邓小平对毛泽东工运思想的发展--纪念邓小平诞辰100周年

邓小平关于工人阶级和工会工作的重要思想,是邓小平理论的重要组成部分,是与马克思、恩格斯、列宁、毛泽东工人阶级和工会理论一脉相承的,是指导新时期工人运动和工会工作的强大思想武器.邓小平在工人阶级的地位、作用和历史使命;全心全意依靠工人阶级必须成为党的指导思想;坚持群众路线;保障职工的政治权利,坚持职工民主管理制度;维护职工的经济和文化利益;工会工作的方针和原则;加强党对工会工作的领导;加强同世界各国工人阶级和革命人民的团结等问题上,丰富和发展了毛泽东工运思想.     

江泽民关于工人阶级和工会理论的主要内容

以江泽民同志为核心的党中央在新的历史条件下 ,坚持和发展了毛泽东、邓小平关于工人阶级和工会理论 ,作出了一系列极为重要的论述。本文概括了江泽民关于工人阶级和工会理论的主要内容     

全心全意依靠工人阶级 充分发挥工会作用

全心全意依靠工人阶级充分发挥工会作用顾大椿邓小平同志建设有中国特色的社会主义理论是一个完整的思想体系，内容非常丰富、博大精深，是当代中国的马克思主义。而邓小平同志关于全心全意依靠工人阶级和工会的论述则是这一理论的重要组成部分。在邓小平同志各个历史时期...     

论毛泽东工人阶级观的理论特点

本文拟对于社会主义时期毛泽东的工人阶级观,即毛泽东关于社会主义时期工人阶级的性质、地位、作用、任务等问题的思想认识的理论特点,作一分析。一、理论形态特点毛泽东的社会主义工人阶级观,作为一个思想理论体系,具有整体理论形态的不完整性与具体理论观点的精辟性共存的特点。整体理论形态的不完整性,是指毛泽东的工人阶级观在概念、逻辑、推导、表述等方面,都还有所缺陷,整个体系有不系统之感。如关于社会主义时期工人阶级的概念,作为社会主义时期工人阶级理论体系的起始范畴,毛泽东都缺乏论述。由于工人阶级概念的内涵与外延的不确定,毛泽东在使用起来的时候,便具有一定的随意性。当然,这并不是讲毛泽东关于这一问题无所定见,他对于社会主义时期工人阶级的理解在绝大多数情况下是指以产业工人为主体的工     

论毛泽东与中国工人阶级和工会

毛泽东同志历来十分关注工人阶级、工人运动和工会工作 ,在这方面有一系列重要论述和指示。本文论述了他领导工人运动的光辉实践 ,概括了他对工人阶级和工会理论的主要贡献。     

贯彻依靠方针突出维护职责开创工会工作新局面--学习《毛泽东邓小平江泽民论工人阶级和工会工作》体会

党中央三代领导人关于工代阶级与工会思想一脉相承,与时俱进,闪烁着辩证唯物主义、历史唯物主义的思想光辉.认真学习毛泽东、邓小平、江泽民关于工人阶级与工会思想,对于保持党的先进性,全面开创工会工作新局面具有重大的指导意义.     

新时期工会工作的强大思想武器

新时期工会工作的强大思想武器张丁华《邓小平论工人阶级与工会》一书的编辑和出版发行，是新时期工会理论建设的奠基工程。认真学习和研究邓小平同志关于工人阶级和工会的思想，对于我们全面学习和理解邓小平同志建设有中国特色的社会主义理论，贯彻执行党的基本路线和全...     

认真学习江泽民工运思想全心全意依靠工人阶级

江泽民工运思想,对毛泽东、邓小平关于工人阶级理论进一步作了阐述和发展.其中关于全心全意依靠工人阶级是我们党的根本指导方针,全心全意依靠工人阶级必须充分发挥企业党组织的政治核心作用,全心全意依靠工人阶级就是要在政治、制度、权益等各方面保证、落实和维护工人阶级的主人翁地位等重要思想,是指导我国改革开放和现代化建设事业中全面贯彻落实全心全意依靠工人阶级的强大思想武器.     

工人阶级理论的内容及研究方法

工人阶级理论内容丰富、涉及面广、现实性强。学习和研究工人阶级理论,对于我们贯彻落实全心全意依靠工人阶级的指导方针,搞好工人阶级队伍状况的调查和推动我国工会工作的开展,有着十分重要的现实意义。现在,工人阶级理论研究已经成为工会理论研究工作的一个热点。本文仅就工人阶级理论的内容及研究方法谈几点意见。一、关于工人阶级理论的内容要学习和研究工人阶级理论,首先必须明确工人阶级理论的内容。关于这个问题,理论界的看法并不一致。主要有广义和狭义两种看法。持广义看法的人认为,“工人阶级理论”是“关于工人阶级的理论”,马克思主义的三个组成部分都可以包括在内。持狭义看法的人认为,“工人阶级理论”就是科学社会主义理论。     

坚持全心全意依靠工人阶级的方针一百年不动摇

坚持全心全意依靠工人阶级的方针一百年不动摇郑科扬邓小平同志建设有中国特色社会主义的理论，是我们全党工作的指导方针，是指引我们推进改革和社会主义现代化建设的光辉旗帜，科学的指南！邓小平同志关于工人阶级和工会思想是建设有中国特色社会主义理论的重要组成部分...     

Women,Science and Culture: Science in the Nineteenth-century Periodical

The Victorian periodical press offers unique insights into many diverse areas of nineteenth-century experience, and the complex relations between gender, science and culture in particular, yet it has been consistently marginalized as a primary resource in academic study. The Science in the Nineteenth-century Periodical (SciPer) project at the universities of Sheffield and Leeds is creating a new point of access to a wide range of non-specialist periodicals across the century by means of a fully searchable electronic index. By detailing the entire contents of each journal, and not just those articles that have a clear scientific relevance, it becomes clear that science formed a fundamental and integral part of nineteenth-century culture. The electronic index, moreover, will include hypertext cross-reference links that will allow the user to identify a dialogic pattern of encounters between ostensibly diverse articles, rather than only to browse in a simple chronological mode. By adopting this innovative approach, the SciPer database will reveal the manifold intertextual relations between the fictional works of women writers like Elizabeth Gaskell and the scientific articles that often appeared in the pages of the same magazines, and will show that writers of both sexes and across several different genres actively engaged in vibrant interdisciplinary debates concerning scientific issues in a forum provided by the periodical. Although the SciPer database itself is not specifically focused on issues of gender, the index will include several periodicals aimed explicitly at a female readership and, by providing access to titles still rarely utilized in modern scholarship, it will offer further insights into the important contemporary debates about women and science, as well as the more subtle ways, in which gendered imagery was employed within scientific discourse. This article details some critical findings from Punch , The English Womans Domestic Magazine , Cornhill Magazine and the Review of Reviews .     

Carnal teachings: raunch aesthetics as queer feminist pedagogies in Yo! Majesty's hip hop practice

This essay puts forward a notion of “raunch aesthetics,” theorizing raunch as an aesthetic, performative, and vernacular practice: an explicit mode of sexual expression that transgresses norms of privacy and respectability. Raunch aesthetics describe creative practices that often blend humor and sexual explicitness to launch cultural critiques, generate pleasure for minority audiences, and affirm queer lives. The author activates her formulation of raunch in analyzing Yo! Majesty, a hip hop group comprised of black female emcees who openly describe their sexual desire for women, and explores how the queer youth of color she works with have responded to their music. Working beyond the unexamined moralisms that give critiques of raunch culture their legitimacy, the author argues that Yo! Majesty's raunch aesthetics transmit queer and feminist teachings. While celebrating carnal pleasures, these artists critique heterosexism, subvert narratives about the incompatibility of belief in Christ and queer sexualities, and trouble notions concerning the emancipation of coming out of the closet and declaring a stable homosexual identity. In demonstrating how raunch aesthetics generate consciousness raising, the author discusses how her youth participants critically read and consume hip hop while negotiating unwieldy meanings of sexuality and gender presentation.     

Feminism, Aestheticism and the Limits of Law

This article seeks to identify and address the normative void that resides at the heart of postmodernist-feminist theory, and to propose a philosophical framework – beyond postmodernism, but incorporating its central insights – for thinking through the normative questions with which feminists are inevitably confronted in their engagements with positive law. Two varieties of postmodernist-feminism are identified and critically analysed: the ‘corporeal feminism’ of Elizabeth Grosz and Judith Butler, which seeks to ground feminist critical practice in the irruptive capacities of the material body considered as an arte fact of social construction; and the deconstructionist feminism of Drucilla Cornell, for whom ‘the feminine’ is an indeterminate but disruptive force beyond its construction in law and in other social sites. The first component of the argument elaborated here is that each of these approaches ultimately reduces to a form of aestheticism which is incapable of generating a worthwhile and workable feminist approach to the restructuring of politics and law. The second component of the argument involves a return to aesthetics, in particular to the philosophical aesthetics of Kant’s Critique of Judgement. Kant’s aesthetic philosophy, it will be suggested, yields a framework of concepts which, duly re-manipulated, could speak to the very concerns that have inspired postmodernist-feminism: how to attend to (bodily) particularity while avoiding the dangers associated with ‘essentialism’; and how to theorise the propensity of the unrepresentable power of the feminine to exceed both embodied human capacities and the confining rein of socially privileged rationalities. Crucially, however it also responds to a set of preoccupations – those of the feminist lawyer – that cannot be accommodated by postmodernism: how to translate embodied experience into (legal) norms; generalise from the particular; seek consensus; and codify an endless potentiality in the form of law. This revised version was published online in July 2006 with corrections to the Cover Date.     

The Unexpected: Bionic Woman at the Millennium

Wilfred Bion's A Memoir of the Future provides a point of departure for feminist thinking about the millennium. Bion problematizes hopes for the future and associates thought with catastrophic change. Women play an unexpected role in Bion's experimental autobiography, posing provocative questions and unsettling the status quo . Since Bion has little to say about women in his clinical writings, A Memoir sheds light on his thinking and on the post-Kleinian culture of the 1970s. Book I of A Memoir depicts a class- and sex-nightmare played out between men and women, and women and women, in an age of anxiety whose setting appears to be the fascist 'pacification' of Middle England during an unspecified period. In this hallucinatory drama, all encounters are reduced to a brutal fiction of dominance and submission. The violence of the action suggests the primitive mental world of psychosis. Book II of A Memoir satirizes 'the brilliance of masculine thought' through the voices and criticisms of women. But this is the purgatorial movement of Bion's autobiography, inhabited by 'idées mères' (untransformed beta-elements) and haunted by the ghosts of Bion's traumatic war-time experience. A monstrous plot is hatched to kill primitive, fascistic Man, who retaliates and takes the female spoils. Is this the prelude to catastrophic change? Book III stages a country-house debate between different characters who represent aspects of Bion's personality, recapitulating the concerns of his later writing. The debate includes a meditation on childbirth as compared to war trauma, but Bion takes his distance from feminine intuition or common sense. Women fight on both sides of the barriers in the Bionic revolution - becoming, however, figures for the 'unexpected' and precursors of emotional upheaval. The gendering of millennial thought in Bion's Memoir provides an opportunity to scrutinize our own unthought fantasies of change.     

The Between

Thinking with this special issue's group of feminist thinkers – some artists and others scholars – this introduction makes a strong case for co-authorship and a more collaborative humanities, while also insisting that the couple form – that stalwart object of queer and feminist theory – is neither a known quantity nor an exhausted entity, but rather, a field ripe for analysis. Situated squarely within performance studies, this introduction pivots away from questions of ontology and toward method and performativity, in order to ask: what modes of intellectual practice, erotic exchange, political work, and aesthetic experimentation happen uniquely within couple forms, in their most capacious and non-self-same iterations? What queer and feminist work can they do? What, in other words, is possible in the infinity, if indeed it is an infinity, between one and two?     

Other forms of conviviality: The best and least of which is our daily care and the host of which is our collaborative work

In this collaboratively written essay, artists Park McArthur and Constantina Zavitsanos take a queer materialist feminist approach to the entanglement of dependency and reproductive labor, disability, intimacy, and the impossibility of exchanging incommensurables. The text merges the authors' experiences receiving and providing one another care with their artistic practices, and includes instructive performance scores for past, rather than future, events.     

Men in Skirts

There are signs that the wearing of skirts by men appears to be on the increase in the West. Connor's essay provides a series of historical reflections on the signification and cultural phenomenology of male and female apparel. The first appearance of bifurcated dress in the late mediaeval period is considered, along with the struggle between men and women for command of lateral space during the seventeenth century in Europe, as attested to by commentators like John Bulwer and John Evelyn. Explications are offered of the thematics of the fringe and the pocket, as they are dramatized in trousers and skirts, as well as of the logic of lightness and of the pendant. Trousers, Connors concludes, have never lost their fanciful associations with utility, practicality and rationality; they are the signs of occupation, of being taken up in what you do, rather than consumed in what you are. The political victory of the trousered over the untrousered races (Romans, Scots, Indians etc.) is confirmed by its inversion in male masochist fantasies of 'petticoat government', from the late nineteenth century onwards.     

Beyond the scarcity scare: reframing the discourse of hunger with an eco-mind

Solutions to world hunger continue to be impeded by a frame – a set of assumptions – that keeps much of humanity focusing narrowly on quantitative growth. The result is greater food production and greater hunger. Yet, across the world another way of seeing, one grounded in the relational insights of ecology, is transforming food systems in ways that both enhance flora and fauna and strengthen human relationships, enabling farmers to gain a greater voice in food production and fairer access to the food produced.     

Here be monsters: a choreomaniac's companion to the danse macabre

Consider this a vade mecum: an invitation to “walk with me” through more or less uncanny terrains of worlds in the making in search, of(f) course, of monsters. The search will be delving into the areas of “creepypasta:” pieces of cursed prose and pictures that circulate online, waiting to contaminate and possess the next reader. Using a theoretical framework of posthuman and feminist theory, not least the work done by Jacques Derrida and Donna Haraway, this vade mecum asks what it might mean to engage ethically with that which is not supposed to exist, but which haunts us nonetheless. In other words: what does it mean to move, live and engage with spectres in digital times?     

Trauma as Site of Identity: The Case of Jeanette Winterson and Frida Kahlo

B y taking gender seriously, the ruling African National Congress (ANC) party in South Africa appeared to reverse the trend set by many liberation movements elsewhere: namely, women being mobilized as agents in struggles around class and race, yet denied the imperative of addressing gender subordination. Shortly after coming to power, the ANC adopted a national strategy for advancing gender equality. By doing so it demonstrated that it could rise above the limitations of its erstwhile 'woman question' position (Beall et al. 1989) and learn from the experience of other countries that had tried to institutionalize gender policies and structures. This in turn served to place South Africa at the cutting edge of experience in state-initiated gender policies and 'national machineries' for women. Nevertheless, South Africa's National Machinery for Advancing Gender Equality merits critical scrutiny, both in terms of its intrinsic aims and objectives and in relation to its potential for making an impact, given the development policy context of contemporary South Africa. Drawing on research conducted in South Africa over a number of years--during the 1980s (Beall et al. 1987) and, more recently, since 1997 (Beall 1997, 1998), it is possible to consider what lessons are to be learned from the institutionalization of gender-sensitive policy and practice in a complex institutional environment.