进一步深化我国企业职工养老保险改革的思考

崔林在《体制改革》2006年第2期撰文提出，基本养老保险基金多年收不抵支和老龄化社会迅速逼近迫切需要我们总结现有经验，理顺进一步深化我国城镇职工养老保险改革的思路，构建和完善对目标人群广覆盖、在资金运作上可持续、管理简便高效的养老保险制度。一、目前养老保险制度实施过程中出现的问题。1．“空账运行”的模式导致“统账结合”的制度模式名存实亡；2．养老保险制度中存在的“免费搭车者”和“逆向选择”问题突出；3．养老保险组织管理模式过于政府集权化；4．没有处理好养老保险改革短期任务与长期目标之间的关系；5．养老保险的制度设计缺乏统筹规划。     

补充性养老保险对职工养老保险替代率影响的实证分析

随着人口老龄化趋势的加剧,养老金支付压力逐年递增,改革基本养老保险制度迫在眉睫。制度的改革一定程度上会导致职工养老保险替代率降低,发展补充性养老保险制度对提高养老保险的总和替代率起到了重要作用。本文通过构建补充性养老保险替代率的精算模型,测算基本养老保险替代率和职业年金、企业年金替代率,比较机关事业单位和企业职工在养老保险制度改革后的养老保险待遇的变化,并通过比较有无企业年金对企业职工养老保险替代率的影响来倡导企业为职工建立企业年金。     

从微观消费结构探讨基本养老水平的合理定位

从微观消费结构探讨基本养老水平的合理定位冯建威基本养老保险在我国多层次养老保险制度中起着主导作用，其待遇水平合理与否，不仅制约和影响着养老保险基金的预测、计划、筹集和分配的科学性，还直接决定着退休人员生活的保障程度。按照我国改革养老保险制度的指导原则...     

信息超市

正人社部:2014年着力解决养老保险双轨制人力资源和社会保障部部长尹蔚民在全国人力资源和社会保障工作会议上表示,2014年在社会保障方面将推进机关事业单位养老保险制度改革,着力解决"双轨制"、"待遇差"问题。     

罗马尼亚工会在养老保险制度改革中的作用及启示

自20世纪90年代以来,罗马尼亚对传统的养老保险制度进行了改革,在改革过程中,工会为了维护工人的权益发挥着重要作用。 一、罗马尼亚的养老保险制度改革（一）实行全国统一的基本养老保险制度。1992年前,罗马尼亚的养老保险制度采取的是待遇确定型（DB）现收现付制计划,雇主和雇员对于养老保险基金有缴费的法律义务,自我雇佣者和非典型劳动合同者可以自愿参加,但参与水平较低。     

社会保险制度改革的回顾与思考

作为我国经济体制改革重要组成部分的现行社会保险制度的改革,从1979年到1992年,已经走过了十四年的历程,取得了很大的成绩。当前,正在有中国特色社会主义理论指引下,加快改革步伐,进一步走向深化。一、十四年来社会保险制度改革的简要回顾1.养老保险制度改革取得了突出进展。首先,建立了养老保险基金(退休费用)社会统筹制度,并逐步扩大统筹范围。自1984年首先在广东、江苏、辽宁、四川等省的少数市、县开始进行养老保险基金社会统筹的试     

开展创先争优活动 推进基层工会工作

当前,人力资源和社会保障方面的改革与发展正处于关键时期,机关事业单位的养老保险在发展过程中遇到许多新的矛盾和问题,给社会保险经办机构的工作提出了新的更高的要求。我们作为从事机关事业单位社会保险工作的基层工会组织应在党组织的领导下,积极组织工会干部在推动科学发展和推动社会保障制度改革中创先争优，为做好本县机关事业单位的养老保险工作作出新贡献。     

外国养老保险事业对我国养老制度改革的启示

养老保险事业发轫于德国,发展于欧洲,后被世界上许多国家和地区所学习。各国的养老实践经过多年来的发展,积累了丰富的管理经验,对我国养老保险制度的建立和改革带来了一系列启示:(1)科学安排一套缴费公平、分配合理、执行有效的社会养老保险制度,夯实养老保险事业的基础;(2)多措共举,缓减社会养老保险的支出压力;(3)注重效率与社会公平;(4)强化管理,促进养老基金保值增值。     

工会工作人员养老保险制度衔接问题研究

长期以来,由于各级工会组织单位性质不同,工会工作人员的养老保险制度呈现多元化,这不利于工会工作人员队伍的稳定和发展,以及工会工作人员的合理流动和优化配置。随着机关事业单位工作人员养老保险制度的改革,工会工作人员的养老保险制度将进行有效衔接。由于历史与现实的原因,工会工作人员养老保险制度在衔接过程中将面临一些问题。合理处理好工会工作人员养老保险制度衔接问题,可以化解工会组织同类人员养老保险待遇差距过大的矛盾,促进养老保险制度公平和可持续发展。     

报刊文摘

劳动保障事业面临“三大挑战”当前，我国劳动和社会保障形势仍然十分严峻，尚面临“三大挑战”。一是国有企业改革和所有制结构调整带来了劳动力结构的空前大调整，对就业、再就业和失业保险工作提出了新的挑战。二是日趋严峻的人口老龄化，对养老保险制度和养老保险基金承受能力提出了挑战。王是人们日益增长的医疗消费需求与原有医疗保险制度及其保障能力之间的矛盾日益突出。据悉，劳动和社会保障部门提出了今后五年的主要任务：“三个重点、两个确保、一个统一”，即以国有企业下岗职工再就业、养老保险制度改革、医疗保险制度改革为重…     

Introduction to queer circuits: Critical performance and digital praxis

This introduction situates the articles making up this special issue within four thematic clouds, positing queer theorization as broadly relevant for critically engaging with computational technologies and culture. These sub-themes offer suggestions for future queer inquiry and praxis and reflect key terms in performance studies and queer theory that have undergone transformation with the ubiquity of digital technology.     

Women,Science and Culture: Science in the Nineteenth-century Periodical

The Victorian periodical press offers unique insights into many diverse areas of nineteenth-century experience, and the complex relations between gender, science and culture in particular, yet it has been consistently marginalized as a primary resource in academic study. The Science in the Nineteenth-century Periodical (SciPer) project at the universities of Sheffield and Leeds is creating a new point of access to a wide range of non-specialist periodicals across the century by means of a fully searchable electronic index. By detailing the entire contents of each journal, and not just those articles that have a clear scientific relevance, it becomes clear that science formed a fundamental and integral part of nineteenth-century culture. The electronic index, moreover, will include hypertext cross-reference links that will allow the user to identify a dialogic pattern of encounters between ostensibly diverse articles, rather than only to browse in a simple chronological mode. By adopting this innovative approach, the SciPer database will reveal the manifold intertextual relations between the fictional works of women writers like Elizabeth Gaskell and the scientific articles that often appeared in the pages of the same magazines, and will show that writers of both sexes and across several different genres actively engaged in vibrant interdisciplinary debates concerning scientific issues in a forum provided by the periodical. Although the SciPer database itself is not specifically focused on issues of gender, the index will include several periodicals aimed explicitly at a female readership and, by providing access to titles still rarely utilized in modern scholarship, it will offer further insights into the important contemporary debates about women and science, as well as the more subtle ways, in which gendered imagery was employed within scientific discourse. This article details some critical findings from Punch , The English Womans Domestic Magazine , Cornhill Magazine and the Review of Reviews .     

The Liquefaction of Desire: Music,Water and Femininity in Victorian Aestheticism

This article reconsiders Victorian images of mermaids and sirens through a detailed examination of two images: Frederic Leighton's Lieder ohne Worte (1861, oil on canvas, Tate Britain) and Edward Burne-Jones's The Depths of the Sea (1886, oil on canvas, private collection). It demonstrates that the themes of water, music and femininity were entwined in the Victorian imagination, by setting these two paintings within the context of Victorian artistic, literary and cultural production. It shows that musical images were prevalent in the emerging Aesthetic movement. Musical subjects freed artists and audiences from the conventions of narrative interpretation, and allowed them instead to concentrate on exploring mood and colour.

Pictures of mermaids add a further twist to the Aesthetic preoccupation with music. This article reveals that mermaids made explicit the underlying connection between musical performance and sensuality. It also suggests that the idiosyncratic depiction of the mermaid by Burne-Jones and the ambiguous sexuality of Leighton's figures could be read as symptomatic of changing conceptions of desire. It argues that these images embodied the shift from ardour to libido. In other words, love was no longer described as burning and fixed, but as fluid and shifting. This transformation in the way desire was theorised was most urgently presented in Freud's Three Essays on Sexuality (1905). However, this article suggests that the same ideas were being made visible in Aesthetic art and writing from the mid-nineteenth century.     

Carnal teachings: raunch aesthetics as queer feminist pedagogies in Yo! Majesty's hip hop practice

This essay puts forward a notion of “raunch aesthetics,” theorizing raunch as an aesthetic, performative, and vernacular practice: an explicit mode of sexual expression that transgresses norms of privacy and respectability. Raunch aesthetics describe creative practices that often blend humor and sexual explicitness to launch cultural critiques, generate pleasure for minority audiences, and affirm queer lives. The author activates her formulation of raunch in analyzing Yo! Majesty, a hip hop group comprised of black female emcees who openly describe their sexual desire for women, and explores how the queer youth of color she works with have responded to their music. Working beyond the unexamined moralisms that give critiques of raunch culture their legitimacy, the author argues that Yo! Majesty's raunch aesthetics transmit queer and feminist teachings. While celebrating carnal pleasures, these artists critique heterosexism, subvert narratives about the incompatibility of belief in Christ and queer sexualities, and trouble notions concerning the emancipation of coming out of the closet and declaring a stable homosexual identity. In demonstrating how raunch aesthetics generate consciousness raising, the author discusses how her youth participants critically read and consume hip hop while negotiating unwieldy meanings of sexuality and gender presentation.     

Feminism, Aestheticism and the Limits of Law

This article seeks to identify and address the normative void that resides at the heart of postmodernist-feminist theory, and to propose a philosophical framework – beyond postmodernism, but incorporating its central insights – for thinking through the normative questions with which feminists are inevitably confronted in their engagements with positive law. Two varieties of postmodernist-feminism are identified and critically analysed: the ‘corporeal feminism’ of Elizabeth Grosz and Judith Butler, which seeks to ground feminist critical practice in the irruptive capacities of the material body considered as an arte fact of social construction; and the deconstructionist feminism of Drucilla Cornell, for whom ‘the feminine’ is an indeterminate but disruptive force beyond its construction in law and in other social sites. The first component of the argument elaborated here is that each of these approaches ultimately reduces to a form of aestheticism which is incapable of generating a worthwhile and workable feminist approach to the restructuring of politics and law. The second component of the argument involves a return to aesthetics, in particular to the philosophical aesthetics of Kant’s Critique of Judgement. Kant’s aesthetic philosophy, it will be suggested, yields a framework of concepts which, duly re-manipulated, could speak to the very concerns that have inspired postmodernist-feminism: how to attend to (bodily) particularity while avoiding the dangers associated with ‘essentialism’; and how to theorise the propensity of the unrepresentable power of the feminine to exceed both embodied human capacities and the confining rein of socially privileged rationalities. Crucially, however it also responds to a set of preoccupations – those of the feminist lawyer – that cannot be accommodated by postmodernism: how to translate embodied experience into (legal) norms; generalise from the particular; seek consensus; and codify an endless potentiality in the form of law. This revised version was published online in July 2006 with corrections to the Cover Date.     

The Unexpected: Bionic Woman at the Millennium

Wilfred Bion's A Memoir of the Future provides a point of departure for feminist thinking about the millennium. Bion problematizes hopes for the future and associates thought with catastrophic change. Women play an unexpected role in Bion's experimental autobiography, posing provocative questions and unsettling the status quo . Since Bion has little to say about women in his clinical writings, A Memoir sheds light on his thinking and on the post-Kleinian culture of the 1970s. Book I of A Memoir depicts a class- and sex-nightmare played out between men and women, and women and women, in an age of anxiety whose setting appears to be the fascist 'pacification' of Middle England during an unspecified period. In this hallucinatory drama, all encounters are reduced to a brutal fiction of dominance and submission. The violence of the action suggests the primitive mental world of psychosis. Book II of A Memoir satirizes 'the brilliance of masculine thought' through the voices and criticisms of women. But this is the purgatorial movement of Bion's autobiography, inhabited by 'idées mères' (untransformed beta-elements) and haunted by the ghosts of Bion's traumatic war-time experience. A monstrous plot is hatched to kill primitive, fascistic Man, who retaliates and takes the female spoils. Is this the prelude to catastrophic change? Book III stages a country-house debate between different characters who represent aspects of Bion's personality, recapitulating the concerns of his later writing. The debate includes a meditation on childbirth as compared to war trauma, but Bion takes his distance from feminine intuition or common sense. Women fight on both sides of the barriers in the Bionic revolution - becoming, however, figures for the 'unexpected' and precursors of emotional upheaval. The gendering of millennial thought in Bion's Memoir provides an opportunity to scrutinize our own unthought fantasies of change.     

The Between

Thinking with this special issue's group of feminist thinkers – some artists and others scholars – this introduction makes a strong case for co-authorship and a more collaborative humanities, while also insisting that the couple form – that stalwart object of queer and feminist theory – is neither a known quantity nor an exhausted entity, but rather, a field ripe for analysis. Situated squarely within performance studies, this introduction pivots away from questions of ontology and toward method and performativity, in order to ask: what modes of intellectual practice, erotic exchange, political work, and aesthetic experimentation happen uniquely within couple forms, in their most capacious and non-self-same iterations? What queer and feminist work can they do? What, in other words, is possible in the infinity, if indeed it is an infinity, between one and two?     

Guessing in the Gaps

The genesis of this conversation was the forthcoming new Penguin edition - under the general editorship of Adam Phillips - of the works of Freud. Mark and Phillips consider the concept of a 'literary' Freud alongside the 'scientific'or 'clinical' Freud, and discuss the related issues of translation, representation and interpretation, particularly as they bear on psychoanalytic writing. Adam Phillips's relationship to the institutions of psychoanalysis is considered, and the perpetuation of these institutions through the training of psychoanalysts and psychotherapists. Also discussed is the project of psychoanalysis: the nature of psychoanalysis as a therapy as well as a body of ideas. Mark and Phillips make reference to the work of Freud, Lacan, Klein, Winnicott and Laplanche, and to concepts such as the 'enigmatic signifier' and 'transgenerational haunting'.     

Other forms of conviviality: The best and least of which is our daily care and the host of which is our collaborative work

In this collaboratively written essay, artists Park McArthur and Constantina Zavitsanos take a queer materialist feminist approach to the entanglement of dependency and reproductive labor, disability, intimacy, and the impossibility of exchanging incommensurables. The text merges the authors' experiences receiving and providing one another care with their artistic practices, and includes instructive performance scores for past, rather than future, events.