Gendered discourses of facilitation in a probation learning environment: challenging the heteronormative ideal

This article focuses on the cognitive behavioural rehabilitation programmes run by the probation service in the UK. Drawing on Judith Butler's assertion that both sex and gender are discursively produced and Becky Francis' notion of gender monoglossia and heteroglossia, the article seeks to analyse and problematise the gendered discourses of facilitation that were mobilised by policy-makers and practitioners in this setting. The dominant institutional model of heteronormative facilitation promoted the ideal of each programme being delivered by one female and one male facilitator in order to provide a gender ‘balance’. But underpinning this ideal lay the binarised and essentialist notion that ‘masculinity’ arose naturally from the male body and ‘femininity’ from the female body. Female facilitators were positioned as bringing a calming and non-threatening atmosphere to the group and as naturally possessing skills of ‘empathy’ and ‘warmth’. Male facilitators were highly valued by managers, but were also under pressure to perform masculinity in very specific ways that were linked to notions of intellectual, rational, ‘middle-class’ masculinity. Through an analysis of interviews with probation practitioners and session observations, the article highlights that despite these dominant institutional constructions, a variety of complex and contradictory performances of ‘masculinity’ and ‘femininity’ were mobilised in this environment.     

Barbara Leigh Smith Bodichon's Travel Letters: performative identity-formation in epistolary narratives

Barbara Leigh Smith Bodichon was a mid-nineteenth-century feminist, philanthropist and painter. This article examines Bodichon the female traveller as a way of discussing the process of identity-formation in letter-writing. It proposes reading letters through the lens of Judith Butler's theory of gender (1990). Following her concept of performativity, letter-writing is conceived as a performative act of identity-formation. The article argues that, conditioned by the addressee she wrote to, Bodichon gave written expression to her subjectivity in her travel letters via her epistolary persona. This autobiographical gesture acted as one means through which she constituted her identity as a female traveller. In turn, drawing on Butler's notion of subversive repetition, the article concludes that the resulting multiple epistolary ‘I's Bodichon developed in accordance with each of her addressees permitted her to venture into her subjectivity as a female traveller—ultimately prompting her epistolary challenge of normative codes.     

Vulnerability and Ontology

The question of the possibility of an anti-foundationalist approach to ethics has come to the forefront in recent discussions in the humanities. Two questions dominate these discussions. The first is how we can define agency, the necessary ground of ethical action apart from a transcendental subject. The second is how we can define a secure foundation for ethical judgements without universals. A relativistic ethics seems, by definition, futile. I take up both of these questions here with reference to the work of Judith Butler. I argue that in her post-Gender Trouble work Butler has defined an agent, an ‘I’, that is neither a social dupe nor a transcendental subject but, rather, both discursive and material. This ‘I’ provides the basis for Butler's turn to ontology as well as her analyses of vulnerability, precarity and cohabitation. These conceptions form the basis of her ethical position. I examine Butler's central argument that the material/ontological facts of human life necessitate the equal treatment of all human beings. In conclusion, I question whether Butler's position provides a sufficient basis for an antifoundational ethics. I argue that Butler is headed in the right direction but has not yet achieved her goal.     

Freethought,Free Love and Feminism: secularist debates on marriage and sexual morality,England c. 1850–1885

This article examines the previously unexplored current of Freethinking feminism in the second half of the nineteenth century. Active in the women’s movement of this period, Freethinking feminists were nonetheless viewed as a liability—an attitude that contributed to their exclusion from much of the subsequent historiography. Such marginalisation was due not only to their vocal opposition to all forms of religion, but also their openness to discussing new ways of organising heterosexual relationships. This article focuses on Freethinking feminist critiques of marriage and support for free unions. It demonstrates that these issues continued to be debated in the Secularist movement at a time when many other radical organisations—including much of the women’s movement—kept silent on such topics. In this way, Freethinking feminists kept alive the more radical and libertarian critiques of traditional sexual morality developed by Owenite feminists in the 1830s and 40s. The author argues that the ideology of Freethought propelled its adherents to readdress questions of sex within a new ‘Secularist’ ethical framework. Fierce debate ensued, yet commitment to freedom of discussion ensured that ‘unrespectable’, libertarian voices were never entirely silenced. Freethinking feminism might, then, be viewed as the ‘missing link’ between early nineteenth‐century feminist visions of greater sexual freedom and the more radical discussions of sexuality and free love that began to emerge at the fin de siècle.     

Frances gillam holden and the children's hospital dispute, 1887: woman's sphere,feminism and nursing

This paper examines the confrontations of a late nineteenth-century ‘lady superintendent’ with men and masculinity. It analyses the problematical links between femininity, feminism and ‘reformed’ nursing, in a period when the latter two were emerging from the first. A central focus is the extent to which the discourse of ‘woman's sphere’ was meaningful for such single, employed, middle-class women as the subject of this paper, Frances Gillam Holden, in the specific context of hospitals and professional health care. This paper argues that such a discourse informed her challenges to male/medical professional power and her bids for authority and recognition in her workplace. Ultimately this challenge failed, in that male/medical power was vigorously reasserted. However, such attempts suggest the gradual shifts in late nineteenth-century constructions of femininity and domesticity towards the possibility of feminism, not only in the familiar suffrage struggles, but also in such obscure locations as the Children's Hospital in Sydney     

Vacant wombs: feminist challenges to psychoanalytic theories of childless women

This paper concerns a theoretical struggle to situate childless women within contemporary feminist debates about gender, the body and sexuality. Although psychoanalytic theory offers a compelling approach to the body, a Freudian account of childless women has largely escaped investigation. This paper will provide such an analysis, arguing that competing interpretations of psychoanalytic theory reveal a salient tension in the interpretation of gender identification. On the one hand, some theorists focus on a social development model of gender identification. This model emphasizes the sexual aim of reproduction as a salient feature of ‘normal’ gender identity development. In this paper, I argue this approach may pathologize childless women insofar as they ‘fail’ to socially develop in ways that conform to the imperative to sexually reproduce. On the other hand, a number of theorists argue against the foreclosure on gender identity that the social development model implies. An alternate interpretation of psychoanalytic theory calls attention to Freud's theory of ‘psychic bisexuality’ or ‘polymorphous perversity’. This notion invites a much more complex and ambivalent notion of gender identity as it emphasizes the temporal, fragile and incomplete process of gender identification. I aim to argue that this latter interpretation offers a space for childless women as it attempts to lay bare the hegemonic relationship between femininity and sexual reproduction. I draw upon the work of a number of feminist theorists who variously take up these central themes in Freudian psychoanalytic theory to further contest the reification of the association between femininity and maternity.     

Christabel Pankhurst and the Smethwick Election: right-wing feminism,the Great War and the ideology of consumption

This article examines the roots of Christabel Pankhurst's Women's Party in the Women's Social and Political Union's adoption of right-wing feminism during the Great War. It explores the blending of radical-right and imperialist ideology with a feminist agenda that combined a demand for women's rights with an anti-Bolshevik economic policy based on the power of female consumers. This blending of feminism and nationalism won Christabel the ‘coupon’ endorsement of the Lloyd George coalition and became the ideological platform for her parliamentary campaign in the Smethwick election. Although Christabel lost the election by 775 votes, it is contended that the Women's Party platform offers clues to the attraction of right-wing ideology to some notable figures in the women's movement.     

Hélène Cixous's Autre Bisexualité and the Eternal Feminine in the Works of Nuala Ní Dhomhnaill

This article analyses the creative engagement of the Irish-language poet Ní Dhomhnaill with Hélène Cixous's écriture féminine. Ní Dhomhnaill translates Cixousian images and concepts into her texts, returning on several occasions to the concept of l'autre bisexualité (‘the other bisexuality’). Cixous uses this concept to rehabilitate—and celebrate—what she designates as ‘the feminine’, the alterity within and outside the self. For both writers, this alterity comprehends marginalized cultures as well as femininity. Both bring anti-essentialist convictions to their views of gender and cultural identity, but their respective poetics are born of shared preoccupations with biblical and mythological figures, and narratives often implicated in essentialism. Ní Dhomhnaill connects these archetypal figures with the cultural realities of post-colonial Ireland. The author argues that she draws on the works of Cixous to connect the indigenous Irish language and culture with the rehabilitation of femininity. But whereas, in Cixousian texts, ‘femininity’ eludes concrete definitions and stable meanings, in the works of Ní Dhomhnaill, it often signifies an authentic pre-colonial culture that is ripe for rediscovery in post-colonial Ireland. Ní Dhomhnaill simultaneously celebrates this culture and acknowledges its embeddedness in a Celtic patriarchy that her Cixousian tropes work to undercut.     

exorcizing the past: the slave narrative as historical fantasy

Octavia Butler's 1979 novel Kindred is a hybrid text: part historical novel, part science fiction/fantasy and part slave narrative. The story transports a contemporary black heroine into 19th-century Maryland in order to explore, recreate and connect with African American narratives of identity. Providing two narrative strands, one in 19th-century Maryland and the other in 20th-century California, the text is able to juxtapose the realities of slavery with its legacy. Conflating these time-periods, Kindred aims to interrogate the marginalization of African American history, but specifically the role black women played in that history, in America's bicentennial year. While Butler adapts what has been regarded as the quintessential African American literary mode of the slave narrative, her fiction consciously draws upon a literary heritage that foregrounds narratives written by black women. Consequently, Kindred highlights the issues and concerns that directly affect the construction of black femininity and its role in the community of slaves as well as examining the historical pressure brought to bear on the configuration of contemporary African American womanhood. In doing so, Butler's fiction articulates the right of black women to intervene in their own construction and to inscribe the existence of black women in stories of originary identity. What this article seeks to explore is how Butler's fiction develops and extends the traditional slave narrative, how this is utilized in order to interrogate the ‘realities’ of both slavery and contemporary US society, and how effective the text is in challenging stereotypical representation of white and black femininity.     

Reviews

Kate Lilley's long-awaited first book Versary is a most sophisticated and varied work with many turnings involved in its dynamic Janus-faced construction, looking both backwards and forwards in time, and brimming with imagination and many droll summaries of contemporary life—‘The shoes match the situation’—and in particular the constructs of gender and sexuality. Versary's complicated revolving symmetry begins with ‘Nicky's World’, partly inspired by The Young and the Restless, and ends with the appropriately disjointed ‘Sapphics’; that is, Versary moves backwards historically through artistic representations of love/sexuality and gender while the ‘story’ moves forward into self-realisation. Divided into five sections, the first and longest section ‘Lady in the Dark’ sets a racy tone:     

‘Memory Speaks from Today’: analyzing oral histories of female members of the MIR in Chile through the work of Luisa Passerini

This article engages the work of Luisa Passerini in order to analyze the oral histories of women who belonged to the Movimiento de Izquierda Revolucionaria (MIR) in Chile during the 1960s and 1970s. It argues that a theoretical framework that considers the interplay between memory, testimony, and gender as well as a transnational historical perspective can help explain how feminism and ‘new left’ groups emerged from the revolutionary 1968 context. Of primary concern is the manner in which certain gendered aspects of the MIR women's experiences—particularly the brutal sexualized political violence they endured at the hands of the state—have been historically silenced and also how, more recently, women's testimonials have helped to break that silence. Finally, the article proposes that feminism, both as a mode of critical thinking and as a social movement, will allow us to more fully ‘hear’ the testimonies of these women and to understand how their memories are ‘speaking from today.’     

museums,poetics and affect

This paper follows the Salt-Wind and subterraneous freshwater flows in Hawaiian poet Brandy Nālani McDougall's collection of poetry The Salt-Wind/Ka Makani Pa‘akai. McDougall illustrates that in order to begin again in the aftermath of American imperialism and environmental destruction, one must return to the salt-water and sub-surface waterings, and the ancestral connections and voices therein who beckon her (and others) home. In this way, her work is situated within contemporary movements within the Pacific, presently coming together in deimperializing efforts to restructure a future for the Pacific that is ‘beyond empires’ (Fujikane, 2012: 191). Selecting two poems in particular from McDougall's collection—‘Hāloanaka’ and ‘On a Routing Slip from the U.S. Postal Service, Pukalani Branch’—I illustrate how they chart the ancestral, cosmological, and historical flows of kinship between Kānaka Maoli and their near and distant earthly and spiritual relations. In particular, the water that passes through the taro plant infuses all manner of kinship, economic, and social relations in Hawai‘i, connecting Kānaka Maoli to their ancestor Hāloa, and to land, sea, and each other, as well as—through the formative oceanic movements of Moana Nui—to other Pacific islanders. A thirst for water—sacred, imaginative, mobile, past, present—underwritten by an assertion of Hawaiian sovereignty, language, and tradition flows just beneath the surface of McDougall's words.     

Popular Discourses on the Neurotypical Woman: Conformity,Authority and Post-War Femininities

Commentary on Asperger's Syndrome both within and outside of the neurodiversity movement relies heavily on the dichotomy between the socially skilled neurotypical or normal mind and the socially inept, but possibly brilliant, autistic other, who is usually male. These discourses often position neurotypicals—particularly neurotypical women—as an oppressive social force that hinders the individuality of men with Asperger's Syndrome as they impose compulsory sociality—the normative behavior associated with ‘social skills’ or the ability to understand and conform to the dominant behaviors and attitudes. At the same time, many women who have been diagnosed with high-functioning autism also regard neurotypical women as arbiters of conformity who gain cultural authority by imposing dominant norms and values. The popular construction of the neurotypical woman is based on long-standing gender stereotypes rooted in post-war discourses about normative femininity. More recently, difference feminism has revived these generalizations by suggesting that women think and act according to a feminine epistemology based on feeling rather than reason. Both the neurodiversity movement and the larger cultural mainstream continue to promote retrograde forms of female power based on a distortion of the empathetic and relational qualities commonly associated with women.     

SATI AND PERFORMATIVITY

This article explores some of the conceptual and representational difficulties sati presents for Western feminist analysis, and draws upon Judith Butler's concept of performativity to generate an account of the constitution of satis’ subjectivities and agencies that may also provide a basis for theoretical and political contestations of sati.     

Tenderness,for Lynda Hart

Pedro Almodóvar and Judith Butler's respective projects have long shared an interest in the performativity of gender. More recently, Butler has turned her attention to thinking of rupture as constitutive of identity. Talk to Her reveals a similar turn in the director's work. This essay argues that Talk to Her employs the figure of a comatose woman who awakens in order to investigate the condition of wakefulness as a newly achieved consciousness. In doing so, the director also investigates the parameters of his own authorial condition: alternately embodied and disembodied, he reveals it to be effectively dispossessed. This essay rotates around the opening five minutes of the film, which introduce, in parallel, the space of the theater and that of the hospital–one a space of silence and the other a space for ‘talk,’ a place where the impetus of narrative cures. I argue that these two spaces underscore our condition of existing as bodies. I furthermore consider the role that melodrama–a genre described by its inclination toward embodiment, muteness, and excess–plays in articulating these themes.     

What Does Feminism Want?

This conference confirms the loss of a singular, unified women's movement under the pressures of race, sexuality and class and asks for new directions. The need to rethink collectivity suggests that identification is a priority for feminism rather than desire , which has been the dominant discourse of the psychoanalytical wing of the movement. There are psychoanalytical accounts of the group, but they will have to withstand New Labour's punitive address to the superego by its conservative personalizing of social issues. Thus the relation between psychoanalysis and politics is now a major issue, revealing as it does the problems of coercion in an environment where collective accountability has ceased to exist. Our models of the feminine can be neither Thatcher nor Diana both of whom occlude social accountability. Though the question of sexual difference has not gone away, we need to reformulate the problems, finding new forms of language and of public speech to address a wider constituency, and a radical politics that will reach beyond the academic world. Finally, arising from this, two questions need to be asked. What does feminism want a subject to be? Does feminism want something to serve in the place of some kind of truth?     

Guessing in the Gaps

The genesis of this conversation was the forthcoming new Penguin edition - under the general editorship of Adam Phillips - of the works of Freud. Mark and Phillips consider the concept of a 'literary' Freud alongside the 'scientific'or 'clinical' Freud, and discuss the related issues of translation, representation and interpretation, particularly as they bear on psychoanalytic writing. Adam Phillips's relationship to the institutions of psychoanalysis is considered, and the perpetuation of these institutions through the training of psychoanalysts and psychotherapists. Also discussed is the project of psychoanalysis: the nature of psychoanalysis as a therapy as well as a body of ideas. Mark and Phillips make reference to the work of Freud, Lacan, Klein, Winnicott and Laplanche, and to concepts such as the 'enigmatic signifier' and 'transgenerational haunting'.     

the reinvention of feminism in Pakistan

This article argues that there has been a significant turn in the discourse of feminist politics in the Islamic Republic of Pakistan. The author suggests that the rise of a new feminism – rooted in Islamic discourse, non-confrontational, privatized and personalized, whose objective is to ‘empower’ women within Islam – is not a post-9/11 development but rather a result of unresolved debates on the issue of religion within the progressive women's movement. It has been due to the accommodation of religion-based feminist arguments by the stronger secular feminist movement of the 1980s that paved the way for its own marginalization by giving feminist legitimacy to such voices. The author argues that the second wave of feminism may have become diluted in its effectiveness and support due to discriminatory religious laws, dictatorship, NGO-ization, fragmentation, co-option by the state and political parties in the same way as the global women's movement has. Yet it has been the internal inconsistency of the political strategies as well as the personal, Muslim identities of secular feminists that have allowed Islamic feminists to redefine the feminist agenda in Pakistan. This article voices the larger concern over the rise of a new generation of Islamic revivalist feminists who seek to rationalize all women's rights within the religious framework and render secular feminism irrelevant while framing the debate on women's rights exclusively around Islamic history, culture and tradition. The danger is that a debate such as this will be premised on a polarized ‘good’ vs ‘bad’ Muslim woman, such that women who abide by the liberal interpretation of theology will be pitted against those who follow a strict and literal interpretist mode and associate themselves with male religio-political discourse. This is only likely to produce a new, radicalized, religio-political feminism dominating Pakistan's political future.     

‘Queen of the Bristol Channel Ports’: the intersection of gender and civic identity in Cardiff,c.1880–1914

This article explores how civic identity could shape, and be shaped by, gender distinctions during the period of commercial and municipal development. It argues that women's relationship to the urban scene was more nuanced than theories of exclusion imply, gender and civic identity being mutually constitutive. Through the case study of Cardiff, the article advocates the need for deeper analysis of the way regional and national complexities permeated gendered civic sentiments. Notions of femininity in Wales had been defined in opposition to England ever since the 1847 ‘Treachery of the Blue Books’. However, Cardiff's relatively anglicised status and aspirations in the local and global urban hierarchy meant there was often a desire by civic leaders to emulate what was occurring elsewhere, or to develop their own definition of Welsh femininity. Consequently, these competing gender ideals underlined Cardiff's civic and national—Welsh and British—identity.     

Beyond Repudiation: The Affective Instrumentalisation of Feminism in Girlfriendly Spaces

As a mediated sensibility, Gill, McRobbie and Angela have argued that postfeminism is held together by an incorporation of feminist ideas, in order to position feminism as ‘past’, a positioning which contributes to the production of highly individualised subjectivities. This article highlights an emerging modality of feminine subjectivity in which feminism is affectively incorporated, but, rather than being repudiated, it is deconstructed and instrumentalised to fit within norms of girlfriendship. To draw attention to how this discussion may open a more nuanced understanding of the relations between feminist and postfeminist subjectivity, I explore a set of blogs hosted on Tumblr that are situated within ‘girlfriend’ culture. In these blogs, young women articulate humorous reactions to everyday situations based on assumptions of common, feminine experience. I suggest that girlfriendliness, as an emerging normative condition of youthful femininity, constructs an instrumental relation to feminism requiring the discerning, selective performance of traits suggesting an acceptance of certain feminist ideas. Rather than proceeding to a repudiation of feminism per a classically postfeminist sensibility, feminism is dismantled into an affective plasticity that is flexibly incorporated to show individual value, creating ‘likeable’ and resilient femininities. This article draws attention to shifts in the regulation of femininity that occurs on the plane of the affective, calling for an expanded analytical approach that more broadly problematises the instrumentalisation of feminism as a technology of subjectivity.