Leona helmsley: The construction of a woman tax evader

Conclusion To paraphrase marjorie Kornhauser’s famed observation, a taxcollection system for revenue only is a chimera. If, for the American woman, tax collection were only, and only ever, about revenue, then they would have constantly and consitently collect it from us. When we did not have what they say we should have, then they would penalise us. The fact of the matter is, that when they do collect it from us, it is, more often than not, because they have been successful in their efforts to help us sustain ourselves in an image which they have created. One problem with self-assessment is that exemplary penalties are allowed; indeed, arede rigeur. The latest example of a feminine image which spurrerd the American tax collector to action is the Leona Helmsley equation of consumption—plus—feminine equals “ off with her head”. If only for this reason, self assessment demands to be, as Handelman and Green might argue, politicised with the feminine voice. With thanks to Peter Alldridge.     

gendered Islam and modernity in the nation-space: women's modernism in the Jamaat-e-Islami of Pakistan

Feminist scholarship on women in religious and right-wing social and political movements has moved from a reductive focus on causal or motivational factors to more sophisticated analyses explicating processes of agency and subject formation. With the aim of expanding and deepening this conceptual space, I will discuss some of my interactions with a group of women in the Jamaat-e-Islami in Pakistan, as we attempted to explore the complex meanings of ‘the modern’ that informed the self-understanding of my interviewees. My work corroborates some of the contemporary scholarship on what is referred to as Political Islam in arguing that Islamist movements in Muslim societies are also the catalysts of modernization, rather than simply its interlocutors. This article argues that these processes of social and political organizing entail particular interrogations and the reconstituting of identities in ways that blur the line between ‘the religious’ and ‘the secular’. On the one hand, we need to understand Jamaat women's self-construction as religious or pious women; on the other hand, we must grasp the specificity of their claims to act as modern subjects situated in the time of political and cultural modernity.     

gURL scenes and grrrl zines: the regulation and resistance of girls in late modernity

This article explores the images of ‘girlpower’ and ‘girls as risk-takers’ as important sources for the analysis and management of young women's experiences and behaviours under late modernity. It then focuses on what is known as the grrrlzine culture as a site where these contemporary images of girlhood are challenged and deconstructed. It is argued that grrrlzines create a community for young women within which they can participate in debates about the meaning of girlhood under late modernity. Grrrlzines offer spaces for young women to discuss and organize among themselves, and in particular to wrestle with and parody contemporary images of girlhood. In doing so, they help to complicate and advance feminist youth studies approaches to the role of the public/private split in girls' cultures, places for youth resistance and the ‘problem’ of girls' silence and invisibility in the context of late modernity. The article examines the ways grrrlzines appear to be complicit in the silencing of young women by insisting on expression only within liminal spaces. However, it is suggested that this constitutes an important attempt on the part of some young women to evade new regulatory regimes that operate primarily by inciting them to speak.     

Tradition and modernity at the workplace: A field study of women in the pharmaceutical industry of Lahore

Women working in industry for the first time are trying to reconcile their old roles with the new economic context. This paper provides an inside view of the changes in some women's lives as a result of new work experiences.     

New woman meets Shakespeare woman: the struggle over the figure of Portia in England in the late nineteenth and early twentieth centuries

Abstract

Approaching the material from the perspective of cultural history, this essay explores the ways in which England, in the late nineteenth and early twentieth centuries, witnessed considerable debate about the character of Portia from Shakespeare'sThe Merchant of Venice. Feminists seized upon her appearance as a lawyer to argue for Shakespeare's advocacy on behalf of women's emancipation. Anti-feminists stressed the character's acquiescence to male control of her affections and her estate. Thus for many readers and viewers of the play concern about the status of the New Woman, civic maternalism, married women's property rights, and women in the professions, overrode their interest in the play as a text about Christians and Jews.     

Miscegenations of modernity: constructing european respectability and race in the Indian railway colony, 1857-1931

Abstract

From 1857 Indian railways built railway colonies to inculcate a practical mastery of middle-class domesticity solely in their European employees. These were key sites for the construction and contestation of European identity. They marked Europe and India as separate locales bounded by distinct racial typologies and gender identities. The central distinction reinforced was that between European modernity and Indian tradition. This project was complicated by the hybrid identities of Domiciled European and Eurasian railway employees, nationalist protests, and contradictions in the colonial discourse of modernity. By 1931 the racial logic of the railway colony was under threat, but its rhetorics of respectability, modernity, gender, and race intensified in new forms. By tracing the historical construction of boundaries between Europe and India and the history of interstitial groups that destabilize these, we can question the transition narratives of nationalism and capitalism that usually structure accounts of colonial history.     

gendered embodiments: mapping the body-politic of the raped woman and the nation in Bangladesh

Feminist Review - There has been much academic work outlining the complex links between women and the nation. Women provide legitimacy to the political projects of the nation in particular social...     

Frances Wright: The other woman of early American feminism

This paper focuses on Frances Wright, the first woman to lecture publicly in the U.S. to “promiscuous” audiences, those audiences composed of both sexes united in a public place. Despite her achievement, Wright has been ignored in historical analyses of nineteenth‐century feminist rhetoric, I argue that historians have avoided Wright because she differs radically from those feminists who directly succeed her. As the Other Woman of the women's movement, Wright practiced a rhetoric imbued with the ideals of the Enlightenment and Owenite socialism. She publicly interrogated the cult of domesticity and demanded equal rights for women at a time when gender anxiety was Intense. Wright caused a furor and provided a negative example for later nineteenth‐century feminists, most of whom developed “womanly” strategies of accommodation. I conclude that it is precisely because of her otherness that Wright is important, historically significant because she was marginalized and silenced within the feminist movement.     

The woman in the moon: Women's studies and the academy

This paper argues that Women's Studies has received a ‘bad feminist press’, and out of my experience as a ‘student’ on a part-time MA in Women's Studies at the University of Kent I want to encourage a more positive reappraisal of the relationship between feminism and the academy. It is therefore neither an apologia nor a eulogy; instead it seeks to show something of the complexity and tension involved in feminist intellectual work in an elitist environment; at the same time it is a firm statement of the value of being there, making the revolution, bringing the ‘woman in the moon’ down to earth as well as endorsing her visionary and inspiring example.