以“平台化互联化”点亮“双联动双服务”缔结企业与职工的“心灵契约”——“一横一纵”创新“互联网+”的工会工作新模式

汽车研究院工会紧密围绕"巩固与创新、产品与能力"研发目标的全面达成,着眼于"工程师"的主体地位,发挥"服务"、"助推"两大功能定位,以"双联动双服务"为工作思路,以"平台化横向驱动模块化,互联化纵向驱动平台化"的"一横一纵"为战略路径,丰富和提升"助推力工程"和"零距离工程"双服务的内涵和外延,将服务研发、服务职工落到实处,不断增强基层工会组织的感召力、影响力和亲和力,打造基于"两个转型"和"互联网+"的工会工作新模式,为北汽研发事业的快速发展提供了坚强支撑和有力保障。     

Media Review: Feminism During the "Doldrums"

The vigour of a field of history is usually assessed by reference to the quality of its historiography. Its health may also be judged by its presence in the curricula of educational bodies, public interest, and the prevalence and robustness of journals and societies dedicated to it. This article employs these criteria, sometimes overlooked in diagnosis of the condition of labor history, to explore its predicament in Britain. It documents the weight of labor history in the academy, its fragmentation, the declining numbers of scholars and their diminished sense of common identity as historians of a unified subject. Despite intellectual vitality indicated by the literature, institutional decline and centrifugal tendencies pose questions about the strength, even the reality, in practice, of the definitional field asserted in theory. The position appears unfavourable, compared with countries such as the USA and Australia. Popularization of labor history in the labor movement and among the public, proffered as a path to renewal, also poses problems.     

借助“互联网+”强化工会预算监管

当前,"互联网+"深刻影响社会。如何运用"互联网+"推进工会维护职工权益服务水平升级,助力工会服务职工效率提高,促进工会服务职工平台建设,改善工会服务职工资源配置,实现全流程工会服务,优化工会服务布局,改变工会财务管理监管模式,是摆在我们面前的新课题。借助"互联网+",施行工会预算管理新措施,夯实工会预算管理基础设施"云网端",推行工会预算监管行为"在线化",实现工会预算监管信息利用效益"最大值",推动工会财务管理水平进一步提高。     

Homonormative Collusions and the Subject of Rights: Reading <Emphasis Type="Italic">Terrorist Assemblages</Emphasis>

This essay provides an analytic review of Jasbir Puar’s book, Terrorist Assemblages (2007), situating her discussion and analysis of “homonationalism” within the context of recent developments in queer theory in the USA, and specifically, critiques of queer liberalism and gay imperialism; racial analyses of hetero- and homo-normative formations; and challenges to identity politics and representational frameworks that dominate LGBT studies. It takes up Puar’s interest in finding new methods and ‘reading’ practices to track certain shifts in LGBT politics and to account for alignments between (white) queerness and normative, nationalist and imperial interests. Engaging with and expanding on her analysis, this paper discusses the challenge that Terrorist Assemblage poses to the identity categories that undergird human rights campaigns, and addresses the racist and nationalist sentiments that she locates within them.     

to be <Emphasis Type="Italic">pure</Emphasis> or not to <Emphasis Type="Italic">be</Emphasis>: Gandhi,women, and the Partition of India

This article examines Gandhi's writings, speeches, and correspondence, produced mainly from 1946 to the end of his life, on the subject of violence against women during the riots surrounding the Partition of the Indian subcontinent. Gandhi, the article demonstrates, persistently fails to address the gender pathology revealed at the heart of South Asian society by these violations, a pathology to which men were subject, but of which women were the victims. The article compiles a comprehensive overview of Gandhi's shifting positions during this brief, though cataclysmic, period, in the belief that in so doing a certain core aspect of mainstream Indian nationalism's patriarchal underpinnings can be laid bare to critique.     

feminist disavowal or return to immanence? the problem of poststructuralism and the naked female form in Nic Green’s <Emphasis Type="Italic">Trilogy</Emphasis> and Ursula Martinez’ <Emphasis Type="Italic">My Stories,Your Emails</Emphasis>

This essay discusses the work of two female theatre-makers, and their strategic use of nudity on stage. The author appropriates signs of indignation in this work in order to re-visit the ‘problem’ of the female form being traditionally associated with bodily immanence rather than transcendence. Both Nic Green’s Trilogy (2009–2010) and Ursula Martinez’ My Stories, Your Emails (2010) use the naked female form to proffer statements about the experience of being a woman in the 2000s. Their use of nudity breaks with feminist theories popular in the 1990s, which argued that because the female form could never escape the symbolic logic of phallocentrism, it could never escape sexual objectification, and thus should operate on the margins of mainstream culture, cultivate agency by appropriating the means of production and be removed from view (radical negativity). By identifying as ‘artists’ and by insisting on their right to put their experience centre stage, Green and Martinez break with the anti-humanist theories of the 1990s and proffer a more individualistic strain of feminist performance. The author celebrates this work as a break away from the deadlock offered by theories of radical negativity.     

<Emphasis Type="Italic">Hanging On</Emphasis>: Reflections on visual reproduction and the UK Abortion Act 1967

This is a reflection on the visual installation piece, Hanging On, produced collaboratively for the Feminist Legal Studies ‘At the Kitchen Table’ zine in 2016. The author and co-artist considers the research that informed and helped conceptually drive the aesthetics of the piece, including academic research on abortion within literary aesthetics. How these concepts ‘translated’ into hands-on artistic practice and physical materials is discussed, including the difficulties and knowledge gained from the process. The author finally considers the benefits of such interdisciplinary, aesthetic encounters within contemporary feminist knowledge production.