (despite the restrictive, hostile political environment in the case of Salvà) quietly entered the realm of authorship, explained their work, and placed it in the limelight, how and why they employed what appeared to be a “discreet”, “humble” tone and discourse, and an almost colloquial rhetoric, and what relatively original translation ideas they held.     

Financialization,distribution, and macroeconomic regimes before and after the crisis: a post-Keynesian view on Denmark,Estonia, and Latvia

ABSTRACT

Since the early 1980s, financialization has become an increasingly important trend in developed capitalist countries, with different timing, speed, and intensities in different countries. Rising inequality has been a major feature of this trend. Shares of wages in national income have declined and personal income inequality has increased. Against this background unsustainable demand and growth regimes have developed that dominated the major economies before the crisis: the ‘debt-led private demand boom’ and the ‘export-led mercantilist’ regime. The article applies this post-Keynesian approach to the macroeconomics of finance-dominated capitalism of three Baltic Sea countries, Denmark, Estonia, and Latvia, both for the pre-crisis and the post-crisis period. First, the macroeconomics of finance-dominated capitalism are briefly reiterated. Second, the financialization-distribution nexus is examined for the three countries. Third, macroeconomic demand and growth regimes are analyzed, both before and after the crisis.     

Father,son, and holy ghost: Pye,Solomon, and the ‘spirit of Chinese politics’

Abstract

Mao's Revolution and the Chinese Political Culture structurally is two books. The first (parts I and II pp. 1-159) is a discussion of Chinese psychological characteristics based on the author's 1966 dissertation for MIT, The Chinese Revolution and the Politics of Dependency: The Struggle for Change in a Traditional Political Culture. The second (parts III and IV pp. 160-526) is a competent if somewhat narrow think-tank piece written in 1969 on the Hundred Flowers, the Great Leap, and the early phase of the Cultural Revolution.