我国学术期刊质量评价方法之比较分析

目前我国学术期刊的质量评价体系,从其所采用的主要评价指标和方法上来看,可大致分为两大类:一类是以定性评价为主的对期刊进行全面评估的评价体系,一类是以定量评价为主的侧重于对期刊的社会影响力进行评估的评价体系。由于两类评估体系的制定主体和目的不同,导致其在评估内容和评价方法设计上的价值取向有所差异。比较两大类期刊质量评价体系的得失,使其能够在实践中兼容并蓄、取长补短,更为科学、合理与完善。     

云南省总工会机关举办“文明讲堂”

为切实巩固全国文明单位创建成果,持续推进机关精神文明建设工作,2021年12月9日,云南省总工会举办“文明讲堂”,引导全体干部职工做文明创建的宣传者、实践者、示范者。本期“文明讲堂”邀请到文明创建专家李卫东就文明创建理论与实践进行专题授课。李卫东围绕云南省精神文明创建情况,对全国文明城市、全国文明单位创建体系及测评指标进行深入详细的讲解。     

试论"工人参与管理"制度的评估体系

建立"工人参与管理"制度的理论基础是劳动力产权理论、劳动者是劳动力所有者理论、现代企业理论;"工人参与管理"制度的评估体系应包括参与程度、参与等级、参与内容层次、参与性质等几个方面.真正的工人参与是劳动者权利的实现,而不是一种调动劳动者积极性的手段.     

试论“工人参与管理”制度的评估体系

建立“工人参与管理”制度的理论基础是劳动力产权理论、劳动者是劳动力所有者理论、现代企业理论；“工人参与管理”制度的评估体系应包括参与程度、参与等级、参与内容层次、参与性质等几个方面。真正的工人参与是劳动者权利的实现，而不是一种调动劳动者积极性的手段。     

加强社会主义思想道德建设的思考

在改革开放的新形势下，我国的思想道德建设面临新的问题。要解决这些问题，必须构建新型的思想道德规范体系，确立科学的思想道德建设内容，创建有效的思想道德建设载体。     

高等院校教学成效评估体系研究——以学生教学评估为例

教育成效是高校发展核心工作之一。具有主观性的教育评估,是基于客观教学过程,对教育成效的一种有效的评价手段。针对目前教学评估中存在的问题,以中美高校评估的具体操作为实例,转变理念,从建立课程评估,建立多维度、动态教学评估体系,测评指标要具体明确等方面,提高我国高校教育评估成效。     

提升高校社会工作专业机构实习效果的路径——以济南大学社会工作专业为例

实习是高校社工专业教育体系的重要内容、主要环节。机构实习是高校社工专业实习教学的重点和难点。目前,高校社工专业机构实习中存在专业社工实习机构相对匮乏,专业实习督导力量相对不足,实习成绩评估体系不够完善等问题,应当积极培育专业实习机构,拓宽实习领域,提高实习督导水平,完善实习成绩评估体系以提升高校社工专业机构实习效果。     

关于国际贸易专业创业教育的调查分析——以广东青年职业学院为例

针对就业难现象,目前高校包括高职院校普遍开展了创业教育。在经济类专业尤其是国际贸易专业开展创业教育具有其他专业无法比拟的优势。增强师资力量、完善创业教学体系、调整专业课程内容、创建创业基地等是高职院校开展创业教育的有力举措。     

促进就业的近期目标与建议

一、做好“两个评估”，一是做好应对国际金融危机阶段性就业政策评估，二是对东部7省（市）扩大失业保险基金支出范围试点工作进行总结评估，2012年之前．完成《失业保险条例》的修订工作。二、夯实“两个基础”，一是夯实就业决策基础，建立并完善我国就业指标统计体系．定期向社会公布。尽快实施并公布调查失业率．准确反映劳动力供需状况及活动状态。     

十堰市开展创建合格、示范乡镇(街道)工会活动

十堰市创建合格、示范乡镇(街道)工会的内容主要包括:乡镇(街道)工会组织建设、工会干部配备、工作制度建设、工会工作开展情况等四个方面,对每一个方面的内容又提出具体的创建要求。并通过成立创建活动领导小组、建立创建工作责任     

Close Encounters: Solidarity,Servitude and Postcolonial Feminist Affects and Affiliations

Abstract

This essay offers close readings of three texts that in different ways foreground the problems, possibilities and struggle involved in forging affective connections across difference between women: Kate Clanchy, What is She Doing Here? 2008, Jamaica Kincaid, Lucy, 1991a and Marlene Van Niekerk, ‘Labour’, 2004. The author argues that the incomplete and partial nature of affective moments represented in these texts signals possibilities for a cautiously redefined idea of affective feminist solidarity as it is mobilized in the intimacy of domestic spaces.     

Digging for England in Elizabeth’s German Garden: Imperial Romance and National Femininities in the Early Works of Elizabeth von Arnim

Abstract

The author treats von Arnim’s Elizabeth and Her German Garden and The Solitary Summer as types of imperial romance, showing the ways in which von Arnim quite literally domesticates the genre by adapting discourses of eugenics and racial contest to fit an Englishwoman’s experiences of home-making and gardening in late nineteenth-century Pomerania. Racial fitness is replaced by aesthetic fitness as von Arnim sets up a contest between English and German femininities within the home and garden.     

The Functions of Class at the Present Time: Including Taste,or Sex and Class as Culture

Gagnier provides an analytic account of current uses of gender, sex and sexuality, and of class as objective condition, role, identity, subjectivity, performance, product of cultural formation, pain and pleasure. She concludes that we shall do better today to take from the history of political economy a focus on the division of labour, the kinds of work people do, including women's unpaid labour at home, and the ways that work structures identity and subjectivity, than on more abstract class identity (e.g. wage-labourers and capitalists), and to see that both local and global divisions of labour or work patterns are along race and gender lines as much as along class lines. The introduction of consumption models of taste and status draws together both class and gender, for consumption and leisure, the realm for most wage-labourers of pleasure, is as significant in the formation of identity and subjectivity as work, production or pain. We should account for people's pleasures and desires as well as their pain and place in narrowly conceived 'productive' relations. Class is no less significant than it always was, but future work should disaggregate the concept along these lines, mindful of gender salience in the division of labour and the reproduction of class. And it should include critical analysis of the realms of taste, pleasure, consumption, leisure and status.     

Guys and Dolls

The doll has become a figure for the objectification of women, especially in the form of the sex doll, which is routinely taken to be the image of the woman reduced to a condition of pure passivity. But the doll is also, and perhaps even predominantly, a means of ‘guying’ the putative man (the word ‘guy’ entering English with the burning of Guy Fawkes in effigy) and presenting the simplest possible idea of male desire in comically petrified form. Effigies of women indirectly figure the assumed fixation of male desire throughout post-classical European culture. This guying is a repeated feature of stories of the animation of female dolls and statues, from Ovid onwards, which regularly put male protagonists to a kind of mock death, or death by mockery. The author considers the anonymous poem Adollizing: Or, A Lively Picture of Adoll-Worship (1748) alongside the most celebrated instance of doll fetishism in twentieth-century art history—the doll that Oskar Kokoschka had made of his wife Alma Mahler after she left him. The author concludes with a discussion of the contemporary sexual cult of ‘living dolls’, in which men act out the fantasy not of owning, but being a female doll. Here, perhaps, the doll is not only adored as a substitute for some other real object, but is envied as what it is—that is, as a thing, with a thing's power of declining to be subjected to subjecthood. This passion for passivity suggests that there is something that intervenes between the he and she, with swelling erotic force: the it.     

The Between

Thinking with this special issue's group of feminist thinkers – some artists and others scholars – this introduction makes a strong case for co-authorship and a more collaborative humanities, while also insisting that the couple form – that stalwart object of queer and feminist theory – is neither a known quantity nor an exhausted entity, but rather, a field ripe for analysis. Situated squarely within performance studies, this introduction pivots away from questions of ontology and toward method and performativity, in order to ask: what modes of intellectual practice, erotic exchange, political work, and aesthetic experimentation happen uniquely within couple forms, in their most capacious and non-self-same iterations? What queer and feminist work can they do? What, in other words, is possible in the infinity, if indeed it is an infinity, between one and two?     

Other forms of conviviality: The best and least of which is our daily care and the host of which is our collaborative work

In this collaboratively written essay, artists Park McArthur and Constantina Zavitsanos take a queer materialist feminist approach to the entanglement of dependency and reproductive labor, disability, intimacy, and the impossibility of exchanging incommensurables. The text merges the authors' experiences receiving and providing one another care with their artistic practices, and includes instructive performance scores for past, rather than future, events.     

Men in Skirts

There are signs that the wearing of skirts by men appears to be on the increase in the West. Connor's essay provides a series of historical reflections on the signification and cultural phenomenology of male and female apparel. The first appearance of bifurcated dress in the late mediaeval period is considered, along with the struggle between men and women for command of lateral space during the seventeenth century in Europe, as attested to by commentators like John Bulwer and John Evelyn. Explications are offered of the thematics of the fringe and the pocket, as they are dramatized in trousers and skirts, as well as of the logic of lightness and of the pendant. Trousers, Connors concludes, have never lost their fanciful associations with utility, practicality and rationality; they are the signs of occupation, of being taken up in what you do, rather than consumed in what you are. The political victory of the trousered over the untrousered races (Romans, Scots, Indians etc.) is confirmed by its inversion in male masochist fantasies of 'petticoat government', from the late nineteenth century onwards.     

Introduction to Performing Refusal/Refusing to Perform

This introduction outlines an aesthetic of refusal as it emerges from instances of racialized exhaustion. Described as an aesthetics of minoritarian inaction and non-reproductivity, refusal challenges the centrality of action and repetition as the central tenets of political performance. Instead, the two valences of performing refusal/refusing to perform name an ethics of relation under racial capitalism, negating the dialectic of assimilation or resistance that shape minoritarian political performance, in favor of tactics such as opacity, imperceptibility, and obscurity.     

Trauma as Site of Identity: The Case of Jeanette Winterson and Frida Kahlo

B y taking gender seriously, the ruling African National Congress (ANC) party in South Africa appeared to reverse the trend set by many liberation movements elsewhere: namely, women being mobilized as agents in struggles around class and race, yet denied the imperative of addressing gender subordination. Shortly after coming to power, the ANC adopted a national strategy for advancing gender equality. By doing so it demonstrated that it could rise above the limitations of its erstwhile 'woman question' position (Beall et al. 1989) and learn from the experience of other countries that had tried to institutionalize gender policies and structures. This in turn served to place South Africa at the cutting edge of experience in state-initiated gender policies and 'national machineries' for women. Nevertheless, South Africa's National Machinery for Advancing Gender Equality merits critical scrutiny, both in terms of its intrinsic aims and objectives and in relation to its potential for making an impact, given the development policy context of contemporary South Africa. Drawing on research conducted in South Africa over a number of years--during the 1980s (Beall et al. 1987) and, more recently, since 1997 (Beall 1997, 1998), it is possible to consider what lessons are to be learned from the institutionalization of gender-sensitive policy and practice in a complex institutional environment.     

Taking It Out on the Body? A Phenomenological Study of Young Adults’ Gendered Experiences of Depression and Antidepressant Use

In this article, we use in-depth interviews with young adults in Sweden to explore the gendered and embodied experiences of depression and antidepressant use. Building upon previous phenomenological research, we analyse being depressed and on antidepressants as altered embodied states, in which corporealization—experiencing the body as a material object—is central. Feminist interventions by Toril Moi and Iris Marion Young inform our analysis of embodiment as gendered. The bodily facets of depression include the weight of the anxious body in crying and not sleeping, as well as the weakened or distorted relationship between body, mind and world in brooding thoughts and hopelessness. These experiences of corporealization are not expressed in gendered terms but, when acted out in depression, they do appear to be gendered. The female body becomes “the first battleground”—as the socially endorsed object upon which to act destructively. In contrast, male behaviour is not expressed as self-destructive, but projects in the world are emphasized at the cost of (bodily) well-being. Although antidepressants lift the corporeal weight of anxiety and low mood, they install a new, and in some respects more profound, corporealization of the body. This is expressed as feeling and caring less and being like a thing or machine. It can be understood in terms of an increased distance from the world—not articulated in gendered terms. As a way of existing in the world, the medicated state bears strong similarities to the depressed state from which it was originally an effort to escape. Thus, taking medication can be seen as yet another way of acting on the body as object. Furthermore, it could be suggested from our findings that when the body is not felt—when there is a breakdown of the meaningful relationship between the body and the world—the experience is less gendered.