Akutagawa Ryūnosuke's uncanny travels in Republican-era China

This study focuses on Akutagawa Ryūnosuke's Shina yūki (Travels in China): an account of a four-month journey through eastern, central, and northern China in the spring and summer of 1921. Due to Akutagawa's reputation as a writer and the account's vantage point on a transitional period in Japan's expansion abroad, Travels in China has traditionally enjoyed a prominent place in the canon of twentieth-century Japanese travel writing. What has received less attention, however, is the relation of the work to the rest of Akutagawa's literary corpus. In this paper, I situate Travels in China within the larger context of Akutagawa's ongoing interest in Chinese fiction and drama. Rather than reading Travels in China as a work of journalism, as Akutagawa initially invited his readers to do, I argue that the work is an extended exploration not only of the relationship between ‘New China’ and Akutagawa's beloved traditional Chinese culture, but also of the boundaries separating journalism, fiction, and other literary genres. Ultimately, I connect Travels in China to Akutagawa's later work: texts that similarly interrogate and deconstruct the distinctions between genres and modes of narrating experience.     

Considering al-Qa'ida's Innovation Doctrine: From Strategic Texts to “Innovation in Practice”

Understanding how terrorist groups innovate and adapt is key for anticipating future shifts in terrorist threats. Past innovation studies have identified factors that shape group behavior, as well as the importance of combining study of organizations' innovation doctrines with data on how these doctrines are put into practice. Here we describe such an analysis for two texts that have shaped al-Qa'ida and its associated movements' strategies: contrasting Naji's Management of Savagery with al-Suri's Call to Global Islamic Resistance—including elements of the latter relevant to innovation specifically translated for this work. Though open source data on the groups' innovation practices are necessarily more sparse, we contrast the doctrinal texts with selected examples, which suggest caution in assuming that group doctrine is necessarily put into practice “as written.”

[Supplemental materials are available for this article. Please visit the publisher's online edition of Terrorism and Political Violence for the following free, supplemental resource: Translation of portions of Abu Mus'ab al-Suri's The Call for Global Islamic Resistance, relating to innovation and learning.]     

Who is (South) African? A re-reading of Thabo Mbeki's ‘I am an African’ speech in the context of the banned (later unbanned) Nando's ‘diversity’ television commercial

Abstract

In 2012 flame-grilled chicken company, Nando's, released a 52-second advert showing people of various races and ethnicities vaporising into thin air, one after the other, leaving a lone San Bushman wearing a xai who declares: ‘I'm not going anywhere. You f*#@ng found us here.’ Broadcasters SABC, DStv and etv initially banned the advert, citing fears of a xenophobic backlash. In 1996, former South African president, Thabo Mbeki, who was deputy president at the time, delivered what has become known as the ‘I am an African’ speech at the adoption of the South Africa Constitution Bill. In the speech Mbeki appears to codify ‘Africanness’ into a consciousness not just of history, but a shared history. The conceptual reach of his speech seems to imply that everyone who may share South Africa's history is somehow South African and African. This article argues that the Mbeki speech and the Nando's advert, taken together, draw attention to the simultaneous richness and poverty of citizenship in South Africa, and the potential benefits and contradictions of claiming citizenship in the sense preferred by the two texts. The context is supplied by a sampling of 22 randomly selected online comments centering on the censored advert.     

The masochist's masquerade: Kōno Taeko's ‘Beautiful Girl’ (Bishōjo)

Kōno Taeko is notorious for her literary masochism, which critics tend to read solely through the narrow lens of psychoanalysis. This article contends that we gain new insights into Kōno's literary life and corpus when historical contexts are also brought to bear. In reading closely ‘Bishojo’ (Beautiful Girl, 1962), a story that appeared at the same time as Kōno's most famous award-winning stories in the early 1960s, I contend that Kōno's fictional world can best be grasped with attention to two key factors: the impact of Kōno's wartime girlhood on her fiction; and, in ‘Bishōjo’ in particular, the Occupation Period (1945–1952) context, which serves as more than mere background to the story's revenge plot. Girls, or shōjo, form the core of the story and expose the disavowed shōjo at the core of protagonist Shōko's psyche. To survive, Shōko must cloak her masculine strengths in a masochistic masquerade indistinguishable from femininity itself. She threads her masochistic masquerade between two abusive men whose efforts to humiliate her cannot be separated from the national Occupation context and postwar masculinity. Finally, this essay demonstrates that Kōno's masochism functions as a literary technique for constructing subjects differently by gender in historical contexts, thereby exposing the psychic distortions that only fiction, as a light into the darkened interior world of human beings, can illuminate.     

The utopia of suburbia: the unchanging past and limitless future in Doraemon

The long-running Japanese children's media franchise Doraemon is commonly interpreted both inside and outside academic discourse as a representation of a positive vision of the future, an analysis based partially on its portrayal of a lovable robot. This view is supported by the series' use of ‘science’ to represent unlimited accessibility, and the branding of the series as a companion to children's scientific education. Doraemon's celebration of the future's boundless potential is complicated, however, by the impulse in recent works to reject the same notion of ‘progress’ on which the series relies. The works remain frozen in a romanticised vision of 1960s’ Japan, and have come to connote childhood nostalgia while presenting characters that do not grow or change over time. In the 2008 film Nobita to Midori no Kyojinden, the perpetual act of returning that defines much of Doraemon today is taken to a dramatic extreme, as a pre-modern ideal becomes the blueprint for both morality and might. Doraemon constructs temporal mixtures that simultaneously glorify both the past and the future.     

Science,society and the sea of fertility: new reproductive technologies in Japanese popular culture

Since the late twentieth century, assisted reproductive technologies have brought new challenges to our understanding of the family and gender relations. There are ever-widening gaps between medical practice, legal regulation and everyday understandings and practices. Some recent popular cultural texts in Japan have explored the issues raised by non-commercial surrogate motherhood. The background to these texts is a series of controversies concerning surrogacy and the use of assisted reproductive technologies and wider societal anxieties about family, reproduction and population management. In this article, I will focus on two novels by a medical practitioner and popular novelist who writes under the pseudonym Kaidō Takeru – Gene Waltz (Kaidō 2008) and Madonna Verde (Kaidō 2010) – and the associated film (ōtani 2011) and television series (NHK 2011). The fact that it was the national broadcaster Nippon Hōsō Kyōkai (NHK) that dramatised Madonna Verde suggests that the discussion of these issues was thought to have wide social and cultural resonance. I will place these texts in their social and cultural context with reference to medical, legal and popular discourses on new reproductive technologies in contemporary Japan. These new reproductive technologies have the potential to force a rethinking of masculinity, femininity, parenthood, family and gender relations. The popular texts also, however, draw on pre-existing ways of thinking about masculinity, femininity, marriage, reproduction and the relationships among science, ‘nature’ and society.     

Rearranging the figures on the tapestry: what Japanese direct translation of European texts can tell us about kanbun kundoku

Abstract

From the earliest stages of reading and writing in the Japanese archipelago, the methodology of kanbun kundoku (vernacular reading of literary Sinitic) has been an important means of engagement with Chinese texts. The kanbun kundoku process of glossing and syntactic rearrangement transforms a literary Sinitic source text into a kind of ‘translationese’ that preserves as closely as possible the diction and structure of the original while making it accessible to readers who may have little or no competence in spoken varieties of Chinese. Yet whether this process should be understood as fundamentally a form of translation is a matter of debate among scholars. In this article, I argue that looking at the early modern phenomenon of ōbun kundoku, by which Japanese scholars applied kundoku methodology to European languages (including Latin, Portuguese, Dutch and English), can offer a valuable perspective. These forms of direct translation are an important although comparatively under-studied aspect of Japanese encounters with European texts and they offer an instructive perspective on kanbun kundoku: the longstanding Japanese method of engagement with foreign-language texts that was their inspiration. The theoretical writings of Japan’s early modern scholars of Dutch unmistakably acknowledge a basic commonality between these two forms of kundoku while also clarifying the ways in which the application of kundoku to European languages was distinct from application to literary Sinitic.     

A model for the translation of news agency texts (Sapa) for radio (OFM) news

Abstract

Radio news differs from news provided by other media. According to Oosthuizen (1996), radio is an alerting medium. Leiter, Harriss and Johnson (2000) refer to this attribute as immediacy. The time available to news is very limited and this is why radio news stories are condensed into only a few sentences. Furthermore, news for broadcast is written in a conversational style, because it is heard and not read. Simple, short sentences are used; adjectives and adverbs are kept to a minimum; and strong, active verbs are used rather than passives. In the case of news wires, such as the South African Press Association (known as Sapa), news reports are written for print media. Therefore, bulletin producers need to edit these texts according to the requirements for radio news. In a bilingual or multilingual newsroom a more problematic situation arises, namely that all these texts (originally intended for use in print) need to be translated for a radio news bulletin and the radio station's specific audience. This article aims to describe how translation is used in the operational functioning of a radio newsroom, with a specific focus on OFM – a bilingual commercial radio station broadcasting to the Free State, Northern Cape, North West and southern parts of Gauteng, in South Africa. OFM's bulletin producers therefore not only edit news texts, but also translate them from English into Afrikaans. Certain strategies are followed to edit the original texts, but as there are also translation processes involved and specific translation problems which need to be addressed, appropriate translation strategies need to be identified. This study uses Christiane Nord's functionalist model (specifically her looping model) to describe the broad methodological framework in which these translating and editing (or transediting) processes take place at OFM. The study and findings will also show how certain elements of the looping model need to be adjusted in the translation of Sapa texts for OFM News.     

Discourse,genealogy and methods of text selection in international relations

Abstract

Discourse analysis, once the purview of critical theories of international politics, has emerged as a mainstream methodology for understanding international relations. While interest in such perspectives has enriched international relations theory, much about the nature of methods—that is, specific empirical processes for the gathering and analysis of evidence—is left ambiguous in this scholarship. Which texts should discourse analyses focus on? And, more practically, how should those texts be chosen? Building on discussions of case study methodology from both qualitative and interpretive social science, this article contributes to theoretical and empirical projects within discourse theory by suggesting a method for text selection: the random selection of texts. I argue that random selection processes are beneficial for discourse analyses that aim to study broad cultural patterns, such as genealogy. Random selection is not simply a means of choosing texts, but also a more comprehensive logic for thinking about the purpose of texts in discourse analysis.     

The Nicaraguan Literacy Crusade — How lasting were its benefits?

In 1981, Nicaragua was awarded a UNESCO prize in recognition of the success of the 1980 National Literacy Crusade (CNA) through which, it was claimed, three quarters of the country's illiterate had been taught to read and write. This article reports the follow-up of several women graduates of the CNA. It finds that, a decade later, a significant proportion of them are no longer able to read or write; and that of those who can, many had previously attended formal schooling as children for several years. An assessment of national census and survey figures suggests that about 9 per cent of the population became literate solely as a consequence of Nicaragua's ambitious adult-education interventions in the 1980s. Other benefits, such as the impact on child health and survival, have yet to be quantified.     

Disquieting growth: urban space in Kawashima Yūzō's film Suzaki Paradise Red Light

This article examines how Japanese postwar cinematic texts manifest and comment upon contemporary political and economic events, and considers the usefulness of cinema for a more complete historical understanding of the period. In particular, it argues for the significance of fūzoku eiga, or ‘films of customs and manners’ by analyzing a representative text of that genre, Kawashima Yūzō's 1956 film Suzaki Paradise Red Light. Although Kawashima's film has been treated as an apolitical melodrama, a close textual analysis reveals it to be a counter-narrative to the success story of postwar economic recovery and growth that the Japanese state sought to promote. Key to this analysis is an examination of the urban space of the Suzaki neighborhood in Tokyo, as depicted in the film. Kawashima's tour of Suzaki addresses the issues of the economic stagnation within the metropolis, uneven development, and the liminal space of muen, or ‘no ties,’ which offers a brief refuge from an increasingly disciplined everyday life.     

Unfinished business: the Catholic Church,communism, and democratization

Although history has shown us that the church plays a role in the political liberalization of non-democratic countries, the nature of the church's role and how it participates in politics has yet to be fully revealed. By revisiting the Polish Church's historic role in the collapse of communism, I argue that we have overestimated the church's effect on political liberalization in that case, which has led us to neglect or be prematurely disappointed in its role in the remaining communist countries such as in Cuba. Drawing from the Polish case, I conclude that the church's moral, self-limiting, and transnational character needs to be recognized and incorporated into a general theory of democratization. It is this aspect of the church that has helped it to remain active within remaining communist societies, and provide the moral support that is an integral part of political liberalization processes.     

Redrawing a map of motherhood

Motherhood in any culture comes with a set of ideologies that restrains women's own desires and needs. In Japan, women with young children have recently coined the term, Mama-tomo, or ‘Mum-friends’, and formed loosely connected communities through their daily parenting routines. Kirino Natsuo's novel Happiness, originally published in instalments between July 2010 and October 2012 in women's magazine Very, depicts the social machinations of a particular mama-tomo group in Tokyo's aspirational waterfront suburb. While the novel addresses contemporary women's issues and motherhood in particular, it also explores the map of Tokyo that engenders imaginary class distinctions. In this article, I follow the trail that the novel leaves on this map and identify the implications of that trail. In doing so, I draw on the concept of ‘smooth’ and ‘striated’ spaces, as theorised by Deleuze and Guattari (1987) in their critique of capitalism and modern living. Writing sympathetically to the women protagonists – and hence to the readers of the magazine – Kirino is nonetheless critical of the women's belief in the imaginary values of an elite class and their willingness to submit to the imposed ideology of motherhood. In this sense, the novel repudiates the consumerist lifestyle models constructed for sale through Very and the popular media at large. It is my contention that the beliefs critiqued in Kirino's novel have their source partly in the spatial imagination of the Edo period (1603–1868), during which the ruling samurai class facilitated a systematic social segregation. It is ironic, however, that the segregation in turn underscored the demarcation of the Other space, a liberated dynamic space outside the strictly regulated habitat of the ruling group. Endorsing this Other space, Kirino redraws a map of Tokyo through this novel to show the young generation of mothers a way of exiting the captivity of imposed ideologies of motherhood, class, and consumerism.     

Issue-Based Strategies in Election Campaigns: The Case of Health Care in the 2000 Canadian Federal Election

This article explores the myriad uses of television drama in mediated political discourse using the case study of 24, Fox's counterterrorism drama. It examines references to 24 in articles and columns of nine major daily newspapers, magazines, and political Web sites from 2001 to 2007 and demonstrates how the show was invoked to support and express different political opinions, how political identity and media preferences were reconciled, and how different categories of use interacted with different political allegiances, as well as different assumptions about the ontological and epistemological status of the show. The study shows that while, at one level, fictional events and characters can function in political discourse in similar ways to nonfictional people and events, the “ontological openness” of politically relevant fictional texts serves as a resource for political discourse that is not readily available through nonfiction media texts. Finally, this article is an attempt to revisit and develop the concept of inter-textuality as a way to account for the complex interactions within the contemporary media environment, analyze media-related practices beyond direct viewing experiences, and bridge text-centered and audience-centered approaches to communication studies. Within this framework, journalists and political commentators are viewed as both mediators of other media texts for their audiences and as audiences in their own right who use these popular texts to negotiate and express their own identities and ideologies.     

‘Ek sê, heita!’: Kwaito and the construction of community

Abstract

Kwaito can be described as the new music of the new South Africa. Since its emergence over a decade ago, kwaito still blasts from minibus taxis, on the new urban commercial stations formed after media liberalisation, and on street corners from Cape Town to Johannesburg. Kwaito is young, vibrant and decidedly black. This is hardly surprising in a context where music, like everything else, is a highly racialised terrain. This article describes the emergence of kwaito, and explores community radio station, Bush Radio's, broadcasts of kwaito music, looking at how these broadcasts create a sense of community. First, kwaito's emergence within the context of South Africa's mainstream cultural industries is articulated. Then kwaito music is explored as a signifier of black identity. This article is located within a cultural studies framework, which approaches musical genres as cultural texts capable of generating multiple meanings (Grossberg, 1993).     

Subversive semiotics and ironic anchorage on Vrye Weekblad covers: A visual analysis

Abstract

The apartheid-era Afrikaans press's compliance with apartheid politics and ideology is commonly recognised. This article investigates the newspaper Vrye Weekblad as an exception in this regard. A reading is made of four selected Vrye Weekblad front covers, through a qualitative visual semiotic analysis based on a Barthesian model, in order to describe the covers’ subversive and anti-apartheid tendencies. This analysis reveals that the subversive tendencies at work on the covers represent an open assault on the ruling National Party's (NP) norms and values, especially in terms of the bastions of apartheid Afrikaner nationalism, such as traditional reformed Christian beliefs, symbols of Afrikaner patriotism, concepts of racial purity and white ethnic superiority. The myths present on these covers, while functioning to undermine dominant ideologies, also naturalise an ideology of Vrye Weekblad's own, by creating alternative myths of a critical disposition towards the NP government. The subversive encoding of these covers stems from an ironic tension in anchorage between the conventional connotations associated with the cover images and their accompanying text, which undermine the dominant meanings of the images. This article seeks to contribute a theorisation of this ironic anchorage as a mode of encodification within the broader context of mythical representational practices. The author proposes that as these Vrye Weekblad covers were published under much the same uncertain circumstances as are experienced today with the African National Congress's (ANC) looming Protection of Information Bill and Media Appeals Tribunal, one might see the same occurrence of subversion through ironic anchorage in the contemporary South African media.     

Transaction Costs and the Establishment of the European Security and Defense Policy

This article explains the establishment of the European Union's Security and Defense Policy (esdp) in 1998–99 and its institutional design. I argue that both the soft balancing explanation and the “second wave” of approaches fall short. In contrast, the article shows that liberal-institutionalist thought and transaction costs economics offer a heuristically promising perspective. Most crucially, the pivotal concept of asset specificity provides explanatory leverage. The combination of risks of opportunism and the non-specificity of esdp's ultimate assets explains why and how the major European powers designed the eu's security and defense pillar in 1998–99. Empirically, I trace how the United Kingdom and France were gradually confronted with not fully credible commitments within nato for crisis management in Europe. Based primarily on the signals sent by us domestic politics, they were increasingly concerned about isolationism and questioned the American commitment to European security. Therefore, they were searching for another institutional option for providing security on a long-term basis. Although this assessment of ex post transaction costs triggered the initial establishment of esdp, ex ante transaction costs were responsible for its more specific design. Given the indirect American threat of disengagement when faced with Europe's aspirations for autonomy, esdp had to be designed in a compatible way with nato. Non-specific, and thus redeployable, military assets represented the institutional solution to the conflict between European autonomy and NATO's primacy. In other words, asset specificity as the key analytical concept of transaction costs economics is what differentiates this argument from previous accounts and provides a more comprehensive framework for understanding both the establishment and design of esdp in 1998–99.     

Undermining Adversaries: Unipolarity,Threat Perception,and Negative Balancing Strategies after the Cold War

This paper engages the ongoing soft balancing debate by suggesting a new analytical framework for states’ countervailing strategies—a negative balancing model—to explain why states do not form alliances and conduct arms races to balance against power or threats as they previously did. Negative balancing refers to a state's strategies or diplomatic efforts aiming to undermine a rival's power. By contrast, positive balancing means to strengthen a state's own power in world politics. I argue that a state's balancing strategies are shaped by the level of threat perception regarding its rival. The higher the threat perception, the more likely it is for a state to choose positive balancing. The lower the threat perception, the more likely it is for a state to choose negative balancing. I suggest that the hegemon provides security as a public good to the international system in a unipolar world in which the relatively low-threat propensity of the system renders positive balancing strategies incompatible with state interests after the Cold War. Instead, states have employed various negative balancing strategies to undermine each other's power, especially when dealing with us primacy. China's negative balancing strategy against the United States and the us negative balancing strategy against Russia are two case studies that test the validity of the negative balancing model.     

The unipolar exit: beyond the Pax Americana

In this article I show that the unipolar era already is drawing to a close. Three main drivers explain the impending end of the Pax Americana. First, the rise of new great powers—especially China—is transforming the international system from unipolarity to multipolarity. Second, the United States is becoming the poster child for strategic over-extension, or as Paul Kennedy dubbed it, imperial overstretch. Third, the United States' relative economic power is declining, and mounting US fiscal problems and the dollar's increasingly problematic role as the international financial system's reserve currency are undermining US hegemony. After examining how these trends undermine the argument for ‘unipolar stability’, I conclude by arguing that over the next two decades the Pax Americana's end presages dramatic changes in international politics.     

Restaging the 1989 revolution: the Romanian New Wave

Almost 20 years after the 1989 Romanian revolution, the subject is experiencing a powerful comeback in a number of cinematic reflections that are at the forefront of the so-called Romanian New Wave, including Corneliu Porumboiu's 12:08 East of Bucharest, Radu Muntean's The paper will be blue and Catalin Mitulescu's How I spent the end of the world. This article seeks to establish some of the contributions that the New Wave is making to the reconstruction of the 1989 revolutionary moment, but also, and more importantly, to the renegotiation of Romania's present role in the local and global imaginary. The article offers a particular reading of these films as inspired by Walter Benjamin's writings on history and film, a reading that seeks to understand the careful temporal and spatial renegotiation of the revolutionary moment of December 1989, the key role that the technology of film has played throughout the course of the Romanian revolution and its aftermath, as well as the critical importance that the revolutionary moment continues to have for the way in which Romania imagines itself and is seen from abroad.