Webcasters’ protection under copyright – A comparative study

This paper studies the fourth generation ‘peer-2-peer’ (P2P) file sharing technology which is also known as streaming technology from the technology point of view. It critically analyses the nature of streaming technology and assesses similarities to broadcasting for the purpose of copyright protection in the name of webcasting. In addition, it considers the possibility of protecting webcasting within the framework of broadcasting under copyright and the extent of broadcasters’ rights applicable to webcasters. Based on the conclusions derived from the discussion of UK, New Zealand, Italian and US law on streaming, WIPO Standing Committee on Copyright and Related Rights (SCCR) draft documents will be critically analyzed. The Last part of this work will offer suggestions as to how to protect webcasting (streaming technology) under the umbrella of copyright.     

Collecting on Moral Debts: Reparations for the Holocaust and Pořajmos

In the early 1980s, Sebba (1980) explored the victimological and criminological dimensions of German Holocaust reparations, utilizing a broad definition of victimization similar to Mendelsohn's (1976) earlier framing of this notion, which included victims of genocide and mass violence. Since this time, scant attention has been paid to the victimology of state crime, and even less to the victimological implications of genocide and mass violence. This is unfortunate since critical victimological lessons can be drawn from the study of the victims of genocide and mass violence. In this article, we focus on the post–World War II monetary reparations, or "compensation," demands made against the West German state by Jewish and "Gypsy" survivors of Nazi state-sponsored violence. Through a comparative analysis of these two cases, we seek to illustrate the organizational, social, and discursive conditions that either enabled or obstructed victim mobilization and, in so doing, to develop critical tools for better understanding "victim movements" and the trauma narratives they construct.