Negotiating Female Morality: place,ideology and agency in the Red River Colony

By 1850 British women had settled in the Red River colony, a British outpost in what became the province of Manitoba, Canada, and where the Hudson’s Bay Company established fur trading posts. Through an analysis of documents concerning two unconnected lawsuits involving Countryborn women, it is possible to glean some understanding of how British women became agents of colonialism. Company authorities envisaged that White women would establish households predicated on Victorian patriarchal ideology that defined separate spheres for men and women. This article maps how White women stereotyped non‐White women as ‘Other,’ manipulated their symbolic role as mothers of the English nation, and used rumour to maintain a segregated settlement. It also explores the agency of these White women as they sought to establish a place for themselves through their struggles with one another, with First Nations and Countryborn women, as well as with the White men who ruled the colony.

The establishment at which we encamped last night, may be considered the boundary between the Civilized and Savage Worlds, as beyond this point, the country is uninhabited by Whites, except where a Trading Post of the Honourable Hudson’s Bay Company occasionally presents itself. ¹ [1] Hudson’s’ Bay Company Archives (HBCA) D6/4, Frances Simpson’s Journal, 5 May 1830. In 1830, Frances Ramsey Simpson was the eighteen‐year‐old English wife and first cousin of Sir George Simpson, the Governor of Rupert’s Land. View all notes     

Caring consumption as marketing schema: representations of motherhood in an era of hyperconsumption

What can representations of women's ‘caring consumption’ (Thompson 1996 Thompson, C., 1996. Caring consumers: gendered consumption meanings and the juggling lifestyle. Journal of consumer research, 22, 388–407. Available from: http://www.jstor.org/stable/2489789.[Crossref], [Web of Science ®] , [Google Scholar]) reveal about broad cultural understandings of the nature of motherhood? We study Canadian television advertisements to gain insight into the production of cultural schemas and the reproduction of beliefs about gender and motherhood. Employing an inductive qualitative analysis of portrayals of mothers and women who are not depicted as mothers, we find that the defining feature of mothers' consumption is a unidimensional depiction of control and caring for others, presented as self-evidently gratifying and fulfilling, in the absence of competing consumption goals. Mothers' identity emerges solely from successful consumer choices that benefit others. Such unidimensional representations of consumption stand in contrast to the consumption of women who are not depicted as mothers, who are found to engage in hyperbolic and indulgent consumption targeted towards self-gratification. We thus provide novel empirical data which show that depictions of consumption in mothers and in women not depicted as mothers are extreme in nature. Our findings provide support for, and elaborate on, the concept of ‘caring consumption’ by helping to make sense of media representations appearing within the conjunction of the contemporary marketing context of hyperconsumption, and the parenting/gender context of intensive mothering. By examining extreme consumption in television advertisements, we gain insight into features of maternal consumption ideals that may not be observable in everyday instantiations, such as the lack of mothers' consumption for self-benefit.     

Transing the small screen: loving and hating transgender youth in Glee and Degrassi

The teen television shows Glee (2009-) and Degrassi (2001-) are notable for diversity in gender and sexuality representations. Glee represents a variety of masculine women and feminine men as well as gay, lesbian, and bisexual characters. Likewise, Canada's Degrassi franchise has portrayed non-heterosexual characters in significant and controversial ways. Its most recent incarnation, Degrassi (previously Degrassi: The Next Generation) is discussed in this article, alongside Glee, in relation to their recent inclusions of two transgender-identified teenagers bringing transgenderism to the fore of these programmes' discussions of gender and identity. As trans youth are highly vulnerable due to both systemic ageism and cisgenderism, it is not surprising that both detail narratives of discrimination and assault driven by bigotry and ignorance. Conversely, they also explore more positive aspects of the lives of young people, such as friendship and romance (even as these cause their own problems at times), also enjoyed by trans youth. As such, the themes of ‘love’ and ‘hate’ manifest in interesting ways in both of these televisual texts and guide this article's analysis. While challenging assumptions that trans lives are governed by negative emotional states, these representations continue to reify stereotypes, not only of transness, but also of boyhood, girlhood, race and their intersections. Both representations are grounded in material and emotional journeys (or movements) and the concept of the ‘moving body’ (Keegan, 2013 Keegan, C. M. (2013). Moving bodies: sympathetic migrations in transgender narrativity. Genders, 57. Retrieved from http://www.genders.org/g57/g57_keegan.html. [Google Scholar]) partly informs these readings. The privileging of certain modes of trans personhood and embodiment over less normative (unseen, unacknowledged, and thus invisible) ones is at stake in these representations, but they also lay the groundwork for diverse future depictions. By addressing this gap in research, this article elucidates how gender (diversity) is being constructed for consumption on adolescent television and its potential for (re)thinking trans/gender, identity, and embodiment for young people in contemporary Western societies.     

Rebel masculinities of star/director/text: James Dean,Nicholas Ray,and Rebel Without a Cause

Director Nicholas Ray is arguably most familiar to cinema culture as the American test case for la politique des auteurs, the influential mode of film criticism formulated at the French magazine Cahiers du Cinéma after World War II. Ray was elevated to the status of film ‘author’ for a consistency of vision and style associated with rebellion. Yet, he was known in the film industry as an ‘actor's director,’ both for his background in theater and for bringing Lee Strasberg's ‘The Method’ to Hollywood after it had gained considerable cachet at the Actors Studio in New York since the 1930s. Although Ray was relatively unknown among the movie-going public, his films were (and still remain) recognizable for their male stars, including James Dean, Robert Mitchum, and Humphrey Bogart. In this essay, I look at his most famous film, Rebel Without a Cause (1955 Rebel Without a Cause, 1955. Film. Directed by Nicholas Ray. USA: Warner Bros. [Google Scholar]), to argue that Ray's reputation as a rebel auteur was as much the product of highbrow auteurist film criticism as the mass cultural persona of ‘rebel male hero’ that the film's star James Dean cultivated. As an actor, Dean was promoted at the vanguard of an innovative and experimental new performance style. Further, his star-performance text reveals a construction of masculinity that the film asks us to view as socially rebellious, which is retroactively linked to Ray. Both the film and the popular press form Dean's image constituted by his self-fashioned sense of authenticity, his non-normative sexuality, his highly publicized death, and the identification with an alternative family structure his role invites.     

Revolutionary Mothers? Interacting Power Relations,Agency, and Social Change

In this article a theoretical discussion about intersectionality is carried out in dialogue with the ways in which battered and separated mothers deal with their children's situation and their relationship to their violent co‐parents/ex‐partners. In line with Connell's (1987) Connell, R. W. 1987. Gender and Power. Society, the Person and Sexual Politics, Cambridge: Polity Press.  [Google Scholar] argument that categories such as gender are shaped by several structures and that the social order is inherently instable due to historic “unevenness”, contradictions, and internal differentiation, it is shown how abused mothers both follow and undermine well‐established notions of childhood, gender, and parenthood when trying to tackle their situation post separation or divorce. What is furthermore shown is how their “doing” of age, gender, and kinship entails both dichotomization and neutralization. It is argued that constructions prominent in public discussions about children at risk—the intrinsic value of childhood, children's right to personal integrity, and need of safety and protection—serve as a resource when the interviewees argue against the norm prescribing contact between children and fathers post separation and divorce. Two established constructions of the child's best interests are set up against each other when the mothers try to undermine power associated with the father position. An empirically sensitive and actor‐centred intersectional analysis must be sophisticated enough to grasp such complexities if we are to be able to fully explore possibilities for social change.     

‘The Worst Job in the World’: Reform,Revolution, and the Secret Rebellion in Florida's Cane Fields

Governments around the world are embracing guestworkers as a flexible labor force. The untold story of 1960s-era strike wave among Caribbean sugarcane cutters in Florida shows how the longest-running US guestworker program – the H2 Program – has functioned. The program, which began in 1942 and continues today, provided Florida's sugarcane industry with its sole source of harvest field labor, and became all the more important in the 1960s as the Cuban Revolution and the embargo that followed it caused Florida's industry to expand exponentially. Expropriated Cuban sugar moguls adopted the labor practices pioneered by the US Sugar Company, importing mostly Jamaican peasant farmers as temporary workers and deporting those who refused to accept their terms. Federal efforts to mitigate growers' exploitative practices only encouraged worse labor abuses. Cane cutters defended themselves with frequent strikes but deportations made insurgency's gains ephemeral.

‘No ebery ting wha got sugar a sweet’.

Jamaican proverb 1 1. Frank Cundall 1924 Cundall, Cundall. 1924. Jamaica in 1924: A Handbook for Visitors and Intending Settlers with Some Account of the Colony's History, Kingston, Jamaica: The Institute of Jamaica.  [Google Scholar]: 56].      

Understanding ‘The Panty Shanty’: off-campus house signs as cultural texts on gender and sexuality

Students at a large, prestigious, public university in the Midwestern region of the USA have a long-standing tradition of naming their rented houses off campus and communicating those names to the student body through displaying prominent and eye-catching house signs. Examples of signs names and visual characteristics are: ‘Betty Ford Clinic’ (featuring an image of a martini glass); ‘Morning Wood’ (referencing male sexual arousal and depicting a tent with a man's legs sticking out); ‘Time Well Wasted’ (written in pink over a beach scene and a martini glass); ‘Fox Den’ (images of a fox tail and a well-known sorority symbol); ‘Tequila Mockingbird’ (a play on words); and ‘Down on U’ (the sign references a sexual act for a house located on University Avenue). Through a socio-feminist and social constructionist perspective, the researchers use content analysis to explore how these house signs serve as cultural texts on gender and sexuality norms in the American undergraduate college setting. Based on our data, house signs reinforce dominant forms of gender ideologies, including hegemonic masculinity and emphasized femininity, both of which are associated with upholding and promoting institutionalized patriarchy (Connell, R. W., &; Messerschmidt, J. W. (2005 Connell, R. W., &; Messerschmidt, J. W. (2005). Hegemonic masculinity: Rethinking the concept. Gender &; Society, 19, 829–859. 10.1177/0891243205278639.[Crossref], [Web of Science ®] , [Google Scholar]). Hegemonic masculinity: Rethinking the concept. Gender &; Society, 19, 829–859). These house signs are also shown through the data to promote a campus culture of heteronormativity where partying, drinking, and casual sex are standards for social belonging, and where high rates of sexual assault persist. As opposed to viewing house signs as simply manifestations of student wit and harmless humor, the researchers critically evaluate if and how these visual displays serve as a mechanism through which gender and sexuality-related inequalities are perpetuated within a higher education institutional setting. Implications for students and their college campuses are discussed.     

My Heroine

Desire is forced to maintain itself in this space between reality and pleasure, this frontier that power jealously controls with the help of innumerable frontier guards: in the family, at school, in the barracks, at the workshop, in psychiatric hospitals and, of course, at the movies (Guattari 1996a Guattari , Félix (1996a) , ‘A Cinema of Desire’ , trans. from the French by David L. Sweet , in Félix Guattari , Soft Subversions , ed. Sylvère Lotringer , New York : Semiotext(e) , pp. 143 – 54 . [Google Scholar]:144).     

The Deathly Sleep of Frederic Leighton's Painted Women

In this article, the author argues that, towards the end of his life, Frederic Leighton (president of the Royal Academy from 1878 to 1896) became increasingly preoccupied with painting sleeping and entranced women as a way of simulating death. In turn, death in Leighton's art comes to look like pleasured sinking into unconsciousness accompanied by an irreversible bodily dissolution, which is registered in the multiplying of the ‘endless folds’ in the figures’ drapery. The author analyses key examples of paintings by Leighton of sleeping and sleepy women—namely, Cymon and Iphigenia (1884), The Garden of the Hesperides (1892) and Flaming June (1895)—within the context of late Victorian anxieties around sleep and its resemblance to death. In these works, Leighton twists and elongates the sleeping women's necks and limbs to make them appear dangerously serpentine, while increasing the activity of the drapery to register both the meanderings of the subconscious and the dissolution of the body. The drapery disorganizes classical form, taking on the appearance of liquid, hair and melted wax.     

Grrl explorers of the World Wild Web

Scholars in feminist rhetorical theory and linguistics have documented ways in which online environments reinstate patriarchal forms of control, leading to the continued online victimization of women. In this article, young women's resistance to a narrative of victimization is seen through the lenses of a feminist reconstructionist perspective and a gender diversity perspective (Foss, Foss and Griffin 1997 Foss Sonja Griffin Cindy Foss Karen. 1997 Transforming rhetoric through feminist reconstruction: A response to the gender diversity perspective. Women's Studies in Communication, 20 117 35  [Google Scholar]; Condit 1997 Condit Celeste M. 1997 In praise of eloquent diversity: Gender and rhetoric as public persuasion. Women's Studies in Communication, 20 91 116  [Google Scholar]). The author finds that grrls are best understood within a gender diversity perspective on rhetoric (Condit 1997 Condit Celeste M. 1997 In praise of eloquent diversity: Gender and rhetoric as public persuasion. Women's Studies in Communication, 20 91 116  [Google Scholar]; Butler 1990 Butler Judith. 1990 Gender Trouble. Feminism and the Subversion of Identity. 1st ed. New York Routledge [Google Scholar], 1997 Butler Judith. 1997 Excitable Speech: A Politics of the Performative. New York Routledge [Google Scholar]). Grrls appropriate the frontier metaphor and engender masculine talk to communicate resistance and change. The author concludes that the rhetoric of young women broadens the scope of feminist rhetorical criticism and calls for a re‐visioning of feminist rhetoric.     

Internationalism and Commitment at the Kitchen Table

The contributors to this issue focus on legal internationalism (Peroni 2016; Turan 2016), including hybrid mixes with nationalist forms (Sankey 2016). They have provoked us as editors to think more about these sites and forms of engagement. Sankey shows how civic participation in the ECCC has played a key role in surfacing the gendered harms of separation and starvation. Turan highlights the problems with ICC exclusion of the experience of men and boys from sexual violence. Peroni expresses her hesitations over the Istanbul Convention given an association between assumed vulnerability and migrant women, while admiring its uncoupling of violence and culture. Cruz’s interview with Wendy Brown (2016) contextualizes and expands on these themes as they consider, with other participants, the future of feminist theory in the context of neo-liberal capturing of rights and legal space. Thinking more about internationalism and commitment in this context also helps us hold a mirror up to ourselves as we reflect more critically on our own naming of FLS as an ‘international’ journal. Together these contributions, and the reviews of new work, play a role in fleshing out an editorial commitment to enacting the journal as a living thing that ‘hangs together somehow’ (Mol 2002) even as it is known differently in different places.     

‘Control Grabbing’ and small-scale agricultural intensification: emerging patterns of state-facilitated ‘agricultural investment’ in Rwanda

The Rwandan government's ongoing reconfiguration of the agricultural sector seeks to facilitate increased penetration of smallholder farming systems by domestic and international capital, which may include some land acquisition (‘land grabbing’) as well as contract farming arrangements. Such contracts are arranged by the state, which sometimes uses coercive mechanisms and interventionist strategies to encourage agricultural investment. The Rwandan government has adapted neo-liberal tools, such as ‘performance management contracts’, which make local public administrators accountable for agricultural development targets (often explicitly linked to corporate interests). Activities of international development agencies are becoming intertwined with those of the state and foreign capital, so that a variety of actors and objectives are starting to collaboratively change the relations between land and labour. The global ‘land grab’ is only one aspect of broader patterns of reconfiguration of control over land, labour and markets in the Global South. This paper demonstrates the ways in which the state is orienting public resources towards private interests in Rwanda, through processes that have elsewhere been termed ‘control grabbing’ [Borras et al. 2012 Borras, S.M., et al. 2012. Land grabbing and global capitalist accumulation: key features in Latin America. Canadian Journal of Development Studies/Revue canadienne d'études du développement, 33(4), 402–416. doi: 10.1080/02255189.2012.745394[Taylor &; Francis Online], [Web of Science ®] , [Google Scholar], 402–416].     

Between particularism,universalism and transversalism. Reflections on the politics of location of European feminist research and education

Against the background of the intense cross‐national networking activities, which have characterized feminist research and education in Europe since the beginning of the 1990s, the article discusses politics of national and regional location. Illustrated by a discourse analysis of three Europe‐based feminist research journals with an explicitly marked international scope, it is pointed out that it seems to be a difficult task to avoid the pitfalls of universalism, on the one hand, and particularism, on the other. The three selected journals are: Feminist Theory, The European Journal of Women's Studies, and NORA, Nordic Journal of Women's Studies. Along the lines of Yuval‐Davis (1997 Yuval‐Davis Nira 1997 Gender & Nation London Sage  ), the article argues for a feminist approach to European networking, which should be based on a dialogic and transversal feminism. The assessments of the politics of location of the three journals are, moreover, inspired by the notion of transnational feminism, developed within the context of post‐colonial feminism (Grewal and Kaplan 1994 Grewal, Inderpal and Kaplan, Caren, editors 1994 Scattered Hegemonies: Postmodernity and Transnational Feminist Practices Minneapolis University of Minnesota Press  ; Kaplan, Alarcón and Moallem 1999 Kaplan Caren Alarcón Norma Moallem Minoo 1999 Between Women and Nation: Nationalisms, Transnational Feminisms, and the State Duke University Press  ). The article has two main sections. First, it discusses tenacious universalisms, using examples from the journal Feminist Theory. Afterwards it proceeds to a complementary pitfall – that of particularism. Examples are here drawn from NORA and The European Journal of Women's Studies. In conclusion, some guidelines are suggested that might usefully be taken into account when engaging in European feminist activities such as publishing journals, organizing conferences and networks etc.     

Homework

This article explores how plays in the 1890s engaged with an aspect of evolutionary theory that had become particularly vexed—namely, the idea of gender essentialism: whether motherhood was the true calling for women; whether the bond with the infant was inevitable and instinctive; whether, as Shaw's teleological, progressive vision would have it, the woman's evolutionary role was to be the ‘life force’, selecting the superior mate for the continued improvement of the species. Considering this question can deepen our understanding of the interaction between science and literature in this period, and also usefully complicate the narrative often told about the figure of the New Woman in drama. Two plays of this period address particularly well the question of what is ‘natural’ maternal behaviour: James A. Herne's Margaret Fleming (first staged in 1890) and Elizabeth Robins and Florence Bell's Alan's Wife (first staged and published in 1893).     

Landscape,revolution and property regimes in rural Havana

This article explores landscape as an expression of political change. It focuses on the radical transformations in landholding after 1959 and post-1989. Given that landscape is understood as a socio-cultural and political process rather than – as geographers commonly treat it – a cultural image fixed in place [Hirsch, 1995 Hirsch, Eric. 1995. “Landscape: Between Place and Space”. In The Anthropology of Landscape: Perspectives on Place and Space, Edited by: Hirsch, E. and O'Hanlon, M. Oxford: Clarendon Press.  [Google Scholar], this analysis examines how the political changes in Cuba are made manifest in Havana's rural landscape. It also looks at the ontological relationship to landownership particularly during the Special Period, and focuses on how property is conceptualised by smallholding peasants who belong to agrarian co-operatives.     

Survival Strategies of Widows in Dijon during the French Revolution

When people talk about their lives, people lie sometimes, forget a little, exaggerate, become confused, and get things wrong. Yet they are revealing truths … the guiding principle for [life histories] could be that all autobiographical memory is true: it is up to the interpreter to discover in which sense, where, and for what purpose. (Passerini Passerini and Luisa. 1989. “Women's Personal Narratives: Myths, Experiences, and Emotions”. In Interpreting Women's Lives: Feminist Theory and Personal Narratives. Eds. Personal Narrative Group and Joy Webster Barbre 197Bloomington: Indiana, UP Print [Google Scholar] 197)     

The Nationalization of Motherhood and the Stretching of its Boundaries: Shelihot Aliyah and evacuees in Eretz Israel (Palestine) in the 1940s

This article examines perceptions of motherhood as they developed during the late 1940s in the midst of the national struggle for independence in Eretz Israel (Palestine). It considers two case studies in which mothers who were ‘recruited’ by the emerging nation were temporarily separated from their children. The first case concerns women emissaries (Shelihot) who were called to help in Jewish refugee camps in Europe after the Holocaust. The second case involves mothers who were not evacuated with their children from their settlements during the War of Independence but remained, instead, at the front line. These situations led to the development of new perceptions of women and motherhood, which were shaped and matured during the national struggle for independence. The two case studies are used as lenses to explore women's own experiences and perceptions against the backdrop of the intensified idealization of motherhood in times of emergency circumstances.     

Between Labour and Love: The Re‐erotization of Home‐making in Egalitarian Couples within a Nordic Context

This article addresses a proposed rupture between duty and desire in late modern intimacy: the optimistic account of liberated love propagated by Anthony Giddens (1991 Giddens, Anthony. 1991. Self and Society in the Late Modern Age, Cambridge: Polity Press.  [Google Scholar], 1992 Giddens, Anthony. 1992. The Transformation of Intimacy: Sexuality, Love and Eroticism in Modern Societies, Cambridge: Polity Press.  [Google Scholar]) on the one hand, and the feminist critique, among others presented by Lynn Jamieson (1998 Jamieson, Lynn. 1998. Intimacy. Personal Relationships in Modern Societies, Cambridge: Polity Press.  [Google Scholar], 1999 Jamieson, Lynn. 1999. Intimacy transformed? A critical look at the “pure relationship”. Sociology, 33(3): 477–494.  [Google Scholar]) on the other, that emphasizes a widened gap between ideals of pure love and a persistent gendered division of work. Drawing on a longitudinal study of egalitarian couples in Norwegian society, the article outlines an alternative picture. Faced with a noticeable erotization of work and an accentuated focus on the child as a project, neither negotiations for a fair distribution of practical duties nor the mutual disclosure and passion seem to provide the glue in these couples. Instead, the tensions between domestic responsibilities, heavy work requirements, and high expectations on emotional closeness seem to produce new configurations of commitment and desire. Rather than untying domestic necessities from passionate love, these couples transform the timebind into a narrative about shared projects. The achievements of these shared projects are twofold: they liberate the process of home‐making from the gendered narratives, and they permeate these de‐gendered narratives with a romantic spirit. By making these joint projects a focal point in their everyday lives, these couples have managed to reformulate both love and home‐making in a way that produces a committed “in‐between” in their intimate relationship, the overarching principle that is missing in Giddens' concept of confluent love.     

The Well-Tempered Breast: Fostering Fluidity in Breastly Meaning and Function

This article looks at the phenomena of induced lactation and adult nursing. While maternity is understood to perform a certain kind of body modification, it is little known that lactation can also work independently of the pregnant body, or even of the female sex to modify the breast and its function. Induced lactation allows for a splitting away of breastfeeding from maternity, opening up possibilities for elaborating on the cultural meanings and uses of breastmilk as a substance, breastfeeding as a practice, and lactation as a process. Finally, by introducing lactation into sexual play, it offers the opportunity for a mutual confluence of bodily flows which may help to disassemble the binaries of sexual difference.

“… how are we to prevent the very unconscious (of the) ‘subject’ from being … diminished in its interpretation, by a systematics that re-marks a historical ‘inattention’ to fluids? In other words: what structuration of (the) language does not maintain a complicity of long standing between rationality and a mechanics of solids alone?

Luce Irigaray, “The Mechanics of Fluids” in This Sex Which is Not One ^{1 1}Translated by Catherine Porter and Carolyn Burke. New York: Cornell UP, 1985, p.107

“Breastfeeding is a partial expression of female sexuality and yet there is no awareness or understanding of it today, no culture attached to it and not even an inkling of its rank as a sexual potentiality … even the history of the female species formulated by women themselves, however fragmentary, maintains a seldom-interrupted silence over this special sexual experience.”

Barbara Sichtermann, “The Lost Eroticism of the Breasts” ^{2 2}In Femininity: The Politics of The Personal. Ed. H. Gyer-Ryan. Translated by J. Whitlam. Cambridge: Polity, 1986, pp. 55-68, p. 56.

“Would you like to try some?”

“Thank you.” She swallows her last bit of cake. “I would.”

So we go through the process again. This time when I have bared my breasts I lean over and put the nipple between her lips. After a few tugs from her mouth, surprisingly strong, I have to put my hand on the wall to brace myself. She seems to pull clear through me.

“You are flushed,” she says when she comes away.

“You are fleshed,” I reply.

Susann Cokal, Mirabilis ^{3 3}Sydney: Hodder Headline, pp.78–9

     

Launching a New Journal: Women and Social Movements in the United States, 1600–2000

This article traces the founding and development of an online journal, Women and Social Movements in the United States, 1600–2000 (WASM), which Sklar & Dublin began editing in 2003. A quarterly journal, a database, and a website, WASM publishes edited collections of primary documents and full‐text sources that focus on the history of women and social activism in the United States. The journal’s editors discuss their experience in launching the journal and reach out to scholars in the UK to expand the transnational and comparative dimensions of the project.