Divining Psychoanalysis: Melancholia,Dostoevsky and Kristeva

Julia Kristeva has recently depicted Melanie Klein as a female genius in divining and bringing to life her analytic patients' psyche, by identifying with them and projecting her fantasies into them, as Kristeva says mothers do in transforming the proto-fantasies constituted by their infants' object-oriented bodily drives into semiotic and symbolic meaning. In explaining how Kristeva arrives at this account of psychoanalysis Sayers discusses her previous work on melancholia, and the accounts by Freud and particularly by women psychoanalysts--notably Joan Riviere, Melanie Klein and Hanna Segal--of melancholia as a defence against loss and guilt over the hateful destruction of others through thing-like self-division of hate and love. She also explores the religious and psychoanalytic theories of William James and Wilfred Bion. Most of all, however, she illustrates Kristeva's approach to melancholia, as Kristeva does herself, by using the example of Dostoevsky's Crime and Punishment , in which Sonia identifies with the arguably melancholic Raskolnikov and thereby resurrects him to psychological life. Sonia, however, is a fiction. Kristeva, by contrast, in describing Melanie Klein as a female genius in transforming psychoanalysis into a species of divination, presents such ideals and fictions about women and femininity as fact.     

The Liquefaction of Desire: Music,Water and Femininity in Victorian Aestheticism

This article reconsiders Victorian images of mermaids and sirens through a detailed examination of two images: Frederic Leighton's Lieder ohne Worte (1861, oil on canvas, Tate Britain) and Edward Burne-Jones's The Depths of the Sea (1886, oil on canvas, private collection). It demonstrates that the themes of water, music and femininity were entwined in the Victorian imagination, by setting these two paintings within the context of Victorian artistic, literary and cultural production. It shows that musical images were prevalent in the emerging Aesthetic movement. Musical subjects freed artists and audiences from the conventions of narrative interpretation, and allowed them instead to concentrate on exploring mood and colour.

Pictures of mermaids add a further twist to the Aesthetic preoccupation with music. This article reveals that mermaids made explicit the underlying connection between musical performance and sensuality. It also suggests that the idiosyncratic depiction of the mermaid by Burne-Jones and the ambiguous sexuality of Leighton's figures could be read as symptomatic of changing conceptions of desire. It argues that these images embodied the shift from ardour to libido. In other words, love was no longer described as burning and fixed, but as fluid and shifting. This transformation in the way desire was theorised was most urgently presented in Freud's Three Essays on Sexuality (1905). However, this article suggests that the same ideas were being made visible in Aesthetic art and writing from the mid-nineteenth century.     

Self-Rated Pubertal Development,Depressive Symptoms and Delinquency: Measurement Issues and Moderation by Gender and Maltreatment

This cross-sectional study examined relationships between pubertal development, depressive symptoms and delinquency in a sample of 241 males and 213 females aged 9–13 years. Four objectives were set forth for this study: (1) to examine relationships between pubertal stage or timing and depressive symptoms and delinquency; (2) to compare continuous and categorical measures of pubertal timing; (3) to examine gender as a moderator of these relationships, and (4) to examine maltreatment as a moderator of these relationships. Results indicated that mature pubertal stage and early (continuous) pubertal timing were both related to higher delinquency whereas only early pubertal timing was related to depressive symptoms. Categorical timing was not related to depressive symptoms or delinquency. Neither gender nor maltreatment were found to be moderators. These findings provide evidence against equating pubertal stage, continuous timing, and categorical timing, and highlight the need to identify possible moderators in research on pubertal development.

A Moving Target: Reasons Given by Adolescents for Alcohol and Narcotics Use, 1984 and 1999

Previous studies have investigated adolescents' reasons for alcohol and narcotics use, but have tended to neglect changes in the reasons over time. This study investigates the reasons given by Finnish adolescents for their own alcohol use, and for the use of alcohol and narcotics by others. In 1984, a questionnaire on reasons for alcohol and narcotics use was administered to a sample of adolescents aged 14–16 (N = 396). The questionnaire was administered again to a similar sample (N = 488) in 1999. An increase was found in reasons involving inner subjective experiences, referring to the good feeling and fun resulting from alcohol and narcotics use. In addition, the goals of alcohol consumption were increasingly perceived as drinking to get drunk, and for its own sake. The results suggest that adolescents' attitudes have become more liberal towards alcohol and narcotics use, and that prevention campaigns may be aiming at a moving target of culturally held opinion.