Estonian Folklore as A Source of Baltic-German Poetry

Estonian folk tales form a common element in Estonian and Baltic-German (lyro)epic poetry. Baltic-German interest in Estonian folkloric heritage originated in the eighteenth century, when J. G. Herder first encouraged the collection of Estonian and Latvian folk songs. Systematic collection began in the 1830s, and peaked in the Estonian language area with the Estonian epic Kalevipoeg (1857–1861). Friedrich Reinhold Kreutzwald implemented this epic, but it was also influenced by many collectors and adaptors and was published in both German and Estonian. The myths of Friedrich Robert Faehlmann, presented in the Learned Estonian Society between 1840 and 1852, have had the biggest influence on the German-speaking audience. Literary adaptations of folk tales quickly found their way into journals, newspapers, poetry collections, and anthologies, often in the popular form of a ballad. This paper seeks to explore the role of Estonian folklore in Baltic-German lyroepic poetry.     

A.H. Tammsaare’s Truth and Justice as a Postcolonial Bildungsroman

A.H. Tammsaare’s pentalogy Truth and Justice is considered a central text in Estonian culture, perceived virtually as a second national epic. The article analyzes it from the perspective of comparative genre studies. It is discussed as an idiosyncratic example of Bildungsroman, a genre narrativizing modernizing change focusing on the lives of everyday individuals, thus symbolically domesticating and humanizing the global developments of modernization. The emplotment of Tammsaare’s novel is comparatively discussed against the background of the Western European Bildungsroman on the one hand and of non-European postcolonial Bildungsroman on the other. The analysis enables to gain new insight into the reception and cultural working-through of the belated rapid modernization in Estonia. It also helps to explain the canonical position of Tammsaare’s novel in Estonian literature: The novel is a poetic tour de force that forges a both intra- and internationally acceptable model of modern Estonia.     

Official Language Policies in Multilingual Societies: Evidence from the United States,South Africa,and Canada

This paper explores the resonance between Coetzee’s first novel Dusklands and McCarthy’s fifth novel Blood Meridian through a discussion of how scenes of violence are represented and rationalised in these two texts. Where Coetzee is impatient of realism and preoccupied with history as a discourse, McCarthy’s narrative seems photorealistic in its evocation of the real, but this effect is destabilised by stylised formal features and the trickster figure of Judge Holden. It is shown that in Coetzee’s egocentric protagonists the desire for detached power over others is expressed in the fantasy of an unchallenged gaze that conveys a broader anxiety about authorship and the writing of history, while in McCarthy’s text the narrator’s contextualisation of the characters’ violence against a harsh and indifferent desert environment limits psychological insight and underscores the impernanence of any historical record. Holden and Jacobus Coetzee, finally, are shown to be akin in enabling the metafictional reflections of these two novels.     

On the front and at home: women in the modern Ottoman epic

Changes in gender roles are related to larger developments in the spheres of social modernization and discipline. As Ottoman society evolved into a nation through the nineteenth century, women's roles in contemporary epic literature were reassigned to domestic life, showing them protecting the hinterland and nurturing younger generations in order to satisfy the state's growing need for manpower. Gradually, Ottoman women lost whatever autonomy they may have had over their bodies, and their status vis-à-vis the state was redefined. This article examines the female characters in modern Ottoman epic literature so as to explore the reflections in this literature of the social and political transformations that occurred during the last quarter of the nineteenth century. It aims to reveal the ways in which heroic female figures created before or at the beginning of the autocratic reign of Abdülhamid II (r. 1876–1909) changed into domestic characters as the social skeleton of the regime became apparent.     

Building new selves: identity, “Passing,” and intertextuality in Zoë Wicomb’s Playing in the Light

This article examines Zoë Wicomb’s wide-ranging use of intertextuality in the novel Playing in the Light to explore the links between identity construction and postcolonial authorship. Focusing on the characters as intertextual agents, I argue that the three coloured women on whom the novel focuses – Helen, Marion, and Brenda – use texts in distinctive ways that illuminate their struggles to position themselves in South Africa’s complex and changing racial landscape. Racial “passing” is one form of a larger pattern in the novel of the use of citation and imitation to achieve specific ends. By embedding the citations of Helen and Marion within the citation-rich narrative of Brenda, Wicomb lays bare the mechanisms of identity construction within a work that stages and highlights its own intertextual practices.     

Fourfold subalterns: Catalan,women, translators,and theorists

In Europe’s cultural poly-system, the two women translators examined in this paper can be considered subalterns four times over: because of their nation (Catalonia), gender (female), intellectual activity (translation), and genre (for daring to write translation theory). Born in the late nineteenth century, Carme Montoriol (Barcelona, 1893–1966) and Maria Antònia Salvà (Palma, Majorca, 1869 – Llucmajor, Majorca, 1958) were pioneering women of letters. These two, of different origins, were among the first Catalan women translators to reflect on translation in the male-dominated literary circles of the early twentieth century. In 1928, Montoriol added “Brief Introductory Notes” to her Catalan translation of all of Shakespeare’s sonnets (Els sonets de Shakespeare). In 1945, at the height of the terrible repression of Catalan language and literature by Franco’s dictatorship (1936–1975), Salvà wrote a brief but pertinent “Introduction” to her translation of the poems of St Thérèse of Lisieux (Poemes de santa Teresa de l’Infant Jesús). By framing these two paradigmatic translations and accompanying forewords in their context, we will attempt to ascertain how and why these Catalan translators (despite the restrictive, hostile political environment in the case of Salvà) quietly entered the realm of authorship, explained their work, and placed it in the limelight, how and why they employed what appeared to be a “discreet”, “humble” tone and discourse, and an almost colloquial rhetoric, and what relatively original translation ideas they held.     

The Logic of the Apocalypse: A Clerical Rejoinder

Apocalyptic and millennial rhetoric is recycled in countless contemporary literary and cinematic works and is central in versions of progressive political critique. The first part of this essay describes Cormac McCarthy’s The Road as a dystopian allegory mired in Judeo-Christian temporality and which, as a consequence, promotes a sentimental version of human salvation. The second considers the ways in which analogous renditions of catastrophism permeate (new) new left social and political critique. It argues that apocalyptic imagery and discursive structures stunt analysis by indulging simplistic patterns of history and event. The final section of the essay documents a project by Johannesburg-based artist, Jacki McInnes, and the photographer, John Hodgkiss, concerning the lives of the city’s informal recyclers. Their daily journeys are presented in (discursive and visual) counterpoint to the epic southward trek of the father and son in The Road. “Recycling” is presented as a trope of a contrary temporality, which suggests some of the ways in which apocalyptic logic is too teleological to capture the complexities of the lived realities of late-capitalism.     

Co‐authorship Networks in Swiss Political Research

Co‐authorship is an important indicator of scientific collaboration. Co‐authorship networks are composed of sub‐communities, and researchers can gain visibility by connecting these insulated subgroups. This article presents a comprehensive co‐authorship network analysis of Swiss political science. Three levels are addressed: disciplinary cohesion and structure at large, communities, and the integrative capacity of individual researchers. The results suggest that collaboration exists across geographical and language borders even though different regions focus on complementary publication strategies. The subfield of public policy and administration has the highest integrative capacity. Co‐authorship is a function of several factors, most importantly being in the same subfield. At the individual level, the analysis identifies researchers who belong to the “inner circle” of Swiss political science and who link different communities. In contrast to previous research, the analysis is based on the full set of publications of all political researchers employed in Switzerland in 2013, including past publications.     

On Fascist Terror in West Bengal — An appeal to the World Press,Calcutta, 23/3/72

Six models of DEMOCRATS (in capital letters) were introduced in this paper: democrat (in italics); “democrat” (in quotation marks); democrat→ “democrat;” democrat→ “democrat”→ democrat; “democrat”→ democrat; and “democrat”→ democrat→ “democrat.” This paper then attempts to explicate which model(s) of DEMOCRATS do Presidents Chiang Ching-kuo and Lee Teng-hui belong to. It was found that Chiang could be regarded as a “democrat,” and Lee, both “democrat” “and democrat”→ democrat. Both of them have to make sure that democratization in Island China can assure its survival as well as create an impact on Mainland China.     

Japan’s Quest for “Soft Power”: Attraction and Limitation

Japan is seeking to project its “soft power” through the allure of manga and anime in its public diplomacy. The production, diffusion and global consumption of manga and anime are driven by market forces and consumer tastes and not by the Japanese state. However, the latter is seeking to harness this popular culture to burnish Tokyo’s international image. Despite the attractiveness of Japanese pop culture and other more traditional forms of public diplomacy, Tokyo’s pursuit of “soft power” and a good international image is undermined by its failure to overcome its burden of history.

From Renascer to Velho Chico: negotiations between cordiality and modernity in the Brazilian telenovela

ABSTRACT

This article takes as its focus the main Brazilian cultural and media product, the telenovela or soap opera, to discuss the characteristic of the Brazilian personality referred to as the homem cordial (“cordial man”). The article analyses two telenovelas: Renascer (1993) and Velho Chico (2016), which, written by the same author, but in very different historical contexts, sought to recover the trait of cordiality in its essence. In its comparison of the two telenovelas, this study presents and discusses the changes, permanencies and negotiations of a cordial tradition in the face of a particular aspect of modernity represented by both the process of urbanisation and by television itself.     

Understanding the Hermit Kingdom As It Is and As It Is Becoming: The Past,Present and Future of North Korea

North Korea, a Cold War remnant in East Asia, has long been treated as an impenetrable mystery and an excruciatingly difficult subject to comprehend given its closed system, under which it has maintained its isolation even from its closest allies and neighbours. The idiosyncrasies that revolve around North Korea do pose challenges for understanding the country through the “conventional wisdom.” Nonetheless, as acknowledged by the scholarly works reviewed in this article, the regime in Pyongyang must be dealt with as it is and as it is becoming so as to better understand both the challenges and opportunities for the country. The difficult task for the United States (US) and its allies in East Asia, however, is to be pragmatic in terms of dealing with the regime in Pyongyang and to project strength in a way that promotes long-term regional and global peace as well as the betterment of people in the country. The books reviewed are Charles Armstrong, Tyranny of the Weak: North Korea and the World, 1950?1992, Andrei Lankov, The Real North Korea: Life and Politics in the Failed Stalinist Utopia and the collection edited by Kyung-ae Park and Scott Snyder, North Korea in Transition: Politics, Economy, and Society.     

Political Order in Occupied Societies 1 : Realist Lessons from Germany and Japan

Abstract

The American occupations of Germany and Japan have many lessons to offer the United States today as it contemplates creating new political orders in Afghanistan and Iraq. The lessons that are to be drawn are not, however, the ones that are usually drawn by the current administration and others. First and foremost, a systematic comparison with the German and Japanese experiences clearly shows that the preconditions for democratization are not present in the contemporary cases, suggesting that the United States needs to recalibrate its objectives. Instead of seeking democratization, the United States should try first to create stability, even as it creates at least the institutional forms on which a more pluralistic political system can eventually be erected. The U.S. experience with state building in the Philippines and South Korea may be more relevant today than the German and Japanese cases. Other lessons that can be drawn from the German and Japanese as well as other past U.S. experiences with occupying countries include: the importance of finding a common threat that can unite enough indigenous elites that order can be established; integrating the new states into regional systems; and perhaps most importantly, using the instruments of transitional justice (trials, purges, censorship, etc.) in a fashion calculated to rehabilitate and incorporate supporters of the old regimes while delivering a modicum of justice.     

A proper study of the discourse on the Israeli-Palestinian conflict? Methodological implications of a large-scale study of the first Gaza war

Drawing on a large-scale study examining the British broadsheets’ coverage of the first Gaza war, this paper proposes some methodological considerations for analyzing the particularly emotive discourse on the Palestinian-Israeli conflict, and suggests a reflective multi-methodological approach to account for both the complexities and the intensities of the conflict. The paper starts by arguing that, working with a large data-set, quantitative data are both required and required to be interpreted by acts of contextualisation. Two strategies of contextualization are then introduced: interpreting patterns and associations in the numerical data. Following this, the paper continues by examining the findings and dilemmas that have emerged from quantitative analysis, using qualitative analysis of editorial extracts. It therefore shows examples for how quantitative codes can be built into and built up by narratives and arguments. Doing this, it also demonstrates possible ways of connecting qualitative to quantitative research: explanation, extension, and transformation/subversion.     

Phenomenological ecology in two occasional poems by Ben Okri

Abstract

This article begins with a brief discussion of the three terms: the poet, ontopoiesis and eco-phenomenology or phenomenological ecology. An explication of its thrust, viz. the significance of sowing/sewing ‘a quilt of harmony’ (Wild 2012: 20), in relation to the broad yet symbiotic theme of cosmic ecology follows. The discussion proceeds by presenting a close critical analysis of Ben Okri's ‘Lines in Potentis’, a poem commissioned by the then Lord Mayor of London in 2002 in commemoration of the bombing of the City of London and which is featured in Okri's most recent anthology of poetry, Wild (2012: 26-27). Both my thrust and my argument are predicated on another occasional poem from Wild, ‘A Wedding Prayer’ (2012: 20-22), which is not analysed in any detail. Axiomatic to the interpretation is the poet's own conception of ‘wild’, cited on the dust cover of the anthology, as ‘an alternative to the familiar, where energy meets freedom, where art meets the elemental, where chaos can be honed’. More precisely, for this London loving Nigerian poet, ‘the wild is our link with the stars…’. This is not aesthetic posturing. As I attempt to show in my reading of the focal poem, it has to do with mystical unrest viewed from an eco-phenomenological ‘enjoyment of literature, of beauty, of the sublime, the elevated, as well as our compassion for the miseries of humankind, [and] generosity towards others.. inspired by the subliminal passions of the human soul’ (Tymieniecka 1996). As the conclusion attempts to show, this projects some of the epistemology of Africans in Africa and the Diaspora. It does this by invoking the contentions of fellow African phenomenologist, Achile Mbembe, in comparison with Tymieniecka's argument that the soul is the ‘soil’ of life's forces and that it is thus the transmitter of life's constructive progress. Such progress is from the primeval logos of life to its annihilation in the anti-logos of man's ‘transnatural telos’ (Tymieniecka 1988: 3).     

The North Korea Problem: Perspectives on the Nuclear Debate,Economic Reforms and Beyond

ABSTRACT

Despite a plethora of research on North Korea, understanding and managing the challenges posed by the country have long been complicated with no simple solution to put an end to this decades-long security and economic predicament on the Korean Peninsula. With the potential for international conflict, attention must be given to the converging messages emerging from the scholarly works reviewed in this article: Glyn Ford, Talking to North Korea: Ending the Nuclear Standoff, Van Jackson, On the Brink: Trump, Kim, and the Threat of Nuclear War and William Overholt’s collection North Korea: Peace? Nuclear War? These works speak to the need to: take seriously the risk of nuclear war; consider the connectedness of the North’s decades-long security and economic reform dilemmas; and to acknowledge that the mistrust that is deeply rooted on all sides must be mitigated to bring peace. These books are published at a critical juncture of increased tensions following a highly publicised but remarkably short-lived effort at a breakthrough on the Korean nuclear issue, Pyongyang’s rapidly evolving security posture and its perennial domestic challenges. Each of these volumes provides valuable insights on these challenges for North Korea and internationally.     

Asian Contributions on Democratic Dignity and Responsibility: Rizal,Sukarno and Lee on Guided Democracy

Democracy as political doctrine has its fair share of controversies over the adjudication of rights and the prioritization of the individual over the community. These debates have largely derived from its western genesis. The current stage of global development has however supplied many non-western perspectives on democracy which suggest that any consensus over an identifiable body of democratic thought is likely to witness more sub-diversity than ever before. This article argues that contemporary Asian thinkers on the philosophy of government have a valuable contribution to make to democratic discourse notwithstanding the clichés of the Asian Values debate of the 1990s. By performing a sampled reading of José Rizal, Sukarno and Lee Kuan Yew on their diverse interpretations of guided democracy in a nationalistic context, it will be shown that these three modern Southeast Asian political thinkers would offer some tentative Asian insights on the democracy of dignity and of responsibility.

Change and Conflict in Contemporary Omani Society: The Case of Kafa'a in Marriage

This article explores the conflict between Omani traditional culture1 ^?1 Bearing in mind the complexity of defining culture, it is defined in this article as what people in Oman think, value, believe and hold as ideas. Thus, culture in contemporary Omani society includes values that are derived from the long-established tribal and Ibadi religious institutions, social structural systems of life and behaviour. View all notes and modern change by examining the practice of kafa'a 2 ^?2 In Arabic, kafa'a literally means ‘equality’. In Islamic legal terminology, kafa'a in marriage refers to the equivalence of the man and the woman, as defined by certain criteria. Specifically, an aspiring husband should be equal or superior to the proposed wife in terms of socio-economic status in order to be accepted as a suitable husband in marriage. In practice, therefore, kafa'a actually perpetuates and indeed promotes inequality between people because it legitimates discrimination against people judged to have lower socio-economic status. Further information on kafa'a in marriage and its legal and historical development in Islamic tradition can be viewed in Amalia Zomeno, ‘Kafa'a in the Maliki School: A Fatwa from Fifteenth Century Fez’, in R. Gleave and E. Kermeli (eds), Islamic Law: Theory and Practice (New York: IB Tauris, 1997), pp. 87–105; and Farhat J. Ziadeh, ‘Equality (Kafa'a) in Muslim Law of Marriage’, The American Journal of Comparative Law, 6(4) (1957), pp. 503–511. View all notes in present-day Oman. kafa'a—which refers to the notion that the husband's family should be equal or superior in terms of social, religious or economic background to the wife's family if the marriage is to be accepted—exemplifies a type of social and legal inequality that is at odds with State rhetoric on equality but congruent with the type of hierarchical social structure traditionally valued by Omanis, which tolerates a high degree of inequality between individuals and groups. I argue that the recognition of kafa'a as a condition of marriage in Article 20 of the Omani Personal Status Law serves to, in effect, reinforce traditional tribal and religious cultural practices in Oman.     

Models of Discourse and Hermeneutics in Octavio Paz's El Laberinto de la Soledad

This article explores how certain presuppositions govern our interpretations of this canonical text by Octavio Paz. I trace its biographical and textual origins, the book's peculiar reception, some of its multiple intellectual sources, and the problem of genre and how these hermeneutic discourses and epistemological tools interact. Structure (the relationship between psychology and history), rhetorical strategies and central symbols and metaphors that give the book its unity and complexity are also discussed. I conclude that we can read this hybrid work simultaneously as essay, narrative text, autobiography and modern epic myth: it is both an analytic or ironic deconstruction and an imaginative, symbolic construction of individual and collective identity.