Life (Hi)story writing: The relationship between talk and text

This paper is based on my experience of life (hi)story work with Aboriginal women. It will focus mainly on the development of a collaborative methodology between Patsy Cohen and myself and the process of creating the text Ingelba and the Five Black Matriarchs ¹.

Life (hi)story writing lies uneasily on the boundary between biography and autobiography and as such challenges many of our assumptions about telling and writing a life. It has traditionally been regarded as ‘an extensive record of a life told to and recorded by another who then edits and writes the life as though it were autobiography‘². More recently feminist researchers have redefined this process to emphasise its collaborative nature ‘in life history, two stories together produce one. A speaker and a listener ask, respond, present and edit a life‘³. Such a definition focuses our attention on the relationship, the inevitable power relations involved in the processes of the production of knowledge, the interface between talk and text and the need for alternative models to conventional biography and autobiography. Both the process and the text produced by this method are potentially deconstructive of conventional autobiography and biography. They are not simply deconstructive, however, as new narratives and new forms can be created out of this process which enable us to re‐evaluate the telling of all our lives.     

The women’s suffrage movement in Britain and Ireland: new perspectives

ABSTRACT

The articles in this Special Issue were first presented at a conference held in Portsmouth, UK, 31st August–1st September 2018, to mark the centenary of the 1918 Representation of the People Act which, for the first time, granted to certain categories of women aged 30 and over the parliamentary vote. They expand our knowledge about the women’s suffrage campaign in Britain and in Ireland in a number of ways, offering biographical essays on neglected activists, as well as telling new stories about participants in national and local contexts. The contribution of the fragmentary autobiography of suffragette Jessie Kenney to existing historiography is discussed, while a study of the women’s movement in Ireland draws upon the contribution of new social movement theory. Finally, the international influence of the militant suffragette leader Emmeline Pankhurst is examined through the case study of France.     

Between body and text

The article focuses on the German‐Danish author and salonière Friederike Brun, née Münter (1765–1835), and her youngest daughter Ida des Bombelles (1792–1857), as they are portrayed in Friederike Brun's autobiography: Truth From Morning‐Dreams and the biography The Aesthetic Education of Ida. Inspired by Rousseau and his writings on education, the mother draws a picture of herself as a modern, split individual, and of her daughter as a traditional, ideal woman.     

Some problems of constructing and reconstructing a suffragette's life: Mary Richardson,suffragette, socialist and fascist

Abstract

Drawing on recent work on feminist autobiography, this article discusses the ways in which a range of autobiographical writing was used by Mary Richardson, a former suffragette, at different stages of her life. It considers the ways in which autobiography was rewritten to fit various political circumstances and to suggest political continuity and cohesion. The article explores the role of the historian in analysing her writing and raises questions about the use of autobiography in history.     

‘We who strive for the foundation of a principle’: feminism and suffrage in the biography of Bessie Parkes Belloc

ABSTRACT

Bessie Rayner Parkes (later Belloc, 1829–1925) was a central figure in British women’s rights activism during the 1850s and 1860s. She was founding editor of the feminist English Woman’s Journal and one of the organisers of the pioneering 1866 petition for women’s suffrage. She lived long enough to witness some women gaining the vote in 1918, by which time her children, Marie Belloc Lowndes and Hilaire Belloc, were themselves public figures who had taken up opposing positions on women’s suffrage. This article takes as its starting point 1866, a pivotal moment in nineteenth-century agitation for women’s suffrage and in Parkes Belloc’s individual biography, before moving to a longer view of her feminist life before and after this date. It demonstrates the value of a biographical approach to exploring the diversity of perspectives and experiences of women within first-wave feminism and the suffrage movement.     

Feminising Empire? British Women's Activist Networks in Defending and Challenging Empire from 1918 to Decolonisation

ABSTRACT

This article addresses female activism spanning the Empire and creating interconnected networks linking the local and global dimensions of Britain's imperial mission in an era of increasing uncertainty. The transition from empire to commonwealth and, ultimately, independence was marked by anti-colonial challenges from within Britain and in the colonies and threats to empire from international developments post-1918. This era also witnessed a more proactive role for women as both defenders and critics of empire who had an influence on shaping a new discourse of welfare and development, purportedly a ‘feminisation’ of empire. Continuities existed between female activism pre- and post-1918 but also significant differences as the late imperial era witnessed more nuanced and diverse interventions into empire affairs than the ‘maternalist imperial feminism’ of the era before the First World War.     

The Spinster in the Garden: Joy and Transcendence in Elizabeth von Arnim’s Father and Fräulein Schmidt and Mr Anstruther

Abstract

This article proposes an original reading of Father (1931) and Fräulein Schmidt and Mr Anstruther (1907), two texts by Elizabeth von Arnim that centre on a young single woman. It will examine how female autonomy is spatially imagined in the form of a garden and poses significant challenges to the patriarchal societies presented in the texts. Many scholars have detailed the recurring motif of the garden in Elizabeth and Her German Garden (1898) and The Solitary Summer (1899). The two texts this article addresses were published later than those that have been discussed in relation to the garden, and signal a move away from the married female towards an examination of the independent or single female. Significantly, they disrupt the traditional ‘marriage plot’ novel by tracing two single women’s movement into the garden as a retreat from the societies in which they live. In both texts, von Arnim presents a distinctively beautiful, transcendent garden experience for her female protagonists that contrasts with the oppressive expectations placed on them by urban society. These texts turn on dichotomies—city/country, built/organic environments, repression/freedom—to expose the central characters’ repression and their attempts to gain some degree of independence. Each central character experiences joy as a result of her interaction with the organic environment and the power the protagonist exercises over this space.     

‘It wasn't like that at all’: memory,identity and legacy in Jessie Kenney's The Flame and The Flood

ABSTRACT

This article uses Jessie Kenney's unpublished and fragmentary autobiography The Flame and the Flood to show how suffragettes reacted to, and tried to re-write, the emerging historical narratives on militant suffrage. As June Purvis and Sandra Stanley Holton have shown, Sylvia Pankhurst's The Suffragette Movement became the dominant frame through which the suffragette movement was understood. Yet Krista Cowman's revealing study of Mary Gawthorpe also demonstrates that many suffragettes were distressed at the way this narrative became cemented in popular and academic understandings of the movement. Developing this understanding by showing how suffragettes resisted Pankhurst's account to offer an alternative account of suffrage history, this article offers new insights into suffrage life-writing in the later twentieth century. It conceptualises The Flame and the Flood not as a monologue focused on Kenney's own experience, but as a dialogue with existing cultural narratives, and demonstrates the interaction between collective and individual identity in suffrage autobiography.     

Writing women's rites: Excision in experiential african literature

This article examines “excision” (a.k.a. “female circumcision,” Female Genital Mutilation [FGM] or, more recently, Female Genital Cutting [FGC]) in African Women's first-person accounts. While considering the shift from female third-person narratives to “experiential” texts, the article also outlines three steps—(1) in-passing; (2) auto(-)biography; and (3) suturing—in delineating the herstory of the representation of excision in postcolonial African literature, which in turn, contributes to the general shift in the literary text from rite to mutilation so that women's rites now clash with human rights.     

Gender and Vernaculars in Digital Humanities and World Literature

Abstract

This article discusses the large-scale and world-encompassing aspirations of digital humanities and world literature and their methodological accordance with the analysis of literature in smaller languages and of texts understood in social, transnational, and gendered contexts. Are Digital Humanities and World Literature establishing themselves as fields utilizing analytical tools that are at odds with the aims and perspectives of feminist literary history and reception history as a part of literary history? We argue that gender research and theory is insufficiently developed in both computational literary history and World Literature. An unproblematic understanding of translations, canonization, English as a global language, and the use of large-scale computational methods and formalized interpretive models is in many cases not beneficial for the understanding of texts by women writers or from feminist perspectives. Drawing on feminist criticism of computational methods and arguments for specialized rather than generalized knowledge about literary history, we propose that digitization in some form, be it a bibliographical database or digitization of a corpus of texts, may be thought of as part of the research process in projects oriented towards gender and cultural exchange.     

Feminist biography and feminist history

Abstract

This article seeks to explore the relationship between biography and the many new developments evident in feminist history. Taking as its particular focus the history of nineteenth- and twentieth-century English feminism, it looks at the divergence between an approach to biography which assumes it to be concerned with the lives of exceptional individuals and an interest in the history of feminism which has ceased to regard it as being the story of heroic victories on the way to women's emancipation. The growing interest in the lives, experiences and activities of past feminists who were not the leaders of major national campaigns suggests a new approach in general to the biographies of feminists – exploring how they lived and understood the broader situation of women     

Performative Rhetorics in Invisibility: Phoebe Philo's Undone Authorship

ABSTRACT

This inquiry analyses the rhetoric of intentionally unfinished fashion contained in the collections from Céline as designed by Phoebe Philo and explicates the implications of this approach to fashion as a feminist text. Shoshana Felman’s seductive promise of speech, modified with insights from Paul de Man’s theory of autobiography as both giving face and defacement, is applied to Philo’s ‘new minimalism’ in order to highlight its appeal to modern female audiences. Using insights from the philosophy of Jacques Derrida, I examine ways in which wearers may seek to create a signature citationality via clothing that produces its own ‘unwriting’ therefore allowing the wearer to believe she inscribes her own iteration while maintaining control. Wearers are offered the chance to identify with a designer who is enlightened beyond fast and flashy fashion while hinting at the notion of the clothing having the substantialising effect that language has (instead of representational). Through this examination, clothing is shown to be a decision, and clothing is also shown to be a fiction. These decisions and fictions are open to failure; yet Felman offers that this failure acts as an opening remaining inadvertent or unacknowledged. Philo's designs invite an exploration of clothing as performative rhetoric.     

Ethel Bright Ashford: more and less than a role model

ABSTRACT

There is a tendency to position the first women lawyers as role models for today’s young women. This article argues, through an exploration of the life and career of Ethel Bright Ashford, that these women are better recognised as pioneers or foremothers than promoted as role models. Ashford was one of the first women barristers, a long-serving borough councillor, and tireless activist for civic causes. Nonetheless, aspects of her career and politics pose problems for purely celebratory accounts. Yet there is real value in considering her biography: she offers both an alternative definition of a successful professional life and the reassurance that imperfection is not equivalent to failure. Ashford therefore illustrates the vital importance of a more nuanced and historically situated consideration of the first women lawyers.     

Thwarted ambitions: the biography of Auvergne Doherty,an aspiring female barrister

ABSTRACT

Auvergne Doherty was the first woman from the Commonwealth to be admitted and called to the Bar of England and Wales.?In the first part of this article, Doherty's family background, education, legal training, and post-Bar experiences are set out. The second part analyses her profile compared with the other women called to the Bar in 1922 and considers why Doherty may not have gone on to practise as a barrister. This article argues that Doherty’s biography is important because it evidences how vital it was to have the necessary financial means and networks to be able to forget a career at the Bar. It was precisely the lack of these factors that impeded Doherty to fulfil her career as a barrister.     

Contemporary Women’s Autofiction as Critique of Postfeminist Discourse

ABSTRACT

While commentaries on the phenomenon of postfeminism have centred on its manifestations in media and popular culture, this article highlights the potential of literature for extending existing debates within postfeminist studies. I argue that the emergence of contemporary women’s autofiction offers the possibility of a literary response to the individualising narrative of a neoliberal and postfeminist sensibility. I advance this contention via an analysis of two texts: Sheila Heti’s How Should A Person Be? (2012) and Jenny Offill’s Dept. of Speculation (2014). Their writing practice is resolutely political because it employs the confessional mode, as indebted to the emancipatory roots of the feminist movement, to reflect on the enduring marginality of female artistic identity. By foregrounding the inherently provisional nature of their being, both texts emphasise that the search for a viable artistic consciousness and experiments in artistic method are as crucial as the final product itself, especially when the definition of woman as artist still remains contested. I thus locate the existence of these texts in a wider social imaginary conducive for feminist organising. In this respect, the rising popularity of contemporary women’s autofiction may offer strategies crucial for remediating an otherwise diminished feminist politics of the present.     

Close Encounters: Solidarity,Servitude and Postcolonial Feminist Affects and Affiliations

Abstract

This essay offers close readings of three texts that in different ways foreground the problems, possibilities and struggle involved in forging affective connections across difference between women: Kate Clanchy, What is She Doing Here? 2008, Jamaica Kincaid, Lucy, 1991a and Marlene Van Niekerk, ‘Labour’, 2004. The author argues that the incomplete and partial nature of affective moments represented in these texts signals possibilities for a cautiously redefined idea of affective feminist solidarity as it is mobilized in the intimacy of domestic spaces.     

The Unexpected: Bionic Woman at the Millennium

Wilfred Bion's A Memoir of the Future provides a point of departure for feminist thinking about the millennium. Bion problematizes hopes for the future and associates thought with catastrophic change. Women play an unexpected role in Bion's experimental autobiography, posing provocative questions and unsettling the status quo . Since Bion has little to say about women in his clinical writings, A Memoir sheds light on his thinking and on the post-Kleinian culture of the 1970s. Book I of A Memoir depicts a class- and sex-nightmare played out between men and women, and women and women, in an age of anxiety whose setting appears to be the fascist 'pacification' of Middle England during an unspecified period. In this hallucinatory drama, all encounters are reduced to a brutal fiction of dominance and submission. The violence of the action suggests the primitive mental world of psychosis. Book II of A Memoir satirizes 'the brilliance of masculine thought' through the voices and criticisms of women. But this is the purgatorial movement of Bion's autobiography, inhabited by 'idées mères' (untransformed beta-elements) and haunted by the ghosts of Bion's traumatic war-time experience. A monstrous plot is hatched to kill primitive, fascistic Man, who retaliates and takes the female spoils. Is this the prelude to catastrophic change? Book III stages a country-house debate between different characters who represent aspects of Bion's personality, recapitulating the concerns of his later writing. The debate includes a meditation on childbirth as compared to war trauma, but Bion takes his distance from feminine intuition or common sense. Women fight on both sides of the barriers in the Bionic revolution - becoming, however, figures for the 'unexpected' and precursors of emotional upheaval. The gendering of millennial thought in Bion's Memoir provides an opportunity to scrutinize our own unthought fantasies of change.     

Stalking Aboriginal culture: the Wanda Koolmatrie affair

Hoax, v.t., n. 1. Deceive, take in, (person) by way of joke. 2. n. Humorous or mischievous deception. Fraud, n. Criminal deception, use of false representations to gain unjust advantage; dishonest artifice or trick. Imposition, (-z) n... piece of deception or advantage taking. Utter, v.t. put (notes, base coin, etc.) into circulation. History of a Deception Wanda Koolmatrie's novel My Own Sweet Time was published in 1994 by Magabala Books Aboriginal Corporation, an Aboriginal publishing house based in Broome, Western Australia. It is now known that Wanda Koolmatrie never existed, and My Own Sweet Time is believed to be the work, either jointly or individually, of two white Australian males known as John Bayley and Leon Carmen. As readers were informed in the biography provided by the publisher, Wanda Koolmatrie: was born in the far north of South Australia in 1949... Removed from her Pitjantjara mother in 1950, she was raised by foster parents in the western suburbs of Adelaide. She married Frank Koolmatrie, who died several years later...     

An echo in France of the British women’s suffrage campaign

ABSTRACT

The reputation of the suffragettes and the Pankhurst family in France was often considered to be too militant for the French journal La Française. This feminist journal praised the suffragettes whilst keeping a distance from such ‘trouble-makers’. This was a complex acceptance. In particular, from 1912, when some suffragettes engaged in violent tactics, the journal began calling for non-violent actions. After the Representation of the People Act was passed in 1918, La Francaise waited ten months to rejoice in this news. Now it began to suggest that British women were showing French women how to win their own enfranchisement, which was not granted until 1944. A few weeks before the 1928 Equal Franchise Act, the journal praised more and more Emmeline Pankhurst's radical spirit. This article suggests that the British suffragette movement had an influence on the women’s suffrage campaign in France although often in complex and contradictory ways.     

Pitirim Sorokin’s contribution to rural sociology: Russian,European and American milestones of a scientific career

ABSTRACT

The whole of Pitirim Sorokin’s fascinating and difficult scientific life led to his fundamental works on urban–rural relationships being expressed in the terms ‘rural–urban continuum’ and ‘rurbanism’. However, only a few special studies have been devoted to different aspects of his biography and scientific interests. The legacy of Sorokin as a rural sociologist has not yet become a subject of special studies in Russian social science. This contribution considers the key stages of Sorokin’s scientific career as contributing to the development and institutionalization of rural sociology as a discipline closely connected with urban sociology.