The forgetting of Mary Wollstonecraft’s religiosity: teleological secularism within feminist historiography

ABSTRACT

Religious concepts and themes are central to many of Mary Wollstonecraft’s writings, yet rarely feature within popular representations of her life, work and legacy today. This paper examines the forgetting of Wollstonecraft’s religiosity in light of the broader narratives that western feminism circulates about its past and present, focusing particularly on the historiographical practices and temporal tropes that construct feminism as a quintessentially secular project. It also considers the potentially transformative impact that unforgetting Wollstonecraft’s religiosity could have within feminist historiography and politics in the present, in terms of parochializing the political certitude of secular feminism and the politics of division conducted in its name.     

Effeminate Edmund Burke and the masculine voice of Mary Wollstonecraft

ABSTRACT

This article focuses on the gendered and nationalist rhetorical strategies Mary Wollstonecraft used in her work The Vindication of the Rights of Man which was written as an open letter of response to Edmund Burke's Reflections on the Revolution in France . While a number of scholars note Wollstonecraft’s adoption of a masculine voice in her systematic feminizing of Burke, this article also pays attention to the ways in which Wollstonecraft impugns Burke with the taints of being crypto-Catholic, Irish, and quasi-French. We notice how Wollstonecraft’s masculine voice is rational, combative, righteously passionate, middle-class, patriotically English and critically Protestant. We compare the fashioning of Wollstonecraft’s voice with contemporary political caricatures of John Bull and the cartoon depictions of Edmund Burke that appeared as Wollstonecraft was composing her VRM. Wollstonecraft’s VRM gained her considered attention and her critique of Burke’s character, (and what this article claims is her misreading of his aesthetic treatise), have been remarkably influential even to the present day. The characteristics of the distinct voice created in Wollstonecraft’s first Vindication are also evident in her second and more famous Vindication of the Rights of Woman. However, the rhetorical commitments entailed in Wollstonecraft’s public voice created challenges for her arguments in the second Vindication that demand careful attention.     

Mary Wollstonecraft’s divergent attitudes towards trust

ABSTRACT

Mary Wollstonecraft is increasingly being recognized as a philosopher who made a noteworthy contribution to moral and political philosophy. Her work not only encompassed political treatises, such as the now well-known A Vindication of the Rights of Woman, but also fiction. This article demonstrates how Wollstonecraft’s work comprised three main ways of engaging with trust, namely distrust, virtuous trust, and open trust. It puts these three forms of trust into context with Wollstonecraft’s ambivalent relation to the 18^th-century culture of sensibility. Moreover, Wollstonecraft’s open form of trust is compared with the 20^th-century Danish theologian and philosopher K. E. Løgstrup’s conception of trust. Løgstrup regarded genuine trust as a spontaneous, basic phenomenon that was not rooted in moral reasoning. While there are some similarities between Wollstonecraft’s open trust and Løgstrup’s understanding of trust, Wollstonecraft ultimately reinforced the value of ‘an educated heart’, namely the idea that the feelings of the heart should be cultivated by reason. Accordingly, this article offers some insight into how we may perceive Wollstonecraft’s strong rejection of Edmund Burke’s ‘inbred sentiments’, that is, Burke’s belief in innate, benign moral instincts.     

Autonomy as a disposition to non-domination in the work of Mary Wollstonecraft

ABSTRACT

In this paper I argue that there is a notion of autonomy which can be extrapolated from Wollstonecraft’s work: central to this notion is the need for us all to adopt a disposition to non-domination.Thus, an individual is autonomous when she is not dominated but also, how she behaves towards others is significant, for she is only truly autonomous if she does not dominate others. I argue that such a disposition can be read in Wollstonecraft as something which cuts across the public/private divide. It is based on the notion that individuals are always capable of being rational in both of these spheres. There must be a disposition to non-domination because Wollstonecraft demonstrates how domination is corrupting, and when this disposition is lost we find ourselves faced with myriad concerns from slavery to multiple forms of social oppression. Domination creates relations of dependency. It is arbitrary and contingent and makes us relate to each other with a marked lack of compassion. Instead, Wollstonecraft stresses we have a duty to treat others as equals and key to this duty is the need to not dominate others. Finally, I highlight how Wollstonecraft suggests such a disposition is to be gained through education.     

Fashionable ‘Formation’: Reclaiming the Sartorial Politics of Josephine Baker

ABSTRACT

This article historicises Josephine Baker’s use of fashion in terms of contemporary black stage performers, particularly Beyoncé Knowles-Carter’s evolving black feminist politics. It examines Beyoncé’s references to Baker as an inspiration for her own black feminist art and argues that they offer an opportunity to re-examine Baker’s legacy in our own contemporary moment. Using Beyoncé’s arguments about Baker as a starting point, the article examines Baker’s fashions and costumes and argues that she used them to manipulate her relationship to the models of white supremacy that attempted to structure her identity and relationship to the public sphere. Using contemporary black feminist criticisms of respectability politics, it argues that Baker’s fashions produced a politics of disrespectability, where clothing and body worked together to carve out space for black feminist experimentation. By constantly changing the terms through which her audiences and the public read her, Baker carved out a subjective space where she could become in relation to her clothes without restraining herself to the identity categories normatively allotted to black women.     

Deconstructing the Boundaries: Gender and Genre in Mary Wollstonecraft’s Letters Written During a Short Residence in Sweden,Norway and Denmark

ABSTRACT

In her 1796 travelogue, Wollstonecraft combines the main elements of many different genres, blending together the physical-geographical account of the countries she was visiting with her own feelings, producing a Romantic conception of the human being overwhelmed by and subsumed into the natural elements. The journey through the Scandinavian countries turns out to be more than a business travel. It takes the shape of an inner route, a rediscovery of herself and of her experiences, including motherhood. The ability to dismantle the boundaries of the travel writing genre in such an innovative way is the same ability she shows when subverting the literary gender stereotypes that saw women marginalized inside the domestic sphere. What emerges from this extraordinary epistolary collection is a woman capable of the greatest sentimentality and, at the same time, of the smartest rationality, an active woman who does not deny her femininity but who strongly refuses the passivity society has always attributed to the female.     

A vindication of the rights of girls: surviving girlhood in the 21st century

ABSTRACT

Between 2014 to 2016 we conducted mixed-methods research exploring girls’ experiences of growing up in the UK in the 21st century. We spoke to girls and young women between the ages of 10 and 24 in England, Wales, Scotland and Northern Ireland to gain a qualitative snapshot of what matters to girls. We also conducted the first quantitative study of a range of quality of life indicators disaggregated by age and gender in the UK to garner a statistical view of geographically-based experiences of growing up girl. The study was commissioned by Plan International UK and The State of Girls’ Rights report was launched in September 2016. What struck us at the time of writing the report was the resonance between challenges girls raised in 2016 and those proclaimed by Wollstonecraft in her 1792 treatise, A Vindication of the Rights of Woman published over 200 years earlier. Here we bring together these voices from the 18th and 21st centuries to consider the continuing legacy and resonance of Wollstonecraft’s ideas in thinking about growing up girl in Britain.     

‘Situated Knowledges’ and New Materialism(s): Rethinking a Politics of Location

Abstract

Playing a pivotal role in foregrounding a feminist politics of difference, a politics of location embodies what can be termed second-wave concerns that continue to inform contemporary feminist modes of inquiry and research. However, the attention to material specificity that locatability performs has emphasized the identity of the speaking subject at the same time as it has acknowledged materiality's entangled engagements as suggestive of the complicated production of any identity. In her 1988 essay ‘Situated Knowledges’, Donna Haraway both raises and responds to the challenge of a feminist politics of location in a way that anticipates a convoluted politics of the subject, in particular where she is not satisfied to relinquish universality and objectivity, or the ‘non-local’, in her provocative thinking through of situated knowledge production. The partial perspective she uncovers insists that the capacity for identity is addressed as a political gesture, with a reminder that any appeal to perspective is a non-innocent participation in what it helps to produce. In taking up Haraway's essay, the author engages with the problematic nature of a politics of location that is confounded by the direction of its critical interventions, and in such a way anticipates and performs new (feminist) materialist concerns. Questioning the nature of non-locatability and its political imperatives, the author suggests an ‘annunciative politics’ through which to consider some of the implications of Haraway's figuring of the partial perspective, to ask after feminism's political impetus with the tensions raised in Haraway's argument kept alive.     

Anna Kavan’s Ice and Alan Burns’ Europe After the Rain: Repetition with a Difference

Abstract

While Anna Kavan’s work has been largely ignored by critics, the responses of those who have noticed her have been dominated by two assertions. First, many of those wishing to assert her importance and power have seen her work as sui generis, the result of her isolation from the surrounding literary culture. Second, numerous feminist critics have seen her work as reproducing the worst effects of patriarchal domination. This article, through a reading of Kavan’s final novel, Ice (1967), challenges both of these assessments of Kavan. It suggests that, if we notice and try to account for the similarities between Ice and a novel published two years earlier, Alan Burns’ Europe After the Rain (1965), Kavan’s novel can be read as challenging patriarchal domination through a bold and innovative reworking of the reader’s ‘suspension of disbelief’.     

Transnational Reception: Nordic Women Writers in Fin de Siècle Finland

Abstract

This article investigates the transnational and translingual reception of Nordic women’s writing (among authors writing in Swedish, Norwegian, and Danish) in a multilingual country, Finland, around the turn of the nineteenth and the twentieth century. This contribution is a component of our work for the international Joint Research Project, Travelling TexTs. We concentrate on the presence of Nordic women’s writing in various languages in fin de siècle Finland by investigating a library collection from that time. We look at the complexities in the reception of Nordic women’s writing in translation in Finland, making use of the concept of the Nordic dimension of translation history, and introducing the notion of intranational reception. We emphasize the role of women translators as cultural transmitters, and the intertwining of national and transnational (or, even, in today’s terms, feminist) agendas. We also investigate the reception of Nordic women’s texts in the press of that time, by examining both literature written for adults and literature for girls. Working with large-scale digitized sources has enabled us to examine the question of reception broadly.     

‘A sort of Rathmines version of a Dior design’: Maeve Brennan,Self-Fashioning and the Uses of Style

This article explores the politics of style in the writing of Maeve Brennan. Brennan's concern with style, subjectivity and power is strikingly visible in her short stories and ‘Talk of the Town’ essays for the New Yorker. While in some of her short stories published in the New Yorker in the 1950s, Brennan seems to offer an extended critique of dandyism, elsewhere in her writing self-fashioning takes on an altogether more positive value and is steeped in the political as well as literary commitments of her work. The article argues that Brennan's interest in the politics of style, both personally and in her writing, is informed by the different strategies she deployed as an Irish woman writer establishing her place amongst a New York literary elite in the mid twentieth century.     

Chrystal Macmillan,Scottish campaigner for women’s equality through law reform

ABSTRACT

This article will explore the work of Chrystal Macmillan, who used her knowledge of the law to further the cause of women’s equality through her committee work with several voluntary organisations, and her presentations to the British Government, the League of Nations, and the International Labour Office. Using archival material, both from committee minutes and family anecdotes, we will show the substantial amount of voluntary work undertaken by Chrystal Macmillan both before and after she became a practising lawyer in 1924. The article will also try to capture something of the woman’s character through the comments of her friends and colleagues.     

Hearts and Minds: War Neurosis and the Politics of Madness in Anna Kavan's I Am Lazarus

Abstract

Anna Kavan's fictional portrayals of psychiatric breakdown and its treatment provide a unique perspective on the patient's experience of early to mid twentieth-century psychiatry. This article looks in detail at Kavan's time working with soldiers suffering from effort syndrome during the Second World War, observing how the solider-psychiatric patient becomes a figurehead for her radical politics in her Horizon article ‘The Case of Bill Williams’ (1944), and a prominent protagonist in her stories. Through close reading of her correspondence, her journalism and her wartime stories collected in I Am Lazarus (1945), it examines how the intersection of psychological trauma and physiological symptoms characteristic of effort syndrome surfaces in Kavan's writing of this period and in her own psychic responses to the war. It observes the importance of figurative language to her portrayal of war trauma and psychological breakdown, as her characters embody metaphor in their psychosomatic symptoms, and explores a twisted reconception of mind–body dualism prevalent throughout her writing of this period. It goes on to examine how the peculiar interaction of the physical and the psychological extends to the relationship between Kavan's characters and their external environment in her Blitz stories. Against the backdrop of the war-torn city, mind and body engage in ongoing conflict, affect and emotion bleed into her physical landscapes, and everyday objects become animated and hostile towards her protagonists.     

The trivialisation of Mary Wollstonecraft a personal and professional career re-vindicated

This paper primarily addresses three points in relation to the distortion of the image of Mary Wollstonecraft and the distortion of her ideas: firstly there is the argument that there has been a sustained and systematic marginalisation and devaluation of Mary Wollstonecraft with the result that her work is neutralised, secondly that this originated with her husband, William Godwin and thirdly that Godwin's distortion have since been perpetuated by all biographers despite the fact that contrary testimony is available.     

Imperialist Women and Conservative Activism in Early-Twentieth-Century Britain: the political world of Violet Milner

While elite women's imperialist activism in early-twentieth-century Britain is now well recognised, little attention has been paid to how this female imperialism was integrated into broader right-wing politics. The adherence of many right-wing women to a conventionally ‘masculine’ model of empire is also under-researched. This article explores the connections between imperial and wider right-wing politics, the new forms of Conservative activism for women they generated, and the ‘masculinist’ gender model of this imperial Conservatism, through an investigation of the political life of Violet Milner (1872–1958). It emphasises the impact of the South African war in forming imperial ideologies which influenced attitudes to ‘domestic’ as well as imperial politics; highlights the degree to which elite women participated in the campaigns of the Edwardian radical right over tariff reform, national service and Ulster, and in the interwar ‘diehard’ campaigns over India; and traces the enduring influence of turn-of-the-century imperial attitudes into the post-war era as demonstrated by her revival of the ‘Milner religion’ and her editorship of the National Review.     

Judith Scott’s What is Property?: an inquiry into principles of dependency,propriety, and self-possession of an “outsider” artist

The essay addresses the politics of biography in the interpretation and reception of “outsider artist” Judith Scott’s work. Drawing from feminism, disability studies, and Alexander Kluge and Oskar Negt’s History and Obstinacy (1981) and its political economy of labor power, the essay proposes a new method of analysis which would foreground Scott’s work as a mode of institutional critique. Kluge and Negt ask “Can capital say ‘I’?.” The essay argues that Scott’s work compels a concomitant questioning of this “I” and the very terms of biography, authorship, and ownership that undergird the myths – and the institutions – of the “outsider” and her “art.”     

An Aristotelian paradox: Wollstonecraft and the implications of marriage as friendship

ABSTRACT

This essay argues that Mary Wollstonecraft interprets marriage in A Vindication of the Rights of Woman as a relationship reminiscent of Aristotelian higher friendship. This position presents an Aristotelian paradox: Wollstonecraft shows how marriage – an institution Aristotle explicitly viewed as a husband ruling a wife – can be the basis of the Aristotelian fulfilment political society structurally provides to the best men. Overall, Wollstonecraft suggests that marriage should be recognized as a concrete contract of friendship between two individuals as opposed to a male-female complementarity that ends in the propagation of the species through childbirth. Her work enables us to challenge ideas of marriage – from Aristotle to Rousseau to the new natural law tradition – that overlook how the structure of marriage dominates possibilities for partnerships. By thus dignifying marriage, Wollstonecraft both critiques eighteenth century marriage practices and broadens the scope of gender expression today.

Abbreviation: VRW - A Vindication of the Rights of Woman     

Writing from Experience: The Place of the Personal in French Feminist Writing

Through a discussion of the work of Marie Cardinal and Annie Ernaux, this article aims to problematize the anglophone academic world's tendency to associate French feminisms predominantly with avant-garde or highly theoretical texts. The work of Ernaux and Cardinal is presented alongside a discussion of its reception by readers and critics in France, and by academics in English-speaking countries. The first part of the article identifies aspects of Ernaux's and Cardinal's works which cannot be encompassed within a critical framework based on the dichotomy between naive realism on the one hand and the politically and linguistically radical text on the other. Ernaux's plain language, for instance, is clearly very unlike the linguistic experimentation of ‘feminine writing’ nonetheless the emphasis on social class in her writing constitutes a political intervention which is at least equally valid.The reception study in the second part of the article provides further evidence of the relevance to gender politics in France of Cardinal's The Words to Say It (1975) and texts published by Annie Ernaux in the 1980s and 1990s. The ambivalent response of critics seems to indicate the troubling nature of writing which combines the codes of realism and autobiography (or autobiographical fiction in Cardinal's case) with the depiction of taboo subjects such as menstruation, or a daughter's response to her mother's debilitating illness and death. The article also charts the widespread popularity of these texts in France, particularly with women readers, and gives some examples of the pleasures described in letters to the authors. In conclusion, we argue that the ambivalent space between popular and high culture occupied (albeit differently) by Ernaux and Cardinal may be particularly effective in terms of gender politics, and that even in the late 1990s, the personal may be as political as ever.     

Ethel Bright Ashford: more and less than a role model

ABSTRACT

There is a tendency to position the first women lawyers as role models for today’s young women. This article argues, through an exploration of the life and career of Ethel Bright Ashford, that these women are better recognised as pioneers or foremothers than promoted as role models. Ashford was one of the first women barristers, a long-serving borough councillor, and tireless activist for civic causes. Nonetheless, aspects of her career and politics pose problems for purely celebratory accounts. Yet there is real value in considering her biography: she offers both an alternative definition of a successful professional life and the reassurance that imperfection is not equivalent to failure. Ashford therefore illustrates the vital importance of a more nuanced and historically situated consideration of the first women lawyers.