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In his book No Sense of Place: The Impact of Electronic Media on Social Behavior (1985), Joshua Meyrowitz analyzes the ways in which electronic media of the twentieth century have broken down the "once strong relationship between physical place and social 'place,'" engendering greater social mobility and blurring distinctions based on social class, gender, race, and age (ix).  相似文献   

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Chantal Akerman's Films: A Dossier   总被引:1,自引:0,他引:1  
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《Labor History》2012,53(3):264-297
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This paper offers an analysis of the Oprah Winfrey talk show's success as emanating from an ideal typical form of branding that we term “dynamic branding”, in which the gap between production and consumption is almost entirely bridged. Oprah has managed to maintain a dynamic relationship with her viewers based on multiple feedback and feed-forward processes in which consumers' concerns are immediately translated into Oprah's performed identity in her talk show. Such an ongoing exchange of information with her viewers was the basis for Oprah's performance of her own self as a “failed self” embattled with the problems of everyday life, thus creating an equalitarian relationship with her audience. The success of Oprah's brand identity thus derives from its content as much as from the mode of its construction, a mode which involves an intimate and adaptive relationship with consumers that enables Oprah to immediately respond to and incorporate viewers' concerns, values and norms. This paper analyzes in detail Oprah's performed identity with analytical tools informed by linguistic anthropology and brings it into conversation with contemporary branding theories.  相似文献   

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