Women's history: a study in continuity and change

In this response to Bridget Hill's viewpoint published inWomen's History Review, 2, pp. 5-22, Judith Bennett argues that her position is more subtle and more nuanced than Hill's critique would suggest. Bennett defends the historiographical importance of re-assessing the place of continuity in women's history; she emphasizes the legitimate place of generalization in women's history; and she argues that patriarchy is a critical subject of investigation for feminist historians.     

Elizabeth’s Pious Pilgrimage; or the Ghost in the Garden

Abstract

This article is an analysis of the ‘Pious Pilgrimage’ section of Elizabeth and Her German Garden from a psychoanalytical perspective, focusing on the uncanny sense of the spectrality of the living and its connection to gender identity. It also offers an intertextual reading, placing the passage in the context of ‘the ghost in the garden’ as a recurring trope in the English novel. When ‘Elizabeth’ returns to the garden of her childhood, she experiences two spectral encounters: an imagined glimpse of her grandfather’s ghost and an encounter with a doppelgänger in the shape of a real child with her own name, who makes her feel as if, like Shelley’s Magus Zoroaster, she has met her ‘own image walking in the garden’. She is not the only figure in English literature to do so: behind the kitchen garden where Elizabeth has her encounter we can feel the presence of the kitchen garden in Great Expectations, where Pip sees a prophetic vision and encounters a double in the form of a ‘pale young gentleman’. This same encounter with ‘the ghost in the garden which is not a ghost’ resurfaces in a number of later texts, of which the author discusses two instances: Frances Hodgson Burnett’s The Secret Garden and David Profumo’s The Weather in Iceland. These can be taken as positive and negative conceptions of the spectrality of the living: von Arnim’s ‘ghost in the garden’ is balanced between the two in a passage treading the boundaries of comic realism and Gothic horror.     

re-reading horror stories: maternity,disability and narrative in Doris Lessing's <Emphasis Type="Italic">The Fifth Child</Emphasis>

The central issues raised in much of feminist literary theory's early scholarship remain prescient: how does narrative engage with the social‐historical? In what ways does it codify existing structures? How does it resist them? Whose stories are not being told, or read? In this article I use Doris Lessing's novel The Fifth Child (1988) as a text with which to begin to address the above questions by reading with attention to the mother story but also the ‘other’ stories operating both within and outside of the novel; in particular I am concerned with the convergence of maternity, disability and narrative. The novel's co-implication of sexual difference and corporeal difference reveals the ways in which the mother's story is both made possible and authorized by the disabled body of her child, and by his inability to tell his own story. Yet, if The Fifth Child is a horror story that uses the disabled child's body as its ground, it is also about the horror of maternity, in its conception and attendant choices. In this fictional story as well as in the social‐historical narrative circulating at the time of its publication in the late 1980s, both child and mother are indicted in their otherness and it is ultimately impossible to separate one from the other.     

Augusta Webster’s Mother and Daughter and the only child debate

The enduring debate about family size has roots in Victorian England, most notably in literary works addressing the issue of balancing motherhood and a writing career. One Victorian writer and activist, Augusta Webster (1837–1894), directly addressed the issue of family size in her uncompleted sonnet sequence Mother and Daughter (1895), which she began when her only child was a newborn. In this posthumous series of 14-line poems, Webster defends her decision to have one child and, in doing so, challenges popular assumptions that only women with multiple children could be considered ‘complete’, socially-acceptable mothers. Despite her efforts, however, and despite the rising popularity of one-child families, the results of numerous scientific studies and the lingering critiques of mommy blogs make it clear that challenges to mothers of ‘onlies’ remain.     

Silk dresses and lavender kid gloves: the wayward career of Jessie Craigen,working suffragist

Abstract

Occasional references to Jessie Craigen occur in the literature on the nineteenth-century women's suffrage movement, generally emphasizing her importance as a working-class suffragist. Previously unknown material throws more light on her career, revealing the eddies of love and exasperation which flowed around her. This paper discusses the various representations of Jessie Craigen to be found in letters among her friends, representations which served to paint her – sometimes warmly, sometimes dismissively – as odd, eccentric, undisciplined. It also examines the more positive sense of herself which she attempted to convey in letters to several of her middle-class promoters – as a romantic authentic in the grip of unbrookable, passionate conviction. Her story confirms the existence of a current of radical-liberal opinion within the nineteenth-century women's movement, and the difficulties which confronted those who found themselves among its paid employees     

Bridging cross-cultural feminisms: annie besant and women's rights in England and India, 1874-1933

Abstract

Annie Besant was a Victorian radical whose outspoken views included advocacy of women's rights and opposition to British imperial policies. In her mid-forties she went to live in India. Contesting British attempts to Westernize Indian society, Besant found herself in the seemingly anomalous position of defending traditional Indian patriarchy and resisting efforts to reform the status of Indian women. Such conservatism brought on Besant criticism not only from Western liberals and Christian missionaries, but also from many Indian social reformers. When she gradually shifted her views and voiced her support for Indian women's rights, Indian nationalists condemned her as a British imperialist. The conflict between loyalty to national heritage and opposition to traditional patriarchy is one that colonized women have commonly experienced. By examining how an anti-imperialist British feminist responded to the question of women's reform in India, this paper offers another perspective on the complexities of this dilemma.     

Behind Harold's Bloomsday Book: Gothic Secrets in Literary History

Harold Bloom's influential theory of literary influence has been widely regarded as utterly patriarchal, and yet some feminist critics have adapted rather than attacked it. The theory argues that a great poem aggressively rewrites and thereby conceals its precursor in order to appear as completely original. Bloom's theory of precursors invites in its turn an application of itself to itself, and his Anxiety of Influence seems to trail several possible antecedents, such as Shakespeare and Freud. A more powerful precursor, however, is a novel written by a woman: Mary Shelley's Frankenstein . Just as Bloom's theory postulates only fathers replicating themselves through generational struggle and identification, so Mary Shelley's Gothic shocker represses the mother as both a source and an object of desire. What Bloom's theory thus represses behind its model of masculine sublime poets is a feminine Gothic novel. There is, however, a crucial difference: whereas Shelley's novel is profoundly critical of Victor Frankenstein's paternal shortcomings, such overweening Gothic masculinity provides the very basis of Bloom's Anxiety of Influence (1973), conceived as it is in the immediate post-Vietnam era. Such strong revision notwithstanding, behind the strong critic who re-asserts American masculinity after Vietnam stands the madman in the laboratory, and behind him stands the repressed mother, otherwise known to literary history as the Madwoman in the Attic. What she reveals is that literary history is Gothic rather than sublime, and that it will not ultimately cover and compensate for the worst creation of men: war itself. Even the enquiring spirit of the New Historicism emerges as a function of this Gothic exposure.     

The victorian female civilising mission and women's aspirations towards priesthood in the Church of England

This article analyses the effects of the Victorian female civilizing mission, with its central motif of spiritual womanhood, in shaping women's aspirations towards the Anglican priesthood during the twentieth century. The considerable development of nineteenth-century women's ex officio ministry is documented, and the ensuing clash in early twentieth-century male/clerical and female perspectives on women's appropriate role within church life is analysed. The article concludes with a brief discussion of the legacy of the Victorian civilising mission evident within the post-1960 Anglican debate over women's ordination.     

‘A conscientious and well-informed Victorian mother’: Elizabeth Gaskell's letters to her daughters

Unlike the majority of the major female authors of the Victorian period, Elizabeth Gaskell was a mother, and her understanding of motherhood was one of the defining preoccupations of both her life and her fiction. In her lively and intimate letters to her four daughters, Gaskell provides a fascinating insight into mid-Victorian motherhood. ‘Conscientious and well-informed’, frank and self-reflexive, Gaskell's letters reflect the social and intellectual ferment of the period and shed light on some of the most pressing issues faced by mothers of the period, including the psychological development and education of children, the Victorian crises of religious schism and unbelief, and the rise of feminism.     

Constance Maynard's Life-Writing Considered as Spiritual Autobiography

Viewing Constance Maynard's unwieldy life-writings within the tradition of spiritual autobiography reveals many of the irresolvable tensions with which she wrestled. Although she chose to see her public role as spearheading a crusade against modern rationalism, her inner life was as much concerned with the struggle to repudiate her parents’ ascetic Evangelical piety in favour of a more emotionally intense spirituality. Her conviction of conversion's centrality fostered a sense of mission which bolstered a sense of her own exceptionality as a ‘prophet’ chosen by God. This in turn nourished her belief that she was justified in exempting herself from the roles and relationships conventionally assigned to her gender, by pursuing same-sex desire and sexless motherhood.     

Women,Godliness and Personal Appearance in Seventeenth‐Century England 1

This article discusses Lady Jersey's brief sojourn in New South Wales in 1891-92, as the wife of the colonial governor. In the context of colonial anxieties and hopes about the contemporary women's movement, Lady Jersey's aristocratic confidence and imperial authority gave her the appearance of an ‘Advanced Woman’. A published writer and confident public speaker before she arrived in the colony, Lady Jersey took a keen interest in local political affairs, and her demeanour and activity were swiftly satirised in the radical nationalist and frequently misogynist Bulletin. Local feminist groups, perhaps craving some of the legitimate public authority she so readily exercised, sought her patronage and support but were generally doomed to disappointment. The article suggests that Lady Jersey, despite her own conservatism, offered an ambiguous role model for those seeking positive ways in which to imagine female power.     

MARRIAGE ‘AMONG THE MURKANS’

Abstract Stella Miles Franklin (1879–1954) is best known for contributions to a uniquely Australian literary tradition. However, during her American years (1906–1915) when she worked in Chicago with the National Women's Trade Union League, Franklin wrote much unpublished fiction in the New Woman literary genre common to early-twentieth-century US women's traditions. This paper focuses on two such little-known unpublished stories: ‘Uncle Robert's Wedding Present’ (1908) and ‘Teaching Him’ (1909), discussing ways their entanglements with questions of marriage and economics are grounded in Franklin's work and personal life and in the intellectual influences that shaped her writing.     

‘A Job That Should Be Respected’: contested visions of motherhood and English Canada's second wave women's movements, 1970–1990

ABSTRACT

This article focuses on the forgotten voices of marginalized feminist mothers—those active in welfare rights groups. These activists were primarily poor single mothers who understood motherhood differently from more mainstream feminists. Whilst they echoed mainstream feminist demands for childcare, they also supported women's right to stay at home with their children, emphasizing the role of the state. This presented a serious class-based critique in a society that increasingly saw stay-at-home motherhood as a middle-class option. This article focuses upon working-class mothers' groups, thus problematizing dominant feminist discourses and developing a more diverse history of second wave feminism in Canada.     

‘Behind the blessed shelter of the microphone’: managing celebrity and career on the early BBC—Mabel Constanduros, 1925–1957

Mabel Constanduros was a much-loved radio star on the BBC for over thirty years. Best known as the creator and performer of the comedic Cockney family, the Bugginses, she also wrote and performed in numerous dramatic works and novel adaptations, and penned over one hundred plays and novels. Furthermore, she was a pioneer of both British situation comedy and soap opera. Yet, to date, there has been no serious academic attempt to understand Constanduros's life, craft, or influence on twentieth-century British popular culture. In addition to biographical recovery, this article analyses Constanduros's public and private personas in order to open a much-needed conversation about the contours of women's experiences on radio in the early days of the BBC.     

The Nationalization of Motherhood and the Stretching of its Boundaries: Shelihot Aliyah and evacuees in Eretz Israel (Palestine) in the 1940s

This article examines perceptions of motherhood as they developed during the late 1940s in the midst of the national struggle for independence in Eretz Israel (Palestine). It considers two case studies in which mothers who were ‘recruited’ by the emerging nation were temporarily separated from their children. The first case concerns women emissaries (Shelihot) who were called to help in Jewish refugee camps in Europe after the Holocaust. The second case involves mothers who were not evacuated with their children from their settlements during the War of Independence but remained, instead, at the front line. These situations led to the development of new perceptions of women and motherhood, which were shaped and matured during the national struggle for independence. The two case studies are used as lenses to explore women's own experiences and perceptions against the backdrop of the intensified idealization of motherhood in times of emergency circumstances.     

Endings and Beginnings …

How women remember, represent and write about their own lives and each other's lives is a central problem in the field of feminist auto/biography. Eglantyne Jebb (1876–1928) did not live long enough to write her own life story, but she is known as the founder of the Save the Children Fund in 1919 and as the author of the Declaration of the Rights of the Child, which was adopted by the League of Nations in 1924. Women who had a great deal invested in the telling of Jebb's life story provide the only accounts we have of her life. This article contributes to the field of feminist auto/biography by providing a fuller depiction of the life of Eglantyne Jebb. Today, the value of Jebb's private writing lies in its wit and honesty. Her letters and diaries illustrate the familiar hard and heroic struggle to accommodate to the ordinary and extraordinary demands of family relationships, the search for adult intimacy, the desire for a meaningful career and the acceptance, in the final years of her life, of new challenges and possibilities whereby Eglantyne Jebb became a notable humanitarian and children's rights activist.     

nature,nurture and nation: Nísia Floresta's engagement in the breast-feeding debate in Brazil and France

This article looks at the way the Brazilian writer and educator Nísia Floresta addresses issues of race and class within her construction of nationhood. This is achieved through a consideration of the specific subject of maternal breast-feeding as discussed by Floresta in two texts, written in Brazil and France, respectively. A comparison of these works reveals a very different engagement with race and class factors in determining women's claim to citizenship. Floresta, in common with early 19th-century European feminism, believed this claim to lie within the domestic sphere, primarily in the role of mother and educator. The article considers how, as a vital aspect of that role, she portrays maternal breast-feeding as both natural and patriotic. It also highlights the extent to which Floresta was influenced by the prevailing concerns of her contemporaries regarding the risks of wet nursing and the threat posed by household slaves, before going on to consider how this discourse leads Floresta to exclude black slave women from her vision of patriotic motherhood, while acknowledging the maternity of women of all classes in a European context. Patriotic concerns, shaped by racial prejudices, overshadow Floresta's feminism, prohibiting the kind of unifying discourse of motherhood, which she claimed to profess.     

'More Intimate Than Violence': Sexual Violation in Sarah Dunant's Transgressions

Horeck looks at what happens when a feminist author attempts to rewrite one of culture's most powerful narratives: the story of female victimization and male sexual violence. Exploring the controversy surrounding Sarah Dunant's 1997 thriller Transgressions , a novel accused of being 'anti-feminist' for its alleged depiction of female sexual arousal in a rape scene, she asks after feminism's fictional investment in images of rape. What kind of cultural work are images of sexual violence being made to perform for feminist crime writers? Her contention is that Dunant's novel exemplifies the purchase that rape holds for feminism as a scenario for working through questions of female agency and male-female sexual relations. Through her represenation of the female translator's attempt to rewrite a dominant cultural narrative of male brutality and female victimization, Dunant is thematizing the difficult work of the feminist crime writer. But while the novel's fictional representation of sex and violence can be read as an attempt to unsettle governing gender codes, Horeck argues that it also inadvertently shows up the limitations of the female crime writer's attempt to fight 'fantasy with fantasy'.     

Putting Dad in the Picture: fatherhood in the popular women's magazines of 1950s Australia

This article explores the shifting meaning of fatherhood within the popular women's magazines of 1950s Australia. Breadwinning fatherhood reigned throughout the decade, and magazines such as Women's Weekly and Woman's Day keenly emphasised the care of children as a mother's domain. Even in these manuals of idealised motherhood, though, this division was not inviolate. As the 1950s went on, letters, articles and advertisements make it clear that fathers—just as the breadwinner was legitimated by economic boom—were increasingly expected to do more than simply earn the bread, although these expectations fell some way short of a gender revolution.     

Women in Television in the Multi-Channel Age

This article explores the impact of structural and technological change on women's employment in the UK television industry. It looks at the challenges faced by women in working in what has become since the mid-1980s a largely freelance industry where short-term contracts, informal recruitment procedures and long, unpredictable work schedules mean that women find it increasingly difficult to combine a career and family. Through case studies of individual careers, of a women's magazine programme for S4C Digital and a survey of women's credits on a selection of the newer channels (Sky One, UK Living and Channel 5), it argues that technological advances in digital transmission and production will not improve working conditions and opportunities for women's participation in all areas of the industry if they continue to replicate existing practice.