Miscegenations of modernity: constructing european respectability and race in the Indian railway colony, 1857-1931

Abstract

From 1857 Indian railways built railway colonies to inculcate a practical mastery of middle-class domesticity solely in their European employees. These were key sites for the construction and contestation of European identity. They marked Europe and India as separate locales bounded by distinct racial typologies and gender identities. The central distinction reinforced was that between European modernity and Indian tradition. This project was complicated by the hybrid identities of Domiciled European and Eurasian railway employees, nationalist protests, and contradictions in the colonial discourse of modernity. By 1931 the racial logic of the railway colony was under threat, but its rhetorics of respectability, modernity, gender, and race intensified in new forms. By tracing the historical construction of boundaries between Europe and India and the history of interstitial groups that destabilize these, we can question the transition narratives of nationalism and capitalism that usually structure accounts of colonial history.     

food

The shift to companionate marriage in South Asia and elsewhere is widely read as a move from ‘tradition’ to ‘modernity’ resulting in an expansion of individual agency, especially for women. This paper critically examines the narratives of urban middle-class women in Sri Lanka spanning three generations to illustrate that rather than indicating a radical shift in the way they negotiated between individual desires and social norms, the emphasis on ‘choice’ signals a shift in the narrative devices used in the presentation of the ‘self’. The paper illustrates how young women’s narratives about marriage appear to suggest ‘modernity’ as inevitable—that its processes are reconstituting the person who, less constrained by ‘tradition’ and collective expectations, is now experiencing greater freedom in the domain of marriage. However, it also shows how urban middle-class families in Sri Lanka have collectively invested in the narrative of choice through which ‘a choosing person’ is consciously created as a mark of the family’s modernity and progress. Rather than signalling freedom, these narratives about choice reveal how women are often burdened with the risks and responsibility of agency. The paper illustrates that the ‘choosing person’ is produced through narratives that emphasise agency as a responsibility that must be exercised with caution because women are expected by and obligated to their families to make the ‘right’ choices. Hence, a closer look at the individualised ‘choosing person’ reveals a less unitary, relational self with permeable boundaries embedded within and accountable to family and kinship.     

Sonia Delaunay: Fashioning the Modern Woman

Focusing on questions of gender and modernity, Gronberg examines representations of Simultaneous fashions designed by the Paris-based artist Sonia Delaunay in the German illustrated press of the 1920s. Simultaneous dress was presented as a means of rendering woman 'modern' both through fashion and through association with Parisian artistic avant-gardism. Gronberg explores the figure of the fashionably dressed Parisian femme moderne in relation to 1920s concepts of the neue Frau. The identity of Sonia Delaunay as an artist turned professional designer marked her out as a 'modern woman' and was crucial in the promotion of Simultaneity to international audiences. Delaunay's persona as a 'modern woman' also related to her status as a wife. The German press depicted Sonia Delaunay and her husband, the painter Robert Delaunay, as a Knstlerehepaar, an artist-couple exemplifying contemporary notions of 'companionate marriage'. Gronberg shows how such concepts of the modern woman were important not only in marketing Sonia Delaunay's fashions but also in claims for Robert Delaunay's post-war painting as a renewed form of avant-gardism. The essay concludes by considering Paris as a milieu in which women interacted with each other professionally-as writers, artists and photographers-engaging with and reformulating the visual imagery of modernity. The production, promotion and consumption of Simultaneous fashion during the 1920s reveals the 'modern woman' as both subject and object of representation. A preoccupation with fashion could be as much to do with challenging and overcoming, as with acquiescing to, stereotypes of femininity.     

The ‘Sharia Law Debate’ in Ontario: The Modernity/Premodernity Distinction in Legal Efforts to Protect Women from Culture

The normative figure in Western feminism remains the liberal autonomous individual of modernity. ‹Other’ women are those who have their freedom to choose restricted. Typically, ‹other’ women are those burdened by culture and hindered by their communities from entering modernity. If we remain in the terrain of thinking about women as vulnerable or imperilled, and some women as particularly imperilled, as we generally do of Muslim women, we remain squarely within the framework of patriarchy understood as abstracted from all other systems. A modernity/premodernity distinction will continue to invade any projects intending to help Muslim women. This paper shows the persistence of the modernity/premodernity distinction in contemporary debates around applying Sharia law to the settlement of family law disputes under the Arbitration Act in Ontario, Canada. I argue below that in their concern to curtail conservative and patriarchal forces within the Muslim community, Canadian feminists (both Muslim and Non-Muslim) utilized frameworks that installed a secular/religious divide that functions as a colour line, marking the difference between the modern, enlightened West, and tribal, religious Muslims. I suggest that feminist responses might have helped to sustain a new form of governmentality, one in which the productive power of the imperilled Muslim woman functions to keep in line Muslim communities at the same time that it defuses more radical feminist and anti-racist critique of conservative religious forces. I end by exploring how this effect could have been restricted.     

Marianne Moore and the Arcadian Pleasures of Shopping

When R. P. Blackmur declared in 1935 of Marianne Moore that 'no poet has ever been so chaste',he was deploying a gendered critical language describing Moore's work as ideologically pure, untainted by the commercialism of capital; at the same time, he was carefully demarcating the boundaries between high culture and mass culture (Blackmur 1935:206). However, while Moore's status as an exemplary modernist has secured her a place in the modernist canon, this has inevitably led to readings that marginalize aspects of the poet's work that declare an interest and textual investment in mass culture. Moreover, interpreted within these narrow critical parameters, Moore's verse has been effectively transformed into what Randall Jarrell called one of the 'nicer animals': it has been declawed and tamed, divested of its more radical properties in order to reinforce a self-sufficient and autonomous modernist aesthetic. While it is undoubtedly important to recognize the ways in which modernist women writers have contributed to forms of avant-garde culture, those forms should be identified, in Rita Felski's words, as 'only one of a continuum of cultural practices' rather than as the dominant model for critical investigation (Felski 1994:191-208). Tracing the relation between Moore's poetry and the discourses of fashion, advertising and consumerism is an attempt to resist reproducing what Andreas Huyssens has referred to as 'the great divide' reinforcing modernism's cultural hegemony. The philosophical frames of modernity, particularly as it has been theorized by Walter Benjamin, provide the discursive context for making visible and valuable Moore's preoccupation with aspects of her own contemporary popular culture. Furthermore, by gendering this modernity, by recognizing the ways in which the formations of capital produce and consume 'woman' as discursive subject, Moore's poetic shopping sprees reveal the difference gender makes to our understanding of modernity and its relation to modernism. Moore's work, as illustrated by archival material based at the Rosenbach Museum and Library as well as her poems and her critical essays, is as much constructed out of the arcadian pleasures of modernity as it is the expression of the poetics of high art. With its investment in the aesthetics of display, the discourses of advertising and the pleasures of consumption, Moore's poetry offers a model for reading a gendered modernism in the context of modernity. The poem, 'When I Buy Pictures' (1921) will provide the focus for this discussion as it suggests not only how the aesthetic is related to consumer culture but it also reveals the textual traces of a debate taking place in the visual arts in the United States concerning the nature, value and function of 'pictures' as cultural signs. However, before looking more closely at the poem, it might be worth reconceptualizing Moore's writing in relation to some of the recurrent 'motifs' of modernity.     

from the uterus to the brain: images of hysteria in nineteenth-century Mexico

Scientific interest in hysteria began in Mexico at the end of the 19th-century, as the medical profession expanded. The Mexican doctors studied madness, drawing on what was confidently regarded as a firm basis of epistemological knowledge. Using modern physiology they entered a discussion that had begun some time before in Europe. Encountering hysteria, an illness presumed to be caused by ‘over-civilization’, they searched for a universal definition. The doctors tried to impose a unifying concept onto the diverse symptoms of hysteria, and, although imitating European ideas, the discourse became distinctive in its attempts to relate hysteria to science and modernity so that all three would make sense. My interest in this article is the feminine; not a reconstruction of the relationship that medicine established between hysteria and the feminine, but a search for a space within the discourse that deconstructs identity and stereotypes. The feminine appears when the coherence of medical discourse is ruptured and when, to explain the illness, the doctors stop attempting to define it. This eventually occurs when the medical discourse considers the subject as unidentifiable and deceptive.     

biting the hand that feeds: Australian cuisine and Aboriginal sovereignty in the Great Sandy Strait

Wilhelmina (Mina) Rawson (1851–1933) is lauded in both academic and popular circles as the author of the first uniquely Australian cookbooks, which she wrote between 1876 and 1895. Rawson was a prolific writer and stressed that she was the first white woman settler at Boonooroo in the colony of Queensland, where she was ‘beholden to the blacks’ to show her what to eat (Rawson, 1895, p. 54). Rawson’s cookbooks famously codified how to use Australian non-human animals, including wallaby, parrot and goanna, as meat, and her published memories of this time detailed the context in which she implemented and refined these recipes. Rawson organised and policed racialised frontier space as a white woman, claiming British sovereignty over Butchulla country in order to profit from and teach other settlers to profit from the coastal land and waterways. This paper draws on ecofeminist and postcolonial theory and works to explore how Rawson organised food production to exercise violent colonial claims to sovereignty as a white woman, explicitly advising other settlers to do the same.     

re-negotiating reproductive technologies: the ‘public foetus’ revisited

In debates over abortion, the foetus and the woman have been continually positioned as antagonists. Given the stakes involved in such debates about personal integrity, individual responsibility, life and death, it is no wonder that many radical feminist authors have concentrated on refocusing the attention on women and away from the disembodied foetus. Such writers have worked hard to decode and deconstruct the public foetus in our midst and have mobilized interpretative tools such as cultural criticism to contextualize the production and consumption of foetal images. Barbara Duden's book, The Public Foetus, is an important and interesting contribution to this effort, which is still taken up by authors writing in this field. Duden's strategy is to seek to remind us (and in particular those who are involved in reproductive medicine) that pregnancy is concentrated in the embedded pregnant woman rather than the disembodied ‘public foetus’ and she attempts to retrieve the embodied woman as the site of pregnancy through what Michaels has termed a ‘fetal disappearing act’. While this may create as many problems for women as it resolves, I would argue that, while the ‘public foetus’ continues to loom large in the politics of abortion and women's positions in relation to the new reproductive technologies remain contested, Duden's work remains important in the continuing debate about how women's reproductive freedom can be continually re-negotiated and re-established.     

silent voices: mothers who kill their children and the women’s liberation movement in 1970s Japan

In the early 1970s Japan witnessed the emergence of a new women’s liberation movement that put forward an unprecedented gendered critique of Japanese post-war society. Known as ūman ribu (woman lib) or simply ribu (lib), this movement appeared at a historical time when the numerical increase in cases of mothers who killed their own children prompted the news media to describe maternal filicide as a dramatic social phenomenon. This article explores ribu’s engagement with the increased public visibility of mothers who kill. It contends that the solidarity and support the movement demonstrated for these criminalised mothers radically challenged idealised notions of motherhood, maternal love and the sanctity of the mother–child bond, and deeply questioned the post-war nuclear family as the cornerstone of society. The article investigates the revolutionary potential of ribu’s preoccupation with murderous mothers by framing it in the context of the movement’s call for consciousness transformation and for the pursuance of a more genuine relationality, and it gestures towards an understanding of what might be at stake in reading maternal filicide through the interpretative grid of a revolutionary agenda.     

Theme: Making us Modern: Australian Writing in Modernity

‘Making us Modern’ brings together articles concerned with the scene of Australian writing and the relevance of ‘modernity/ies’ and ‘modernism/s’ for contemporary writing and reading practices. What is the ‘modern’, who are its subjects, and how has the modern made us—as ‘postmodern’, perhaps? And, who is this ‘us’, anyway? Attempts to theorise modernity and its aesthetics have often taken the white Western male as their subject. Intervening in these theories, however, are the efforts of feminist critics, among others, who seek to install those troubled terms ‘gender’ and ‘race’ at the centre of their considerations of modernity, modernism, and reading and writing subjects. The articles in ‘Making us Modern’ contribute to these debates. Twentieth-century Australian modernities have been seen as holding together a mix of trauma and pleasure, constraint and release, sometimes represented in literary texts in seemingly impossible relation. For Esther Faye, writing on the short stories of Australian-Jewish writer Rosa Safransky, the subjective experiences of post-war Australian modernity are characterised by the traumatic dislocation of human subjects in time and space. In Safransky's stories of family and domesticity is seen the trauma experienced by gendered and racialised subjects in the particular context of the Shoah and its aftermath. Although, as she says, ‘the canonical status of the Shoah as the paradigmatic modernist event is increasingly contested’, through a Lacanian reading of Safransky's texts, Esther Faye shows the ways that the Holocaust's radical disruption of time and its dislocation of the Jewish subject in history echoes in its logic the wider deracination of the subject in modernity. It testifies ‘to the traumatic structure of subjectivity itself’, and it testifies, too, to the particular kind of ‘pleasure’ that is constituted in inextricable relation to trauma. In this way, as Esther Faye argues, being Jewish after Auschwitz is a question for all of us.     

Alice Notley's disobedient cities

The American poet Alice Notley has described one of her goals as being to take up ‘as much literary space as any male poet’ (Notley, 2005: 6), a phrase that questions the nature of ‘literary space’, and its relationship to material and political spaces. In Disobedience (2001), as in her earlier book The Descent of Alette (1992), the city is imagined in relation to what lies beneath it. Both of these extended poem sequences set up urban underground geographies, Alette – a mythical underground of caves and ghostly trains, and Disobedience – a largely subterranean Paris that shifts between the ‘real’ metro and a series of filmic dreamscapes. In challenging the scope and scale of canonical epics with feminist reconfigurations of form, her work engages with the public space of the city. This article will explore the connection between the extended poetic forms she uses in these two books, and ways in which her work conceptualizes the gendering of city space through relationships between the body and language. Through reference to readings of Michel de Certeau by Meaghan Morris and Doreen Massey, I will show how Notley's approach to problems of language and form, and their potential solutions, are not only enmeshed in certain spatial concepts but also able to offer a critique of them.     

Religion and modernity: Gender and identity politics in Bangladesh

In Bangladesh as in other Muslim majority societies, Islamist forces have emphasized the importance of women adopting traditional religious practices, such as wearing “the veil”, as a cultural symbol and a weapon in the movement of Islamization against Western Modernization. On the question of modernity although some Islamic groups hold extreme attitudes of imagining it as ‘immoral’ and ‘dangerous’, there are other activists who negotiate to engage modernity by controlling its negative impacts through reinventing Islamic tradition. The discursive shift is mainly towards establishing modern civil society based, middle class led and urban organizations. In reaction to the image of commodification of the woman's body in Western modernity, they construct women wearing hijab in the public space as an image of “Modern Muslim Women”. This article explores how women negotiate modernist and Islamist discourses and thereby engage in the politics of everyday living. It argues that woman's agency moves beyond analysis of women as mere victims of ideological constructions.     

试论劳动法的社会法特质

劳动法与民法的关系，尤其是劳动合同法与民法的关系，一直是近二十年来法学界研究的热点 问题。国内的社会法研究更多着眼于实在法层面，尤其是围绕法律部门之社会法，难以在社会法与强调自身已 经实现社会化的现代民法之间划出明晰界线。社会法需要进行法理与法哲学思考，通过何为“社会法”之“社 会”、何为“社会法”之“法”、“社会”之“法”与社会法是何种关系这三个问题揭示社会法的特质，继而 论证劳动法作为典型的社会法，难以在民法体系内实现逻辑自洽。此外，社会法的核心是有机体内的伦理规则， 但并不完全排斥契约，合意的“触发性作用”仍不可或缺，劳动争议可以在一定范围适用民法规则。     

Narratives of race and nation in china: Women's suffrage in the early twentieth century

This paper explores the ways in which the Chinese women's suffrage movement used racializing narratives to alter the boundaries that had excluded women from full participation in politics in the first two decades of the 20th century. It extends existing work on the connection between narratives of race and women's suffrage in countries such as Australia, New Zealand, South Africa and the USA to explore how “race” was mobilized in China in the late-Qing and early Republican period. The article has three main areas of innovation. First, it explores the deployment of racializing narratives within the broader discourses of modernity circulating in China wherein modernization was premised on a racialized notion of national identity—that is “modernization as Han chauvinism.” Second, this article aims to participate in the process of extending the history of women's suffrage from primary reliance on class analysis and towards methods that explore the multiple categories of exclusion and inclusion. Third, this article aims to explore the manner in which narratives of race were invoked within a feminist political campaign that occurred in a nation without a history of European colonization. The article demonstrates that the multiplicity of possible gains sought under the banner of “race” makes it an unreliable category to invoke for struggles that are ultimately determined by “gendered” divisions.     

European capitalism and the effects of agricultural commercialization on slave labor in Tunisia, 1780s–1880s

Abstract

The paper argues that while the significance of Tunisian state economic and political reforms during the eighteenth and early nineteenth centuries has reflected the changing patterns of the caravan slave trade in previous research, much of this research has not considered the role of slaves in the emergent Tunisian economy. Nowhere is this negligence more apparent than in the agricultural sector, which was predominantly responsible for strengthening economic growth from the late eighteenth century until its weakening as a result of encroaching European capitalism by the mid-nineteenth century. Drawing on Tunisian state population data known as the Majba Census and the extant economic literature, the paper addresses this gap by exploring the implications of the Tunisian state economic reforms on enslaved labor in the agricultural sector. Exploring this research gap will enable us to ascertain the extent to which enslaved labor contributed to Tunisia’s burgeoning agricultural sector in a manner that has dodged academics’ attention. After providing a historical context of European capital penetration and its implications on political and economic reforms from the Ottoman conquest through the Husaynid periods, the paper looks at how European capital infusion after the first quarter of the nineteenth century transformed the agricultural sector and examines the role of slave labor prior to the European capital infusion and commercialization of the agricultural sector. Using the Majba Census records’ regional distribution of blacks in the Regency the paper sheds light on the implications of the precarious economy engendered by agricultural commercialization under the aegis of European capitalism on the structure of enslaved labor.     

red girls’ revolutionary tales: antifascist women’s autobiographies in Italy

This essay focuses on recent autobiographies written by Italian women born in the 1920s who engaged in revolutionary politics during and after the Second World War: Luciana Castellina (La scoperta del mondo, 2011), Bianca Guidetti Serra (Bianca la rossa, 2009), Marisa Ombra (La bella politica, 2010), Marisa Rodano (Del mutare dei tempi, 2008) and Rossana Rossanda (La ragazza del secolo scorso, 2005). In these autobiographies, personal narratives of passionate engagement are entangled with the urgency of antifascist resistance, and with the social and political conflicts that traversed Cold War Italy. Women’s multiple forms of political engagement within the Italian Communist Party are analysed, as well as the contradictory, ambivalent connection between Western European communist activists and Eastern European socialist regimes. The intersections between antifascist, communist and women’s rights politics are also explored, since some of the authors were leaders of the nation-wide left-wing Union of Italian Women. The autobiographies tell the story of an antifascist, left-wing ‘middle wave’ that fought pioneering battles for women’s political and social rights, and narrate its complex, conflictual encounter with second-wave feminism in the 1970s. These writings, therefore, allow us to reflect on changes in gendered subjectivities and revolutionary politics across time and generations.     

Redistribution and recognition: land reforms in Kerala and the limits of culturalism

The most important achievements of the Communist governments in Kerala, India were the implementation of the land reforms and the legislation of the Agricultural Workers' Act. Using ethnographic and archival research based on these events and the processes through which they became a reality, this paper will question some of the fundamental assumptions of the influential Subaltern Studies project and postcolonial theory like the positing of governmentality and passive revolution as the general characteristics of ‘Third World’ societies' experience with modernity. It will argue that, more importantly, their culturalist framework, with its gross ignorance of class and material concerns, is hardly adequate to understand the fusing of the aspirations of recognition and redistribution or the material and cultural that characterizes the struggles by the peasantry and agrarian labor, and their synthesis by the Communist Party. Despite their professed aim of inaugurating a democratic project with the peasant as citizen, Subaltern Studies and postcolonial theory, unlike the Communist movement, do not envisage any material transformation of the agrarian classes that will actualize this objective.     

Fashioning Readers: The avant garde and British Vogue , 1920-9

Mahood explores both the work of modern writers and work about modern writers as published in British Vogue during the 1920s. She demonstrates how a familiarity with trends in modern literature was presented as but one of the de rigeueur activities of the modern woman au fait with contemporary tastes. In doing so, the role of non-literary, or non-specialist, magazines in contributing to the rise of a common reader familiar with the practitioners and practices of modernist art is examined. Furthermore, she shows how the perceived 'restricted' value (or appeal) of modernism, in addition to the movement's palpable concern with modernity, became the very means by which modernism entered into the literary and cultural mainstream during the 1920s.