When convenience is inconvenient: ‘healthy’ family foodways and the persistent intersectionalities of gender and class

This article draws on findings from an auto/biographical study about relationships with food to demonstrate how everyday foodways continue to be influenced by the intersectionalities of gender and class. Following Bourdieu [1984. Distinction, a social critique of the judgement of taste. London: Routledge] how ‘foodies’ use food and foodways (the production, preparation, serving and eating of food) as a material and cultural display of capital (Johnston, J., & Baumann, S. 2010. Foodies, democracy and distinction in the gourmet kitchen. London: Routledge) or even ‘culinary capital’ (Naccarato, P., & LeBesco, K. 2012. Culinary capital. London: Berg) has been demonstrated. There has been less work exploring how mothers use ‘feeding the family’ (DeVault, M. I. 1991. Feeding the family. London: University of Chicago Press) as a source of cultural capital for themselves. Three-quarters of the 75 respondents in my UK study were parents and all mothers with dependant children fed their family ‘healthy’ food as a means of performing a particular middle-class habitus. I therefore examine how mothers engaged in ‘healthy’ foodwork as a means of positioning themselves as ‘good’ mothers or ‘yummy mummies’ (Allen, K., & Osgood, J. 2009. Studies in the Maternal, 1). Indeed, despite decades of gender equality in the public sphere and neo-liberal assertions regarding individualism, ‘feeding the family’ (DeVault, 1991) continues to be a highly gendered activity, with the added pressure of now having to provide ‘healthy’ food cooked from scratch. In these accounts, convenience foods and/or ‘unhealthy’ family foodways were vilified and viewed with disgust, with an adherence to ‘healthy’ family foodways used as a means of drawing boundaries within fields of ‘organised striving’ (Martin, J. 2011. On the explanation of social action, Chicago: University of Chicago Press; Savage, M., & Silva, E. B. 2013. Cultural Sociology, 7, 111–126). This article considers ‘healthy’ foodwork as a significant aspect of ‘good’ middle-class mothering, whereby ‘healthy’ family foodways become significant in the performance and display of ‘proper’ middle-class femininity that pathologises alternative family foodways and ‘other’ femininities. This serves to illuminate continuities within the intersectionalities of gender and class, with a commitment to ‘healthy’ family foodways central to ‘future oriented’ (middle classed) maternal identity.     

‘Doing gender and gender equality’ through emotional expressions during a research interview. Views of highly educated Swedish young adults

The aim of this article is to contribute to the knowledge on how concepts of gender and gender equality are constructed within research interviews, deepening our understanding of the underlying gender system in society. We focus on emotions and emotional processes expressed during interviews on work and family when specific questions originating in the World Value Survey were asked. Our study is based on interviews with highly educated women and men, in two metropolitan areas of Sweden. In this article, we seek to shed more light on how incorporating emotional expressions and the evaluation of these emotions can grasp the construction of gender and gender equality. We highlight the range of emotional expressions that appear during the interviews, differences in their usage by women and men and the links to the construction of gender and gender equality. We explore how the specific situation of the interview influences ‘doing gender and gender equality’ through emotions. Our results reveal that men and women use similar but also different emotional expressions in conforming to the gender equality norm. Men and women, interviewers and interviewees agreed on this norm, but the ways they ’performed’ the norm are gender based.     

Doing homebirth like a man? Constructions of masculinity in South African men’s narratives of homebirth

The intersections between homebirth and masculine identities have not been widely explored. In this paper, we focus on the construction/contestation of masculinity in South African men’s narratives of planning and experiencing homebirth. Drawing on 20 interviews conducted with a sample of 5 men and couples in 2013–2014, a narrative analysis found men constructed ideal masculinities and ways of being a man in relation to homebirth. The paper focuses on the multiple representations of masculinity constructed in men’s talk about homebirth and traces their efforts to articulate a masculine perspective of birth. Men grappled with the meanings of ‘being there’ as a man during labour/birth and articulated alternative modes of being a man that valued and accommodated relationality, passivity and containment. Men thus articulated ways of being present and passive during homebirth that challenged normative constructions of masculinity. The notion of selfless masculinity emerged as a key masculine ideal in which giving and service during birth was constructed as integral to being a good father and man. However, competing forms of normative masculinity constructed in men’s narratives meant gender tensions remained in the continued salience of traditional masculine meta-narratives, such as being the ‘breadwinner’.     

linking radical traditions and the contemporary Dalit women’s movement: an intergenerational lens

Anti-caste movements in India have a long history. Cultural heritage became and remains a site of political contestation by excluded communities searching for identity and equality, and gender remains at the core of their engagements. The meanings underlying the more homogenous term of ‘Dalit’ used today are part of a historical process of self-definition. Moreover, diverse Dalit countercultures suggest varied social domains in which Dalit communities are located. South Asian historiographies have been critiqued as denying histories and historical agency to Dalits. Yet Dalit studies have developed epistemologies, bringing articulations and ideas from the margins to the centre of writings on history, leading to debates around caste that have transformed notions of politics. This paper draws from one such trajectory through a nonlinear narrative, juxtaposing the intergenerational contexts of engagements: my mother Dakshayani’s political and life experiences, as narrated in her autobiography (1912–1978), and my own experience in the Dalit women’s and other movements in the 1980s and 1990s. While my experience saw the onset of liberalisation and the emergence and growth of ‘new social movements’, the context of Dakshayani’s narrations is the Pulaya (agrestic slave caste) community in the early 1900s in Cochin, a community in the process of transforming itself. Both narratives highlight how radical traditions within the Dalit women’s movement over time have consciously and critically addressed anti-caste movements, social reform, the state, peoples’ movements and the nation within a conceptual framework of equality, liberty and non-discrimination.     

food

The shift to companionate marriage in South Asia and elsewhere is widely read as a move from ‘tradition’ to ‘modernity’ resulting in an expansion of individual agency, especially for women. This paper critically examines the narratives of urban middle-class women in Sri Lanka spanning three generations to illustrate that rather than indicating a radical shift in the way they negotiated between individual desires and social norms, the emphasis on ‘choice’ signals a shift in the narrative devices used in the presentation of the ‘self’. The paper illustrates how young women’s narratives about marriage appear to suggest ‘modernity’ as inevitable—that its processes are reconstituting the person who, less constrained by ‘tradition’ and collective expectations, is now experiencing greater freedom in the domain of marriage. However, it also shows how urban middle-class families in Sri Lanka have collectively invested in the narrative of choice through which ‘a choosing person’ is consciously created as a mark of the family’s modernity and progress. Rather than signalling freedom, these narratives about choice reveal how women are often burdened with the risks and responsibility of agency. The paper illustrates that the ‘choosing person’ is produced through narratives that emphasise agency as a responsibility that must be exercised with caution because women are expected by and obligated to their families to make the ‘right’ choices. Hence, a closer look at the individualised ‘choosing person’ reveals a less unitary, relational self with permeable boundaries embedded within and accountable to family and kinship.     

Rationalizing pay inequity: women engineers,pervasive patriarchy and the neoliberal chimera

This article argues that neoliberalism with its pervasive patriarchy and co-option of feminism, renders women tacitly complicit in gendered pay inequalities. We show that in New Zealand, one of the world’s most neoliberal nations, women who might precisely be best equipped to argue for equal pay – engineers – do not do so because neoliberalism makes many feel responsible for, and accepting of, their lower salaries. In interviews and focus groups, many women engineers talk of deserving less pay than men because of their ‘choices’, their ‘personality’ and their lack of ‘responsibility’. In a disempowering environment, some women show agency by disavowing gender as a reason for the pay gap. Such narratives of individualized shortcomings reduce hope of collective action that might uncover and dismantle the systemic causes of pay inequity, which are not due to a woman’s choice or personality but rather what we frame as the neoliberal chimera.     

Calling a Spade a Spade: Tackling the ‘Women and Peace’ Orthodoxy

In her lecture, ‘Are women peaceful?’, Professor Hilary Charlesworth outlines what she perceives to be the current orthodoxies of the international women and conflict discourse. These include assumptions that women are natural peace-builders, suffer more from conflict, have a right to participate in peace processes, and that gender should be mainstreamed. Based on Charlesworth’s analysis, the authors argue that wars and peace processes are inherently gendered affairs and as a consequence a focus on equality or mainstreaming of gender remains challenging. The authors also note that although equality is a useful platform for ensuring women’s participation in peace processes, feminists should not expect equality arguments to do more than they were designed to do, that is, to ensure seats for women at decision-making tables. Ensuring that women can put forth their concerns and that they are listened to demands a different set of tools.     

exploring symbolic violence in the everyday: misrecognition,condescension, consent and complicity

In this paper, we draw on Pierre Bourdieu’s concepts of ‘misrecognition’, ‘condescension’ and ‘consent and complicity’ to demonstrate how domination and violence are reproduced in everyday interactions, social practices, institutional processes and dispositions. Importantly, this constitutes symbolic violence, which removes the victim’s agency and voice. Indeed, we argue that as symbolic violence is impervious, insidious and invisible, it also simultaneously legitimises and sustains other forms of violence as well. Understanding symbolic violence together with traditional discourses of violence is important because it provides a richer insight into the ‘workings’ of violence, and provides new ways of conceptualising violence across a number of social fields and new strategies for intervention. Symbolic violence is a valuable tool for understanding contentious debates on the disclosure of violence, women leaving or staying in abusive relationships or returning to their abusers. While we focus only on violence against women, we recognise that the gendered nature of violence produces its own sets of vulnerabilities against men and marginalised groups, such as LGBT. The paper draws on empirical research conducted in Sweden in 2003. Sweden is an interesting case study because despite its progressive gender equality policies, there has been no marked decrease in violence towards women by men.     

Considering the role of men in gender agenda setting: conceptual and policy issues

The international gender equality agenda evolved into one of mainstreaming a gender perspective into all policies and programmes. Within this process, the role of men gained increasing attention in the debates on gender equality. This resulted in the inclusion of ‘men's role’ as one of the themes of the agenda of the Commission on the Status of Women for the year 2004. While this is another step forward in the global efforts for achieving equality between women and men, its potential risks should not be overlooked. Therefore, it is necessary to revisit the concept of gender and carefully assess and monitor how the role of men is included in the agenda. This article starts with the premise that gender inequalities are the product of historically determined gender order in which the differentially assigned male female attributes are unequally structured in layers of privileged and subordinate positions of masculinities and femininities. The concept of patriarchy is brought back into the analysis to capture the interlinkages between the various status hierarchies that lead to shifts in hegemonic forms of masculinity that reproduces itself under diverse and changing conditions. Thus, while the article attempts to account for the generic and universal characteristics of gender inequality, at the same time, it draws attention to its specific socio-cultural manifestations. Finally, policy guidelines are offered for the consideration of the role of men in gender agenda setting. Accordingly, it is suggested that men's initiatives for alternative masculinities are acknowledged and that the questions regarding which men, in what kinds of alliances and for which end are reflected upon in formulating policies.     

Stigmatized portrayals of single women: a content analysis of news coverage on single women and single men in China

This study explored the stigmatized portrayals of single womanhood in news media by content analyzing news coverage from Mainland China of single women and single men from 2008 to 2013. Among the three prevalent news frames (conflict, responsibility, and human interest), the results showed that news reports relating to single women commonly employed more human-interest frames and concentrated on single women’s conflicts with other social groups as well as the conflicts between singles and societal expectation of population sustainability. News stories also unduly ascribed the responsibility for being ‘single’ to the women themselves, but such individual attribution was not applied to single men. As an exploratory study, our research shed light on how news framing is gendered to reinforce stereotypes and facilitate mechanisms for control. Theoretical and practical implications are discussed in relation to public opinion about single womanhood and the intersectional oppression of single women in Chinese society.     

between Islamophobia and post-feminist agency: intersectional trouble in the European face-veil bans

Women’s equality claims have occupied the forefront of the European debate on face-veil bans; most claims have been denounced as mere manipulation for anti-Islamic and/or anti-immigrant political agendas, and the dilemma between anti-sexist and anti-racist struggles has been argued to be false. This article examines how opportunistic manipulation of gender equality claims and the ‘ethnicisation’ of sexism have been assessed and confronted in the scholarly debate opposing the bans, as well as the impact that this debate has had on women’s equality claims and the intersectionality issue. I argue that the women’s oppression argument has not been fully considered, because it would have disrupted the anti-racist struggle due to unresolved problems with understanding intersectionality.     

Dainty little fairies: women,gender and the Savoy Operas

Abstract

Since the 1890s, amateur operatic societies have enabled middle-and lower middle-class women to overcome any stigma associated with public stage performance through their constitution as ‘serious’ leisure organisations. Some women have occupied positions of (situated) prestige, though others were confined to supporting roles. Amateur ‘operatics’ have generated a carnival atmosphere around the activity of performance, where boundaries between members' leisure, social and performing identities became permeable and easily crossed. The Gilbert and Sullivan operas, a staple of the amateur repertoire since their late-Victorian composition, draw on a range of representations of masculinity and femininity that acquired new cultural relevance for the middle classes from the inter-war period. Positive representations of femininity are predominantly youthful. More negative representations of older women have their origins in the grotesque, cross-dressed dame of burlesque. Nevertheless, interview evidence demonstrates that older women in particular, aided by the possibilities of moving between performing and social identities that this leisure activity encourages, have made empowering and selective imaginative appropriations from these gender ideals.     

Women’s perspectives on the value of a father’s initiative in shifting gendered practices within families

This paper explores the qualitative perspectives of women about a community embedded fathers’ initiative in Northern England. Projects to improve the well-being of men and their children are less common within the landscape of parent and child support, with mothers more often being the target recipients. Asking women about their perceptions of an initiative for fathers then offers original insights from women who are positioned as ‘related outsiders’, in that they were ‘outside’ the project but ‘inside’ the family and community. Findings suggest that women are able to see the positive impact of such a project, identifying that it offers a shared space for men and children, time for mothers without their children and can help with shifting roles and attitudes around childcare and emotional labour in the home. The initiative was also seen by the women as offering men more healthy means of coping, including men moving away from traditional hegemonic practices, which in turn shifted some women’s long held gendered beliefs about men as fathers. This research then offers a relational gendered backstory to a father’s initiative, demonstrating how such initiatives can potentially ‘undo’ gender and the positive implications this could have for families.     

“It Is So Swedish That You Have to Work”. Returning Swedish Migrant Women’s Negotiations of Gender Equality and Heterosexuality

Notions of gender equality are strongly linked to the Swedish self-image. This article explores returning Swedish migrant women’s negotiations of heterosexual gender equality ideals based on their experiences of being housewives to middle- and upper-class men with work contracts abroad. From fieldwork conducted within two networks for returning Swedes, the article provides an analysis of the ways in which the women talk about work, gender equality, and domestic workers.

The analysis of the women’s accounts of gender relations shows that different ways of doing femininity are central in their narratives. By using the concepts “emphasized femininity” and “gender-equal femininity” the article highlights the different forms of femininity that can be traced in the women’s narratives. Drawing from the empirical examples, it is shown that the women are troubled by Swedish gender equality ideals and express a feeling of not “fitting in” after returning to Sweden. I suggest that the women’s articulations of not “fitting in” to (imagined) gender-equal Sweden tend to downplay the fact that they still have advantages that assist with “fitting in” from social positions such as class, whiteness, and (hetero)sexuality: positions which may create space for negotiating social norms in Sweden.     

MEMORIAL ACCOUNTS

Under the conditions of narrative construction, young queer men's coming out stories present memorial accounts of ‘always-having-been’ queer; a queer childhood. The ways in which coming out stories operate have developed significantly over the past decade, particularly resulting from the use of online, digital technologies where such narratives proliferate. This article presents some initial theorisation of the role of young men's coming out narrative in the constitution of performative queer identity with a focus on the construction of memory. The article presents an overview of the history of coming out and the ways in which this history has influenced the conventions and genre of the coming out narrative online. It addresses some of the ways in which such memorial accounts are performative acts themselves, seeking to stabilise queer masculine identity, and ends with a discussion as to whether or not online sites such as YouTube continue or disrupt such stabilising narratives.     

Gender models: changing representations and intersecting roles in Dutch and Italian fashion magazines, 1982–2011

This article presents a comparative content analysis of gender representation in fashion magazines in Italy and the Netherlands. Updating Goffman’s classic study of Gender Advertisements, we study the intersections of gender, professional role, country and time in media representation. Thus, we combine and confront quantitative content analysis with insights from critical gender studies on polysemy and intersectionality. Analyzing a sample of 5840 images from mainstream, commercial and high fashion magazines published in 1982, 1996 and 2011, we find that gender representation strongly intersects with time, place, and notably: professional role. Models, who represent the specific ‘aesthetic capital’ of the fashion field, are portrayed in highly specific ways. Over time, gender differences in representation become stronger in Italy, while in the Netherlands male and female representation converges towards conventionally ‘feminine’ styles. In both countries, we find increasing prominence of (North-American) Goffmanian gender conventions and a new ‘withdrawn’ gendered style emerging in the early 2000s. This new style employs new signs and conventions to denote gender and professional status: it separates men from women, and models from non-models. Our analysis shows, first, that gender representation does not directly reflect gender inequality. Second, it demonstrates the impact of globalization on gender representation. Third, it highlights the polysemy and cultural specificity of visual signs: gender difference can be ‘ritualized’ and ‘stylized’ in various ways. These diverse gendered conventions intersect with other characteristics, and may convey diverse, and changing messages about the relation between gender and sexuality, power, aesthetics and (visual) pleasure.     

Theme: Making us Modern: Australian Writing in Modernity

‘Making us Modern’ brings together articles concerned with the scene of Australian writing and the relevance of ‘modernity/ies’ and ‘modernism/s’ for contemporary writing and reading practices. What is the ‘modern’, who are its subjects, and how has the modern made us—as ‘postmodern’, perhaps? And, who is this ‘us’, anyway? Attempts to theorise modernity and its aesthetics have often taken the white Western male as their subject. Intervening in these theories, however, are the efforts of feminist critics, among others, who seek to install those troubled terms ‘gender’ and ‘race’ at the centre of their considerations of modernity, modernism, and reading and writing subjects. The articles in ‘Making us Modern’ contribute to these debates. Twentieth-century Australian modernities have been seen as holding together a mix of trauma and pleasure, constraint and release, sometimes represented in literary texts in seemingly impossible relation. For Esther Faye, writing on the short stories of Australian-Jewish writer Rosa Safransky, the subjective experiences of post-war Australian modernity are characterised by the traumatic dislocation of human subjects in time and space. In Safransky's stories of family and domesticity is seen the trauma experienced by gendered and racialised subjects in the particular context of the Shoah and its aftermath. Although, as she says, ‘the canonical status of the Shoah as the paradigmatic modernist event is increasingly contested’, through a Lacanian reading of Safransky's texts, Esther Faye shows the ways that the Holocaust's radical disruption of time and its dislocation of the Jewish subject in history echoes in its logic the wider deracination of the subject in modernity. It testifies ‘to the traumatic structure of subjectivity itself’, and it testifies, too, to the particular kind of ‘pleasure’ that is constituted in inextricable relation to trauma. In this way, as Esther Faye argues, being Jewish after Auschwitz is a question for all of us.     

Wounding and Healing: dealing with difference in Christian narratives of migrant women in East London since the 1980s

Setting oral histories conducted with a group of female Christian migrants to East London from various backgrounds and different stages in the life cycle alongside interviews with male migrants and non-migrant women, this article seeks to explore the relationship between gender, mainstream religious affiliation and the negotiation of the migratory experience. Informed by mimetic and feminist theory on religious subjectivities, the article focuses on the preoccupation with sacrifice and healing which emerges from these life stories and highlights the ways in which the emotional realities of pain, separation and suffering also give rise to powerfully reconceptualised, individual faith resources and creative strategies for claiming agency within familial, vocational and religious settings. Through a focus on domestic life, work and church leadership within ‘mainstream’ Christian churches, this article complicates assumptions about the nature and historical trajectory of ‘traditional’ religious organisations, and interweaves migrant women's experience closely with that of other members of their church communities. Through these ‘moving stories’, gender forms an integral part of these women's spiritual narratives and is constitutive of their articulation and negotiation of their faith, migration and inculturation.