Introduction: the measures of waves

Abstract

The aftershocks of the spring of 2011 in Japan led the nation into a paralysis of futureshock. But as the aftershocks continued and news of more radiation seeped out of the cracks in the tightly sealed industrial-political power generator, it became clear that the idea that the earthquake has brought a new reality to Japan must itself be resisted. Indeed what is now evident is that little has changed, despite renewed urgency to respond.

Although the waves of disaster in Japan unfolding from 11 March caught everyone off guard, in some significant ways Japan was already prepared. Such preparedness can be read into Japan's long history of dealing with disasters, twenty years of economic stagnation and the growing prevalence of mysticism and eschatology in pop culture in the wake of the Kobe earthquake and Aum Shinrikyō attacks on the Tokyo subway. So, rather than a rupture, an anomalous event, the series of catastrophes of the spring 2011 that appeared as if out of the blue could be narrativized in real time through social media and connected to historical and social contingencies and continuities.

Rather than mourning the passing of some Japan that may never have existed or may already have passed away some time in the early 1990s, 11 March should be the occasion for reflection on the past, action in the present and taking stock for the future. Fighting the tendency to be stunned into complacency, this special issue reflects on the past and future amid the aftershocks radiating from Fukushima and post-earthquake Japan.     

In search of proximate enemies

Abstract: The post-Cold War context has accompanied the ascent of East Asian economies and consumer markets, as exemplified by China, while Japan's experience has been marked by the struggle with an economic slump after the collapse of the so-called bubble economy. Japan has been actively promoting ‘cool Japan’ instead of the economy, but even more notable is the rise of the Korean Wave. Joined together with political contestation over historical issues, anti-China/Korea sentiments have been growing, as is the accompanying hate-speech movement against resident Koreans in new-millennium Japan. Growing East Asian rivalry along with the relative decline of Japan, the widely shared sense of socio-economic predicament and the upsurge of digital media communications have been conjoined to generate the hunt for proximate enemies – China, Korea, and resident Koreans in Japan – as the object of expressions of hate. How to develop better uses of digital media towards the cultivation of dialogic cultural citizenship is an imperative issue.     

Shareholding characteristics and imperfect coverage of the Stewardship Code in Japan

Abstract

While the degree of cross shareholding among corporations, or between banks and companies (referred to as ‘insiders’ in this article) has been declining since the 1990s, the percentage of shareholding by institutional investors (‘outsiders’), or financial intermediaries, has been increasing in Japan. Studies show that both companies and investors are becoming more short-term oriented and are showing herd behaviour. With such a collective mentality, company–investor relations in Japan have experienced a vicious cycle and have thus lowered the market's rate of return. Meanwhile, conventional ‘insiders’ tend to hold shares in the longer-term, but lack engagement in investee companies’ corporate governance. Japan's Stewardship Code requests fund managers ‘engage’ more than ever in the governance of investees so that investor-company relations become longer-term and the risk of investors’ ‘exit’ decreases. However, the Code only covers the behaviours of ‘outsiders’ but not those of ‘insiders’, who still play certain roles among all shareholders. Due to its imperfect coverage, the expected effect of Japan's Stewardship Code in achieving stronger ‘engagement’ by investors should be limited. To cope with this issue, this article outlines a suggestion that a comprehensive rule covering all types of shareholders should be implemented in Japan.     

Uneven space of everyday modernity: the colonial logic of the suburb in Tanizaki Jun'ichiro's A Fool's Love

Tanizaki Jun'ichiro's A Fool's Love (1924–1925) has been widely studied as a representative text of the modern popular culture of the Taisho period. This article treats the work as a key text that reveals the colonial relations embedded in everyday modernity of Japan's interwar years, and examines the articulations of colonial relations in three registers of the text. It first investigates the protagonists' unrestrained embrace of cosmopolitan culture as a manifestation of Japan's ambiguous imperialist consciousness, shaped in the interstices between Western and Asian others. The second and third registers concern a particular kind of space dominant in the story: the modern suburb, which became a major symbol of Japan's modernity in the 1920s. In its subordinate relationship with the city, the suburb exemplifies colonial relations. The second register explored in the article is the overlap between the text's exoticism and suburban topography. A key scene on a resort beach is examined for its reference to Hawai'i and the setting's suburban nature in relation to Tokyo. The last register is the suppression of the story's suburban setting. The article analyzes the disappearance as a manifestation of the anxiety about the unevenness of capitalist development that the suburb represents.     

The end of literature and the beginning of praxis: Wagō Ryōichi's Pebbles of Poetry

Abstract

On 16 March 2011, shortly after the hydrogen explosion in the third nuclear block, Wagō Ryōichi (1968–), a poet who has lived in Fukushima for decades, started using Twitter as an alternative method for his action poetry. The tweets from his nearly desolate hometown immediately gained public reception, spreading all across the country and beyond, being compiled into an anthology titled Shi no tsubute (Pebbles of poetry). This study examines the flood of words he posted during the critical post-earthquake turmoil, aiming to conceive them as radically redefining (albeit temporarily) the quotidian that has long been institutionalized during the country's recent history. Despite their later publication in book forms, Wagō's tweets initially circulated more like graffiti than printed books, being a more fundamentally contingent form of writing than his previously printed letters. Epitomizing the bio-sociological conditions (or what Karatani Kōjin calls ‘singularities’) arising from the intensified experience immediately following the Fukushima incident, Wagō's scribbles on the internet bear much resemblance to Terayama Shūji's mobilization of street epic in the 1960s–70s, or, more theoretically, Bergson's conception of evolution as multiplicity arising from intense temporality. His graffiti praxis is itself a renewed ethics, sharing the spirit of the-end-of-literature discourses by Karatani and others since the 1980s.     

Memory and forgetting: examining the treatment of traumatic historical memory in Grave of the Fireflies and The Wind Rises

Within Japanese popular culture, manga and anime have played a significant role in mediating responses to the outcome of the Pacific War. Miyazaki Hayao's (possibly) final feature-length film, The Wind Rises, has been an important addition to the preceding body of popular media ‘texts’ that raise such themes. This article aims to address the question of how far cinematic animation can reasonably be obliged to follow the kinds of historiographical concerns that inevitably arise when engaging with Japan's militarist past. To answer this question, considerable space is devoted to examining the historical context of what others have done in the post-war period and integrate that commentary into an analysis of how the works of Takahata Isao and Miyazaki Hayao fit amongst a succession of creative works that have been co-opted in the reshaping of historical perceptions of the Japanese at war amongst the Japanese themselves. This will also require some incidental discussion of methodological issues that arise when dealing with such cases as vehicles for understanding transformations in historical consciousness. Ultimately it is argued that Miyazaki does indeed make an important contribution to the commentary on the Japanese war experience, although it must, perhaps unavoidably, be on highly personal terms so far as The Wind Rises is concerned.     

Japan's political trust deficit

Abstract

This introductory article to the special issue on ‘Trust and Mistrust in Contemporary Japan’ lays out key trust concepts used in social science research. It then turns towards the Japanese case, summarizing important research on the notion of trust and Japanese politics and society, according to which trust levels are comparatively low. The subsequent part provides an overview on the case studies that scrutinize issues related to political trust in particular. As the contributions invariably point to low levels of political trust, we finally reflect on problems in Japan's politics in relation to the notion of trust.     

Addressing the Allied POW Issue in Japan: The Case of POW Research Network Japan

Since the mid-1990s the Japanese government has pursued reconciliation initiatives aimed at fostering understanding between Japan and former POWs. Nevertheless, the POW issue remains relatively unknown in Japan. This article describes the profile and activities of the POW Research Network Japan (POW kenkyūkai), a civil society group consisting of professional and shimin (citizen/non-professional) researchers as well as concerned citizens investigating the subject of Allied POWs in Japan. The article explores how POWRNJ participated in and contributed to the contestation of memory of the Asia-Pacific War (1931–1945) during the last decade. It describes the manner in which the group promoted its views and strived to achieve its goals. On the basis of these findings, the article identifies the kind of roles the group played, and how it mattered in the debates on Japan's wartime past.     

Narratives of collapse and generation: Komatsu Sakyō's disaster novels and the Metabolist movement

Abstract

In the summer following the earthquake, tsunami and nuclear disaster of March 2011, the Mori Art Museum in Tokyo opened the exhibition ‘Metabolism: The City of the Future’, a major retrospective of the works of architects, designers and critics associated with the Metabolist movement. As suggested by its subtitle ‘Dreams and Visions of Reconstruction in Postwar and Present-Day Japan’, the exhibition provided a unique opportunity to examine the legacy of postwar Japanese avant-garde architecture and city planning, in the context of the serious questioning of Japan's future direction regarding the built and natural environments, life styles, and social structures following the triple disaster.

This article examines the writings and designs of the Metabolists, as well as the works of science fiction and disaster novel author Komatsu Sakyō, who collaborated with a number of Metabolist architects in the preparations for the 1970 Osaka Expo. Like the writings of the Metabolists, Komatsu's works, such as the seismic disaster novel Nihon Chinbotsu (Japan sinks, 1973), expose new links between the built environment and the geological and biological environments, pointing to both the vulnerability of the human domain as well as its generative and adaptive capabilities. In the process, Komatsu's works both critique and reproduce elements of the Japanese postwar reconstruction ethos, while offering avenues for re-imagining the future through dramatic inversions of center and periphery. I will argue that Metabolist works and Komatsu's novels challenge us not only to expand our imagination of both construction and catastrophe on a grand scale, but also to see isomorphic patterns and triggering events on the molecular level – a multi-scaled vision that could be generative in imagining the future beyond the disasters of March 2011.     

‘Growth oriented’ corporate governance reform – can it solve Japan's performance puzzle?

Abstract

Recent governance reforms in Japan aim at promoting ‘the establishment of an environment that supports appropriate risk-taking by the senior management.’ The article evaluates the reforms on the basis of two questions: do the reforms tackle the right issues? And will they be effective? The Japanese economy faces indeed a performance puzzle. Despite Japan's strong efforts in the field of research and development, its excellent work force and abundant financial capital, the economy is performing poorly in terms of productivity. The performance puzzle seems to be closely related to the way large Japanese companies are governed, namely by boards filled with internally promoted lifetime employees. However, the correlation between board composition and performance is spurious. Both are influenced by a third factor, which manifests itself in the predominance of in-house careers. In-house careers determine the composition of boards and have, over the last twenty years, had a negative impact on economic performance. The governance reforms do not address the root of Japan's performance puzzle. They may nevertheless provide an important stimulus for redesigning the way Japanese corporations recruit, train and promote future leaders.     

Food safety and consumer trust in post-Fukushima Japan

Abstract

The contamination of food with radionuclides has posed serious problems to consumers, producers and policy makers in Japan since the Fukushima nuclear disaster of March 2011. Many Japanese consumers were and still are worried about the safety of domestic food products. How did the nuclear catastrophe in Fukushima affect consumer trust in food safety regulation, and how did the Japanese government try to (re)establish consumer trust in its food governance system? Drawing on empirical data from a consumer survey, expert interviews and documents issued by the Japanese government and public authorities, this paper argues that existing institutions had difficulty handling the situation and rebuilding consumer trust. I will argue that consumers in Japan lack trust in government institutions and the food industry and that the government's risk communication was not suitable for rebuilding trust. This specific situation saw the emergence of new actors from civil society, such as citizens’ radioactivity monitoring stations (CRMS). These actors took over some of the functions of public authorities by providing information and monitoring food. I argue that they have the potential to build trust by fostering the participation of lay people and encouraging a more democratic discourse on food safety. Nevertheless there are some limitations.     

The post-Aum films of Kurosawa Kiyoshi

The films of Japanese director Kurosawa Kiyoshi in the late 1990s and early 2000s capture the malaise of the ‘lost decade’ (ushinawareta jû-nen) of the 1990s, a period characterized by the end of an economic boom that propelled Japan through two decades of unprecedented prosperity. Facing the decline of high-growth, the country for the first time in two decades could no longer ignore the things that it had suppressed to realize progress: the failure of Japan's radical movements of the 1960s and early 1970s and their de-evolution into extremism. As the haze of prosperity dissipated in the early 1990s, Japan was again stunned by a violent uprising more than two decades after the collapse of the student movements – the Tokyo subway gassings in 1995, an event that many associated with the radicalism of the 1960s and 1970s. The attacks served as a reminder of the deep-seated social dissatisfactions that existed among the activist generation and the violence that results from extremism. Utilizing trauma theory, this paper will examine the way Japan's radical past is re-experienced in Kurosawa's films in the years following the gassings. Through an analysis of the cinematic style of Charisma (Karisuma 1999 Karisuma, 1999. DVD. Directed by Kurosawa Kiyoshi. Nikkatsu Studio. [Google Scholar]), Pulse (Kairô 2001 Kairo, 2001. DVD. Directed by Kurosawa Kiyoshi. Tokyo: Daiei Studio. [Google Scholar]), and other cinematic works in light of their narrative references to radicalism, this article will flesh out the layered process through which Kurosawa's films engage the past while coping with the trauma of post-Aum Japan.     

Nuclear crisis on the Korean peninsula: strategic adaptation,the Abe administration and extended deterrence in the face of uncertainty

Abstract

In the wake of two nuclear tests in 2016, an additional test in 2017 and a series of missile launches by North Korea in 2016–17, Japan's government is facing a critical set of security challenges. These require adaptation and careful planning by the Abe administration and raise important questions about the future of Japanese defence policy, alliance relations with the United States, and cooperation between Japan and the Republic of Korea. The following article considers both the history and current state of relations between Tokyo, Washington and Seoul, the relationship between elite and public opinion within Japan, and the character of Prime Minister Abe's leadership at a time of acute strategic risk. While the danger of conflict in northeast Asia should not be minimized, the gravity of the current crisis potentially offers an important opportunity for policy innovation for the governing Liberal Democratic Party (LDP).     

The collaboration of ‘ghostwriting’ and literature – the case of Kawabata Yasunari

Abstract: Kawabata Yasunari is Japan's first Nobel Prize recipient for literature and thus an emblem of the modern Japanese writer, but as this essay demonstrates, this writer's career, like that of so many throughout Japan's premodern and modern history, is spanned by the curious practice of ghostwriting. Taking up the specific case of Kawabata, the article exposes a wider conflict between the modern West's notion of the original artist, underwritten by its idea of individualized creativity, and modern Japan's persistent adherence to ghostwriting's more collaborative premodern concept of creativity. Subjecting fine-grained literary historical analysis to its far-reaching theoretical consequences for the modernness of modern literature, Japanese and otherwise, this essay shows how the spectre of Kawabata's ghostwriting haunts our contemporary, and therefore possibly anachronistic, understanding of ‘modern’ literary practice.     

‘A question between empires’: the restriction of Japanese immigration in British Columbia and the reassessment of Japan's foreign policy, 1907–1908

Abstract

Great Britain was the first of the major Powers that revised its unequal treaty with Japan, recognizing the success of Japan's modernization and its growing role in the international arena. However, British Columbia perceived Japanese residents as a threat to ‘the British character’ of this regions' population profile. After the movement against Japanese residents in British Columbia peaked during the anti-Japanese riots in Vancouver in September of 1907, Canadian Minister of Labor Rodolphe Lemieux headed a diplomatic delegation to Tokyo to negotiate the restriction of Japanese immigration to Canada. The dispatch of this mission revealed some of the complexities in relations between the Colonial and Foreign Offices in London on the one hand and the Dominion's and British Columbian governments on the other. Based on previously unused primary sources, this article will examine the interplay between the policy towards Japanese migrants in the British Dominion of Canada and the British policy towards Japan as a nation.     

From volunteers to voluntours: shifting priorities in post-disaster Japan

This paper analyses the emergence of post-disaster ‘voluntours’ following Japan's 2011 disasters. An overwhelming, yet haphazard volunteer response to previous disasters spurred extensive collaboration between the state, relief organizations, and would-be volunteers in the wake of 3.11. However, when mapped onto to the massive devastation of the 3.11 disasters, this collaboration almost immediately turned many post-disaster volunteers into ‘voluntourists’, a problematic category commonly associated with visitors from the Global North volunteering for social and environmental causes while on holiday in the Global South. Japan's post-disaster voluntours demonstrate how uncoordinated and potentially risky volunteers have been channelled into a carefully-controlled and long-term response that satisfies people's desire to help disaster victims, while ultimately encouraging tourism (sans volunteering) as the most desirable form of disaster recovery assistance. This shift toward voluntourism potentially undermines post-disaster volunteering and threatens to trap parts of Tōhoku, like other disaster sites, in a position of permanently ‘post-disaster’.     

Japanese political economy revisited: diverse corporate change,institutional transformation,and Abenomics

Abstract

This introductory article to the special issue on “Japanese Political Economy Revisited: Diverse Corporate Change, Institutional Transformation, and Abenomics” starts with a short summaryof the changing perceptions of Japan's political economy from its meteoric rise as worldwide leading model in the 1970s and 1980s to its demotiontoa problem and reform case since the later 1990s. Based on this overview, it identifies some striking issue and open questions in this conventional view of Japan's political economy as problem and the high expectations on Abenomics as Japan's current economic reform programme. Then we discuss the articles of the special issue and their new contributionsto a better understanding of the developments at the corporate level as well as institutional change and economic reforms at the macro level in the last two decades. Finally, this introductory article ends with a short outlineof a new research programme and four central research questions about the Japanese political economy.     

The forgotten success story: Japan and the methamphetamine problem

This paper examines Japan's policy towards methamphetamine (Japanese: hiropon). Opium has been used in Japan for medicinal purposes since 1722. However, it was strictly controlled. The result was that drug abuse was minuscule. This changed with the introduction of methamphetamine. During the Second World War hiropon was given by the military to fighter pilots and the signal corps in order to help them stay awake and alert. After 1945, the large military stockpiles of methamphetamine found their way onto the black market. With society in chaos, drug abuse spread rapidly and a hiropon epidemic emerged. The introduction of a comprehensive anti-drug package in the mid-1950s, including stricter laws, resulted in that abuse having been almost totally eradicated by 1957. Around 1970 a new wave of abuse (‘the second epidemic’) began. It peaked around 1985, after which abuse tampered off, albeit slowly. A temporary increase in the mid-1990s made Japanese authorities declare the emergence of ‘the third epidemic’ that is still said to be ongoing. Official statistics show, however, that Japan has not seen any such epidemic. In comparison with most other Western countries, methamphetamine abuse in Japan is modest.     

Japanese diplomacy during the Cambodian peace process and Japan's post-Cold War role in Southeast Asia: the legacy of the Fukuda Doctrine, 1989–1993

Japan's role during the Cambodian peace process after 1989 is often considered a successful case of post-Second World War Japanese diplomacy. In contrast to claims in the existing literature that Japan began to consider and initiated its involvement in the settlement only beginning in the late 1980s, this article demonstrates that Tokyo's role built upon a diplomatic platform that the Japanese had constructed through peace efforts since the Cambodian conflict erupted in 1979. The policy framework, objectives and initiatives of Japan's Cambodia diplomacy during the peace process represented the culmination of a ten-year diplomatic endeavour. Ultimately, Japan's involvement in the Cambodian settlement, guided by its Southeast Asia strategy of promoting coexistence and cooperation between ASEAN and Indochina, legitimated and favoured Japan's attempts to expand its post-Cold War role in regional political and security affairs.     

The realism debate and the politics of modern art in early postwar Japan

This article examines the realism debate (riarizumu ronsō) that took place between 1946 and 1950 as a forum in which ideas on artistic form, the role of the artist in society, and the social relevance of art come into focus in a way that allows us to see how questions such as Japan's modernity, the recent experience of fascism, and the challenges of rebuilding culture during the early cold war were taken up by leading cultural figures in the field of the visual arts. Occurring alongside discussions of how the art world could be reformed to avoid the failures of fascism, the debate served as an occasion to re-examine the history of modern art in Europe and Japan and to consider the question of artistic representation in a way that opened the most fundamental question of art's relationship to the world and promised to begin the process of envisioning it anew. The debate involved three camps which I label social realism (represented by Hayashi Fumio and Nagai Kiyoshi), modernist realism (Hijikata Tei’ichi), and avant-garde realism (Uemura Takachiyo, Okamoto Tarō, and Hanada Kiyoteru). While assessing their points of agreement and disagreement, I argue that the debate set the stage for debates in the 1950s and beyond.