The White Woman's Burden: “Feminist” War Rhetoric and the Phenomenon of Co-optation

This article takes a critical stance towards the rhetoric of protecting and liberating Afghan women in the wake of the “war on terror”, in this paper called “feminist” security rhetoric. An increased gender awareness in general and in relation to war in particular has influenced the ways in which war stories have been expressed over the last two decades. References to UN Resolution 1325, on women and security in post-conflict situations, will serve as both an indication and illustration of “feminist” security rhetoric, the co-optation phenomenon included, a practice that absorbs the meanings of the original concepts to fit into the prevailing political priorities. The rhetoric of the former Norwegian defence minister, Anne-Grete Strøm-Erichsen, is presented as a case study of this phenomenon. The Norwegian (and the Nordic) gender equality model has mainly been analysed from a welfare perspective, seldom from a post-colonial war(fare)/peace perspective. By analysing Norwegian “feminist” security rhetoric, I also want to push feminist rhetoric to create a space that is sensitive to post-colonial perspectives as well as political philosophy. I thereby intend to question both cultural relativism and aggressive cosmopolitanism dressed in various feminized outfits, aiming instead to suggest some common ground for feminist post-colonial voices to meet the voices of Western feminists who oppose the tendency to see whole cultures as internally homogeneous and almost externally sealed. These voices may together constitute a potent oppositional discourse to Western feminized security rhetoric.     

Freethought,Free Love and Feminism: secularist debates on marriage and sexual morality,England c. 1850–1885

This article examines the previously unexplored current of Freethinking feminism in the second half of the nineteenth century. Active in the women’s movement of this period, Freethinking feminists were nonetheless viewed as a liability—an attitude that contributed to their exclusion from much of the subsequent historiography. Such marginalisation was due not only to their vocal opposition to all forms of religion, but also their openness to discussing new ways of organising heterosexual relationships. This article focuses on Freethinking feminist critiques of marriage and support for free unions. It demonstrates that these issues continued to be debated in the Secularist movement at a time when many other radical organisations—including much of the women’s movement—kept silent on such topics. In this way, Freethinking feminists kept alive the more radical and libertarian critiques of traditional sexual morality developed by Owenite feminists in the 1830s and 40s. The author argues that the ideology of Freethought propelled its adherents to readdress questions of sex within a new ‘Secularist’ ethical framework. Fierce debate ensued, yet commitment to freedom of discussion ensured that ‘unrespectable’, libertarian voices were never entirely silenced. Freethinking feminism might, then, be viewed as the ‘missing link’ between early nineteenth‐century feminist visions of greater sexual freedom and the more radical discussions of sexuality and free love that began to emerge at the fin de siècle.     

A centenary of organized feminism in Norway

Today's feminist movement in Norway, like that of other countries, builds on the ground prepared by the early feminists. Though in many respects differing from their sisters of the late nineteenth century, common characteristics between feminists past and present abound. Never very dominant in number, feminists now as then gradually win support for their views. Drawing on the experiences of early strategies, today's feminists widen the goals of feminism to include fundamental changes in the lives of both women and men. This achievement has in the case of Norway been assisted by favourable economic, social and political circumstances.     

Rethinking the political: Ottoman women as feminist subjects

This article examines late nineteenth century and early twentieth century Muslim Ottoman women’s journals. Drawing attention to the historical and social phenomenon of Ottoman Muslim women’s print culture, the author argues that women’s writings and activism around these journals functioned as a significant feminist public sphere that built a community of women’s discourse. Women’s journals established a real community of intellectual women writers and readers who overtly promoted a feminist agenda in the public sphere. Thus, they envisioned and created alternative roles for upper middle class and middle class Ottoman women. Contrary to the conventional narrative of Turkish feminism that identifies its origin with the Republican period, it was Ottoman women’s periodicals and associations that laid the groundwork for future feminists in the Republican period. In providing an analysis of these magazines, the author explores a class of now nearly forgotten publications that, she argues, created a feminist discourse in their time.     

Sisters in a Fashion: Martha Ansara and Elaine Welteroth

ABSTRACT

This article discusses Martha Ansara and Elaine Welteroth, two US born feminists who came to Australia during two key moments in feminist history, as a way of thinking about the relationship between feminists and fashion. Ansara arrived in Sydney in 1969 carrying women’s liberation literature in her suitcase; she became an important generative figure in the Australia’s women’s liberation movement, particularly as an independent filmmaker and proponent of consciousness raising. Welteroth arrived in 2017 to speak at the Sydney Writers’ Festival during a period of international resurgence of feminist activism. She brought with her images of women of colour she had featured in Teen Vogue and she invoked second wave consciousness raising, albeit in a remodelled, corporate-led form when she talked about the title’s plans to bring young girls around kitchen tables to ‘solve’ political problems. The article uses comments both women have made in relation to fashion and beauty, close readings of their works, and a discussion of their respective feminist milieus to suggest a trajectory of feminism’s relationship to the fashion industry that appears to have changed from a position of opposition to one of open embrace. It also complicates this reading by pointing to the resonances between these women of different feminist eras.     

Rhythms of resurrection: The comebacks of Ruth St. Denis

Ruth St. Denis (1879–1968) had one of the first and longest careers as a professional modern dancer. At age 62, she embarked on a “comeback” that lasted nearly three decades, appearing on stage and screen in the dances that had made her an international star earlier in her career. This essay examines the relationship between her well-known “Orientalism,” her feminism, her spirituality, and her perspective on aging and ageism. In particular, it brings into relief her innovative efforts to redefine dance as a feminist project at the intersection of aging and modern dance history. St. Denis converted “oriental tradition” into a feminist dance praxis, thus, staking a claim for the aging dancer under the banner of feminist politics.     

Freethought, free love and feminism: secularist debates on marriage and sexual morality, England c. 1850-1885

This article examines the previously unexplored current of Freethinking feminism in the second half of the nineteenth century. Active in the women's movement of this period, Freethinking feminists were nonetheless viewed as a liability—an attitude that contributed to their exclusion from much of the subsequent historiography. Such marginalisation was due not only to their vocal opposition to all forms of religion, but also their openness to discussing new ways of organising heterosexual relationships. This article focuses on Freethinking feminist critiques of marriage and support for free unions. It demonstrates that these issues continued to be debated in the Secularist movement at a time when many other radical organisations—including much of the women's movement—kept silent on such topics. In this way, Freethinking feminists kept alive the more radical and libertarian critiques of traditional sexual morality developed by Owenite feminists in the 1830s and 40s. The author argues that the ideology of Freethought propelled its adherents to readdress questions of sex within a new 'Secularist' ethical framework. Fierce debate ensued, yet commitment to freedom of discussion ensured that 'unrespectable', libertarian voices were never entirely silenced. Freethinking feminism might, then, be viewed as the 'missing link' between early nineteenth-century feminist visions of greater sexual freedom and the more radical discussions of sexuality and free love that began to emerge at the fin de sicle.     

Feminism,peace, and civil liberties: Women's role in the origins of the World War I civil liberties movement

Historians of the women's movement in the World War I era tend, understandably, to concentrate on the final heroic chapter of the suffrage campaign. Since the majority of suffragists followed their leader, Carrie Chapman Catt, into the war effort after April 6, 1917, suffragist‐feminist patriotism is a dominant theme. Recently historians have begun to chronicle women's pre‐war and wartime peace work, particularly through the aegis of the Woman's Peace Party, founded in early 1915.¹ Women's civil liberties activism during the war and in the Red Scare aftermath is still uncharted terrain. There is, to date, little appreciation of the way the World War I era experience in the United States influenced a small but determined and articulate number of left‐wing feminists to become civil‐libertarian activists. In this article I examine women's involvement in several important civil liberties organizations and argue that the convictions and activities of women not only helped to shape the agenda of the burgeoning civil liberties movement but also to influence federal public policy, particularly with respect to treatment of conscientious objectors, political prisoners, and “enemy aliens.” I also suggest that some feminists involved in both antiwar and civil liberties work during the war era came to see how militarism, war, and misogyny are related in western society, an insight which informed the thought and activities of the post‐war women's peace movement.     

Spaces of self-consciousness: Carla Accardi's environments and the rise of Italian feminism

“Spaces of self-consciousness” examines three environments created by the Italian artist Carla Accardi in light of an emerging feminist politics. Though better known as a painter, Accardi created these three-dimensional works during an era of political and social upheaval in which her own commitment to the Italian feminist movement began to take shape. Her environments were deeply imbricated both with her own experience of autocoscienza, or consciousness-raising, as well as with radical design proposals that rejected the current state of civilization. This article examines how these environments functioned as prototypes of the transient, anti-institutional spaces that she would later create as co-founder of Rivolta femminile, a historic Italian feminist collective, and examines a previously obscure moment in Carla Accardi's career.     

Evolution,Language and the Battle of the Sexes

This paper argues that the power of evolutionary psychology (EP) and the challenge it poses for feminists reside less in any new scientific knowledge EP has produced, and more in the meta-narrative it has provided for scientists whose work is not directly concerned with evolution. Using the study of sex/gender differences in language as a case study, the paper shows how EP's meta-narrative has been taken up in both expert and popular scientific discourse. It considers what gives the meta-narrative its appeal, and how feminists have contested it. It also locates the argument within the longer history of feminist responses to evolutionary science, comparing current debates with those that took place in the late nineteenth century.     

Authenticity of self‐expression: Reinterpretation of female independence through the writings of simone de beauvoir

Based on the autobiographical writings of Simone de Beauvoir, this paper reinterprets the concepts of “dependency” and “independence” with respect to women's experiences. De Beauvoir, considered a strong and independent woman, continuously struggled for emotional independence, a struggle which she conceived as being against the need that drove her “impetuously toward another person”. However, a careful examination of de Beauvoir's inner voice as it is reflected in the subtext of her autobiographical writings, suggests that her true struggle revolves around a desire for authentic expression of her feelings and needs — rather than for separation from others.

As an adolescent de Beauvoir was caught between the expectations of her parents and her own needs, remaining the “dutiful daughter” at the expense of being false to her own self. This pattern of dependency reappears in her adult life, when she seems to be incapable of validating her feelings of jealousy and anger in her relationship with Sartre. Her means of coping with this problem is by giving it a literary expression, hence, she seems to gain a sense of freedom and independence by giving her repressed feelings an authentic outlet.

The re‐reading of de Beauvoir's autobiography in a new light of feminist criticism reveals a concept of dependency different from the need to rely on, receive help from, and be influenced by another. When one examines the meanings of dependency and independence through the female language of connectedness and women's values of care and involvement, the essential meaning of dependency shifts from the lack of self‐reliance to suppression of self‐expression, and from struggles for separation to struggles for one's personal truth and for authenticity in one's relations with others.     

From a mimetic to a holographic paradigm in fiction: Toward a definition of feminist writing

This paper outlines a theory of fiction by examining the shift from the basically mimetic nineteenth century to be essentially non‐mimetic twentieth century. It further argues that the contemporary novel, as herein interpreted, constitutes a bona fide expression of feminist writing.

The paper contends thatthe transformation undergone by the novel as it moved from the nineteenth century to the twentieth century bears witness to the wide ranging transformation affecting the western world today. A number of inter‐related shifts have occurred ostensibly leading the western mind into a radically new world view, or new paradigm. Indeed, our culture is steadily moving from the absolutes of traditional physics to the relativity of the new physics and quantum theory; from a “logocentric”¹ to a “deconstructive”² universe; from a fragmentary (basically static and non‐creative) to a holistic (essentially dynamic and creative) realm; from representation to holography. Inasmuch as “representation” relates to “mimesis”, this paper ultimately redefines its aim by proposing to explore a shift from a mimetic to a holographic paradigm in fiction.

The notion of the holograph is therefore essential to the paper. As herein interpreted, holography not only challenges representation, but it also devalues the linear view of time (which is central to western culture) by focusing on the “now” and thereby delving into the depths of reality — the realm of the underlying, creative forces which the western world is presently releasing. It is precisely the release of long‐repressed forces that is drastically transforming western culture. This sheds new light on the problematics of western alienation which can now be reassessed in terms of “alienation from the creative source”.

In the final analysis, the paper contends that the emerging forces are essentially feminine. This posits an ultimate, all‐encompassing shift which may be said to be leading us from a male‐oriented to a holistically‐oriented culture: a culture that celebrates the essential oneness and fundamental dynamics of Life. Since the twentieth century novel has superbly explored and expressed the emergence of these forces, the paper regards it as the epitome of feminist writing. This writing is to be viewed as practice in the sense that it expresses the very process of change it has helped foster and in which it participates: the process of integration of the creative depths of being.     

A Radical in Retirement: Clara Collet, 1920–1948 1

The subject of this article is a neglected period in the life of the prominent feminist social investigator, Clara Collet (1860–1948). The article establishes a narrative account of Collet’s life in retirement from primary and secondary sources, which then provides a context for an evaluation of the most notable political ideas found in her later texts. Some Colletian writings from before 1920 are also discussed, partly because previous Collet scholarship has neglected her connections with the Women’s Freedom League and the feminist wing of the Labour movement during her middle‐age years. Like many progressives of her vintage, Collet’s political opinions were an amalgam of liberal and socialist ideas, and the article also makes connections between her views and wider debates within intellectual history, for example, the ‘New Liberalism’ and ‘new feminism’ debates. The article concludes that Collet’s political opinions during her old age were in many ways more radical than those she had expressed during the earlier stages of her lengthy career.     

Woman to Woman: Australian Feminists’ Embrace of Radio Broadcasting, 1930s–1950s

This article demonstrates the crucial importance of the radio medium in the post-suffrage era as a space in which women could expand their sphere of influence and enact their responsibilities as citizens. It challenges previous scholarship which has argued that during the early decades of radio women were confined to the world of the everyday and the domestic. In the interwar years, Australian feminist organisations were quick to take advantage of the still-developing radio medium, which they used to publicise their activities to mass audiences. One such organisation was the United Associations (UA), founded in Sydney in 1929 by Jessie Street and Linda Littlejohn. Perth feminist Irene Greenwood was introduced to radio broadcasting as a member of the UA in the 1930s, and she later drew on these media skills and her extensive feminist networks to create her own innovative and interactive radio program in Western Australia, Woman to Woman (1948–1954). Correspondence between Greenwood and her audience shows that the program provided women from diverse backgrounds with the opportunity to engage publicly with significant political debates, to create a new imagined community of listeners, to communicate across geographical and class boundaries, and to become media producers themselves.     

Why a materialist feminism is (Still) Possible—and necessary

The title of this paper derives from Christine Delphy's (1980) rejoinder to her Marxist critics, formulated at a time when feminist theory was centrally preoccupied with material social inequalities. Since then, we have witnessed the so-called “cultural turn” as a result of which perspectives that focus on social structures, relations, and practices have been sidelined. Not all feminists, however, took this turn, and there have recently been signs of a revival of materialist feminism. In assessing the effects of these theoretical shifts, and in making a case for the continued relevance of materialist feminism, I will focus on the analysis of gender and sexuality. Here, I will argue that a sociologically informed, materialist approach has more to offer feminism than more culturally oriented postmodern and queer perspectives.     

(In)Forming politics: Processes of feminist activism in the information age

How is feminist activism changing in the information age? This article argues that the character, membership, and direction of activist movements can be strongly influenced by the nature of the everyday, material practices through which their activities are conducted. It analyses some implications of recent developments in electronically mediated communications, arguing that these both create a pressing need for—and provide us with the means to create—a diversified, transnational, feminist movement. Several issues arising from feminist deployments of information and communication technology are explored. These include inequalities in access to these technologies, the need to develop “feminist” ways of working within electronically mediated networks, the problem of information overload, and the issues raised for feminists by the ongoing commodification of information.     

Performative Rhetorics in Invisibility: Phoebe Philo's Undone Authorship

ABSTRACT

This inquiry analyses the rhetoric of intentionally unfinished fashion contained in the collections from Céline as designed by Phoebe Philo and explicates the implications of this approach to fashion as a feminist text. Shoshana Felman’s seductive promise of speech, modified with insights from Paul de Man’s theory of autobiography as both giving face and defacement, is applied to Philo’s ‘new minimalism’ in order to highlight its appeal to modern female audiences. Using insights from the philosophy of Jacques Derrida, I examine ways in which wearers may seek to create a signature citationality via clothing that produces its own ‘unwriting’ therefore allowing the wearer to believe she inscribes her own iteration while maintaining control. Wearers are offered the chance to identify with a designer who is enlightened beyond fast and flashy fashion while hinting at the notion of the clothing having the substantialising effect that language has (instead of representational). Through this examination, clothing is shown to be a decision, and clothing is also shown to be a fiction. These decisions and fictions are open to failure; yet Felman offers that this failure acts as an opening remaining inadvertent or unacknowledged. Philo's designs invite an exploration of clothing as performative rhetoric.     

Everything will be in order

The late eighteenth and early nineteenth centuries represented a period of new conceptual theorizations of “woman” both in the sphere of biological discourse and in literature and philosophy. My focus in this article is on how G.W.F. Hegel constructs gender identity and gender difference philosophically and conceptually. I argue that although the concept “gender identity” was not part of nineteenth‐century vocabulary, Hegel does in fact construct gender difference through a conceptual differentiation between reflexive self‐differentiation and undifferentiated identity constructed as a “difference from difference”. This fundamental logic of gender difference is apparent both in the sphere of Hegel's natural philosophy, in bodily differences between male and female bodies, and in the sphere of social life, in the differentiated spheres of action Hegel prescribes for men and women. Behind both the female body and the position of women as belonging to only one domestic sphere of action lies for Hegel the undifferentiation of spirit, the incapacity to active self‐differentiation and divided or “torn” self‐consciousness. The male body and the position of man as citizen, in contrast, are described by Hegel to be determined by their inner and outer negativity, struggle, and differentiation.     

Fashionable ‘Formation’: Reclaiming the Sartorial Politics of Josephine Baker

ABSTRACT

This article historicises Josephine Baker’s use of fashion in terms of contemporary black stage performers, particularly Beyoncé Knowles-Carter’s evolving black feminist politics. It examines Beyoncé’s references to Baker as an inspiration for her own black feminist art and argues that they offer an opportunity to re-examine Baker’s legacy in our own contemporary moment. Using Beyoncé’s arguments about Baker as a starting point, the article examines Baker’s fashions and costumes and argues that she used them to manipulate her relationship to the models of white supremacy that attempted to structure her identity and relationship to the public sphere. Using contemporary black feminist criticisms of respectability politics, it argues that Baker’s fashions produced a politics of disrespectability, where clothing and body worked together to carve out space for black feminist experimentation. By constantly changing the terms through which her audiences and the public read her, Baker carved out a subjective space where she could become in relation to her clothes without restraining herself to the identity categories normatively allotted to black women.