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This study focuses on dental surgery from the perspective of practicing dentists through a nationwide survey among practicing dentists in Germany. Subjects were surveyed with respect to patient care and their training in dental surgery. With respect to surgical activity, this survey confirms male dominance in the field and that female dentists may be inclined grade surgical interventions as ‘complicated and risky’. Male dentists appear to be willing to take the same risks with greater self-confidence, whereas female dentists appear to overrate their personal uncertainty by underestimating their real technical capabilities. Though dental treatment in general is increasingly dominated by women, surgery is still dominated by male dentists. This can be viewed through observed gender differences with respect to risk perception and we advocate additional professional training of risk competence as mandatory for the future.  相似文献   

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Abstract

Following George Eliot, Elizabeth von Arnim showcases a male rhetoric of naturalness. Her men cultivate and punish their women when they resist naturalizing. Without denigrating the intelligence of women, von Arnim shows their unwitting complicity in their subjection. In The Pastor’s Wife (1914) and in Vera (1921), the highly literate women have read the wrong books or missed the unfriendly truths about relationships in those they have read. The husbands and lovers make shallow use of philosophical and scientific reasoning to justify their control and enforce female uniformity deemed ‘natural’. Darwin is misappropriated by the tyrannical Wemyss: evolutionary theories support his imperious dismissal of Lucy’s aunt and friends. Wemyss’s most monstrous actions suggest an atavistic patriarchal dominance like the hereditary reversion theorized by Samuel Butler as unconscious memory. Wemyss brings up the issue of England’s inheritance, and a disturbing vision dawns as the philistine and self-appointed natural man subdues Lucy. Daphne du Maurier’s Rebecca (1938) follows Vera’s plot, but it does not interrogate naturalness in the same way. Entrapped in her husband’s vision of a natural woman, the narrator registers Rebecca’s wild transgressiveness as more powerful and universal than her own tamed naturalness.  相似文献   

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Gender quotas have become a way to increase women’s participation in leading positions in economic life. Iceland enacted corporate gender quotas in 2013, requiring a minimum of 40% of each gender. These quotas were legalized after the financial collapse in 2008, which many blamed on male dominance of the economy. The focus of this paper is the timeframe of the turn to quotas, and the media discourse and parliamentary debate regarding men and women in corporate management. Van Dijk’s theoretical framework of critical discourse analysis was employed to examine data from the period 2009–2015. Firstly, we studied 150 articles in three online newspapers: Morgunblaðið, Vísir, and Viðskiptablaðið, written between 2009 and 2015. Secondly, we examined 132 parliamentary documents in which gender quotas were proposed and debated in 2009 and 2010. Three themes were highlighted: gender difference and opportunities during critical times; women and capability; and changed discourse. In order to shed light on the struggle for women’s influence, we examine how the debate manifested the Wollstonecraft dilemma. The results show a tension between gender-neutral arguments versus arguments about women’s alleged special traits and qualifications. Arguments emphasizing the importance of women’s special capabilities for the well-being of society and companies’ profitability were at the heart of the quota legislation, and as such proved successful. However, the findings also demonstrate the risk that female candidates are viewed as a signal of change in times of crisis. Hence, we claim that arguments matter; although women-centred arguments have contributed to gender balance within the Icelandic economy, they may also create barriers for women because they support patriarchal relations. Furthermore, the results indicate that societal difficulties call for drastic changes, and it seems as though a tailwind is needed for women to receive opportunities within the economic sector to push gender equality forward.  相似文献   

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In this paper, I take up the lives of women with persistent vulvar pain for what they can reveal about the enmeshment of gender, (hetero)sexuality and bodily practices. Women with vulvodynia are unable to perform the central heterogendering act of penetrative intercourse with a male partner. They describe this inability as rendering them effectively ‘genderless’, described as being ‘not a real woman’ or a ‘fake woman’. I analyse their perceptions of gender and bodily performance in relation to feminist theorizing about gender and sexuality, and I argue for the centrality of the lived body to the epistemology of feminist efforts to theorize gender. This paper is based on in-person interviews with 20 women and web-based open-ended interactions with 70 women with vulvodynia.  相似文献   

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The social construction of sexual knowledge is analyzed by examining the model of sexuality which underpins ‘scientific’ sex research. It is an essentialist model, in which ‘sex’ is equated with heterosexuality, and coitus is assumed to be a biological imperative; male violence against women is legitimated; and sexual practices based on dominance and submission are ‘normalized’ on the basis of biological determinism. Male-defined sex research can thus be seen as constructing and promoting, by means of spurious scientific legitimation, a model of sexualiy which both reflects and reproduces the interests of male supremacy. The particular form of male sexuality that exists under male supremacy has been ‘naturalized’ and ‘universalized’, and presented as the scientifically objective model, not merely of male sexuality, but of sexuality in general. Conceptions of female sexuality based on the same model must be rejected, if feminist sexual practices are to be developed.  相似文献   

8.
Studies have begun to explore how those women academics committed to social justice, namely feminist academics, are navigating the increasingly managerial Academy. To understand how these multiple social identities, including gender and ethnicity, interact and intersect, this paper adopts an intersectional approach to understanding the heterogeneity of women’s experiences in academia. Five focus groups with feminist academics (n = 6–10 in each focus group) reveal concerns of hampered career progression as a consequence of being female and openly feminist. Some ethnic minority academics felt that they were forced to choose between a feminist identity or that of their ethnic background. For some women, their feminist identity provided opportunities for challenging dominant practices. The paper concludes that the heterogeneity of feminist academics’ experiences within academia is under-researched and that the lens of intersectionality helps to illuminate this. This paper advances understanding of multiple identities at work, though demonstrating that intersectionality can lead to the accumulation of advantage as well as disadvantage in relation to social identities such as gender and ethnicity, and a political identity such as feminist.  相似文献   

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This article focuses on the cognitive behavioural rehabilitation programmes run by the probation service in the UK. Drawing on Judith Butler's assertion that both sex and gender are discursively produced and Becky Francis' notion of gender monoglossia and heteroglossia, the article seeks to analyse and problematise the gendered discourses of facilitation that were mobilised by policy-makers and practitioners in this setting. The dominant institutional model of heteronormative facilitation promoted the ideal of each programme being delivered by one female and one male facilitator in order to provide a gender ‘balance’. But underpinning this ideal lay the binarised and essentialist notion that ‘masculinity’ arose naturally from the male body and ‘femininity’ from the female body. Female facilitators were positioned as bringing a calming and non-threatening atmosphere to the group and as naturally possessing skills of ‘empathy’ and ‘warmth’. Male facilitators were highly valued by managers, but were also under pressure to perform masculinity in very specific ways that were linked to notions of intellectual, rational, ‘middle-class’ masculinity. Through an analysis of interviews with probation practitioners and session observations, the article highlights that despite these dominant institutional constructions, a variety of complex and contradictory performances of ‘masculinity’ and ‘femininity’ were mobilised in this environment.  相似文献   

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Twenty-four women from five countries were asked to discuss their attitudes towards the women's movement. Half of this group were feminists and half were antifeminists. They ranged in background over class, race, age and sexual preference, and their comments formed the body of the book Women Who Do and Women Who Don't, Join the Women's Movement. This paper begins by discussing the women's movement as a social movement, its origins and the major issues involved in its struggle. The antifeminist ‘backlash’ is then analysed and its platforms clarified. The contributors' comments are summarised, bringing the issues alive, creating a diverse patterns of women's interpretations of ‘being female’. The issues of contention such as men, motherhood and the family are discussed, and the bases of the differences between feminists and antifeminists are analysed. Surprisingly, similarities between the two groups also emerge, particularly in terms of their experience of ‘self’. I conclude the paper by discussing why these splits among women occur, why one woman becomes a feminist while another is an antifeminist, and what this means for the future of women and of feminism.  相似文献   

11.
《Women & Performance》2012,22(1):47-66
This essay argues that Sarah Bernhardt's choice to play young male roles late in her career served as a radically anti-agist feminist response to the limiting and often demeaning professional and social opportunities afforded aging women. While scholarship has attended to Bernhardt's cross-dress roles through the lens of gender, this essay highlights her “breeches” roles, in particular Hamlet and L’Aiglon as cross-age and cross-gender. By examining “aging” as the contextual mode by which gender functioned, we open up new terrain with which to examine and appreciate Bernhardt's significance in the scope of theatre history, women's history and aging studies. In the title roles of Hamlet and L’Aiglon, Berhnardt assumed youth and male-ness on stage, which both highlighted her offstage socially perceived deficits (aged and female) and challenged the designation of those identities as deficient; performance threw into flux what had been assumed static. And the public responded. Far from honoring the assumed cultural hetero-normative contract that aging women acquiesce public visibility, Bernhardt's breeches roles (re)constructed her body as female (from aging/sexless) and demanded audience members’, male and female, desiring gaze.  相似文献   

12.
Sexing Elvis     
The image of Elvis as a butch god, sexual folk hero and archetypal macho man is largely the creation of the male media. The existence of this image has served to explain-away the threat of uncontrollable groups of female fans and has bolstered the egos of male writers, who have created ‘Elvis’ in their own (fantasy) image. The emphasis on sex has disguised the existence of differing experiences among Elvis fans, particularly that many did not experience him as a sexual phenomenon at all, but rather as a mascot, secret friend or hobby. The total domination of the male-defined sexual image of Elvis, adopted also by feminists, leads to interesting questions about how and why such a one-sided view of reality emerged and how such knowledge survives unquestioned. The author examines these questions by analyzing her own personal experiences of being an ‘Elvis fan’ and trying to understand the contradictions between subjective experence and so-called objective accounts.  相似文献   

13.
‘Womenomics’, a signature programme promoted by the Japanese Prime Minister Shinzo Abe, aims to boost the country’s economy by attracting women, an under-utilized resource, to join the workforce. To achieve this aim, the Japanese Government has been promoting a gender-equal society in various areas, including education. This paper seeks to investigate whether the government’s endeavour to promote a gender-equal society is reflected in contemporary Japanese EFL textbooks. Three recently published popular textbooks were examined. The findings revealed evidence of the authors’ gender awareness, including common use of gender-neutral vocabulary and a neutral term of address, Ms, for women. Two textbooks also displayed a balanced distribution of male and female speakers and their amount of talk. However, underrepresentation of women and their achievements is still prevalent in contemporary Japanese textbooks. Other observations include the portrayal of men in a wider range of social roles than women, and the depiction of men using material and cognitive processes and women using relational processes, suggesting that men are more physically and cognitively active than women. A gender dichotomy was also noted in mixed-sex dialogues, with a tendency for men to provide information and for women to seek information.  相似文献   

14.
Guys and Dolls     
The doll has become a figure for the objectification of women, especially in the form of the sex doll, which is routinely taken to be the image of the woman reduced to a condition of pure passivity. But the doll is also, and perhaps even predominantly, a means of ‘guying’ the putative man (the word ‘guy’ entering English with the burning of Guy Fawkes in effigy) and presenting the simplest possible idea of male desire in comically petrified form. Effigies of women indirectly figure the assumed fixation of male desire throughout post-classical European culture. This guying is a repeated feature of stories of the animation of female dolls and statues, from Ovid onwards, which regularly put male protagonists to a kind of mock death, or death by mockery. The author considers the anonymous poem Adollizing: Or, A Lively Picture of Adoll-Worship (1748) alongside the most celebrated instance of doll fetishism in twentieth-century art history—the doll that Oskar Kokoschka had made of his wife Alma Mahler after she left him. The author concludes with a discussion of the contemporary sexual cult of ‘living dolls’, in which men act out the fantasy not of owning, but being a female doll. Here, perhaps, the doll is not only adored as a substitute for some other real object, but is envied as what it is—that is, as a thing, with a thing's power of declining to be subjected to subjecthood. This passion for passivity suggests that there is something that intervenes between the he and she, with swelling erotic force: the it.  相似文献   

15.
Irish mental health policy and care provision is criticised for being gender-neutral despite gender being present in almost every aspect of illness; from risk to protection; symptom interpretation; diagnosing, ideology and knowledge of illnesses. The aim of this paper was to present the views of Irish service users and providers in relation to symptom expressions, gender awareness and care provision. A qualitative social realist design was used using Layder's (1998) adaptive theory and social domains theory. In-depth interviews (n = 54) with 26 service users and 28 service providers were conducted within one mental health service in Ireland. Dominant societal expectations for men and women are described in response to symptom expressions that reflect ‘categorical’ and ‘performative’ understandings of gender. A return of interest to symptoms-based research and practice from a gendered perspective is argued for.  相似文献   

16.
This article is concerned with the ways in which ‘race’ and gender interact between interviewers and participants within the research process and the implications of differences/similarities between researcher and participants for feminist research and analysis. The paper discusses issues of power and representation within a research project conducted by the white female author and two Asian female interviewers with 64 British Muslim young men and women. Based on analysis of discussion group data, it is argued that ‘race’ and gender interact between researchers and participants in highly complex and unpredictable ways to produce particular accounts, but comparative analysis of accounts produced with different interviewers can help reveal ‘hidden’ structures of power within the texts.  相似文献   

17.
Setting oral histories conducted with a group of female Christian migrants to East London from various backgrounds and different stages in the life cycle alongside interviews with male migrants and non-migrant women, this article seeks to explore the relationship between gender, mainstream religious affiliation and the negotiation of the migratory experience. Informed by mimetic and feminist theory on religious subjectivities, the article focuses on the preoccupation with sacrifice and healing which emerges from these life stories and highlights the ways in which the emotional realities of pain, separation and suffering also give rise to powerfully reconceptualised, individual faith resources and creative strategies for claiming agency within familial, vocational and religious settings. Through a focus on domestic life, work and church leadership within ‘mainstream’ Christian churches, this article complicates assumptions about the nature and historical trajectory of ‘traditional’ religious organisations, and interweaves migrant women's experience closely with that of other members of their church communities. Through these ‘moving stories’, gender forms an integral part of these women's spiritual narratives and is constitutive of their articulation and negotiation of their faith, migration and inculturation.  相似文献   

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The British novelist, feminist and religious thinker Sara Maitland (b.1950) is renowned for her short stories, many of which involve the rewriting of fairy tale and classical and biblical myth. This article situates Maitland's retellings within the contemporary feminist tradition of literary revisioning, but emphasises that her retelling of old tales is distinguished by a deep—and often discomforting—engagement with questions of morality. This is rooted in Maitland's political commitment and Christian faith, and is particularly evident in her treatment of mythical female evil. Her short stories take a morally ambiguous approach, paying attention to the moral and psychological complexities of the wicked stepmothers in fairy tale, gorgons and child-killers of classical myth, and temptresses of the Hebrew Bible. Maitland's feminist revisioning of mythical wicked women does not flinch from their darkness, or impose simple ethical lessons, but at the same time she is (sometimes horribly) aware of their moral significance. This article examines the portrayal of feminist theology's concept of the ‘female sin’ of passivity in Maitland's revisioning of Delilah (in Daughter of Jerusalem, 1978) and ‘Helen of Troy's Aerobics Class’ (in On Becoming A Fairy Godmother, 2003); how the crimes of mythical wicked women are retold as being motivated by revenge against men in ‘Deborah and Jael’ (Daughter of Jerusalem), ‘Siren Song’ and ‘The Swallow and the Nightingale’ (Far North and Other Dark Tales, 2008). The latter of these raises issues of women's conflicting loyalties, which is also considered in ‘The Swans’ (2008). The taboos of incest and child abuse are explored powerfully and sensitively in ‘Jocasta’ (2003) and ‘The Wicked Stepmother's Lament’ (A Book of Spells, 1987), and resistance to simplistic moralising is encapsulated in the story of a menopausal Eve, in ‘Choosing Paradise’ (2003).  相似文献   

20.
High male suicide rates are often constructed as evidence for an apparent ‘crisis of masculinity’. Conversely, ‘crisis of masculinity’ has been used to explain differential rates of male and female suicide in the UK (and elsewhere). We analyse three public cases where male suicide and ‘masculinity-crisis’ discourse are employed together. Our feminist analysis demonstrates that ‘crisis talk’ and male suicide are addressed in divergent ways. We therefore distinguish between ‘progressive’ and ‘conservative’ crisis narratives. Conservative narratives position high male suicide rates as a pernicious outcome of ‘threats’ to traditional gender roles and norms, suggesting the solution is to return to them. Contrastingly, progressive crisis accounts use male suicide to demonstrate that existing gender norms harm men as well as women and argue they should be altered to address male suicide. Conservative narratives often map on to anti-feminist politics, whereas progressive accounts reflect aspects of feminism. There is no neat feminist/anti-feminist distinction, however, as postfeminist ideas are also evident. We argue that, overall, each of the articulations of a ‘crisis of masculinity’ as evidenced by high rates of male suicide reinforces problematic gender politics. Further, in reifying simplistic, dualistic models of gender, they may ultimately constrain efforts to reduce suicide.  相似文献   

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