Predicting turnover of police officers using the sixteen personality factor questionnaire

This study examined the relationship between personality characteristics assessed by the sixteen personality factor questionnaire (16PF) and turnover. The sample consisted of 280 police officers who voluntarily terminated their employment during an eight-year period and 280 officers who remained employed in the police force. A limited number of personality characteristics were found to predict turnover. These were Factor C: affected by feelings versus emotionally stable, Factor I: tough-minded versus tender-minded, and Factor H: shy versus venturesome. Contrary to expectation, two conscientiousness scales (Factor O: placid versus apprehension, and Factor Q4: relaxed versus tense) and two emotional stability scales (Factor O: placid versus apprehension, and Factor Q4: relaxed versus tense) were unrelated to turnover. The authors also explored the existence of differential validity based on gender; no evidence of this was found.     

At the Movies: A Continuing Dialogue on the Challenges of Teaching with Film

As part of ISP's ongoing effort to provide a scholarly venue for the exchange of ideas on a variety of topics, this issue's ISP Forum presents one set of reactions to the February 2001 article by Lynn Kuzma and Patrick Haney titled "And Action . . . ! Using Film to Learn About Foreign Policy" (February 2001:33-50). Vincent Pollard's comments represent what we hope will be the first in a series of comments on teaching international studies with film. Profs. Kuzma and Haney in their rejoinder urge for an ongoing discussion of the topic, as they see the use of film growing in the field. More broadly, the Editors of ISP invite readers to submit their own comments and reactions on this and other pieces that appear within the pages of ISP. Please note that all submissions undergo a peer review process.     

Skinhead culture: the ideologies,mythologies, religions and conspiracy theories of racist skinheads

ABSTRACT

Groups of racist skinheads now constitute a significant element of the global radical right. The British youth subculture of the late 1960s has thus been transformed into a worldwide social movement, the violent cutting-edge of white supremacist resistance to multiculturalism. Pollard examines the historical development of the racist skinhead phenomenon and, in particular, analyses the origins, nature and development of the ideas that inspire it: the foundational myth; ‘skinhead, a way of life’; Odinism or paganism; the skinhead as victim; skinheads as a vanguard of white, male, working-class revolutionaries; National Socialism and antisemitism; and, above all, racialism.     

Domestic Predation of an Elder: A Fatal Dog Attack Case

We present the case of a 91‐year‐old woman lived alone at her home with two domestic dogs, that is,, a Labrador Retriever and a Staffordshire Bull Terrier and found dead. The investigation of the scene revealed that the Bull Terrier's jawbone and chest were covered with blood. The autopsy revealed multiple, histologically confirmed, life‐threatening skin and bone lacerations without scavenging marks. The punctures and tearing of each of the wounds on the skin were compatible with bites. A left humeral fracture and multiple fractures of the right facial bones were observed. The death was attributed to external hemorrhages due to several dog bites. A veterinary physical and behavioral examination indicated that the Bull Terrier was involved in the attack. A domestic predation hypothesis was deemed here most likely due to the presence of food supplies at the scene, the dog's previous history of attack, and the breed of the dog.     

Lone‐actor Terrorism and Impulsivity

In some recent cases of lone‐actor terrorism, there is evidence the subject acted impulsively, often in response to a triggering event which contained a loss and humiliation. Evidence suggests the subjects acted precipitously, despite planning and preparation carried out in the preceding weeks or months, and their attacks failed to include the often considerable preparation that had been done. The pathway became a runway. The authors recommend the traditional assessment of impulsivity in persons of concern for lone acts of terrorism, as well as other proximal warning behaviors for targeted violence. Both indirect and direct assessment guidelines are proposed, with an emphasis upon self‐report, psychological testing, collateral data gathering, and historical records.     

Postmodern Cinema and Hollywood Culture in an Age of Corporate Colonization

Postmodern cinema has emerged in the 1980s and 1990s as a powerfully creative force in Hollywood filmmaking, reflecting and helping to shape the historic convergence of media culture, technology, and consumerism. It corresponds to the post-Fordist, globalized phase of capitalist development typified by increasing class polarization, social atomization, urban chaos and violence, ecological crisis, and mass depoliticization. Departing from the modernist cultural tradition grounded in the Enlightenment, norms of industrial society, and faith in historical progress, postmodern cinema is characterized by disjointed narratives, a dark view of the human condition, images of chaos and random violence, death of the hero, emphasis on technique over content, and dystopic views of the future. While postmodern directors such as Woody Allen, Oliver Stone, Robert Altman, Quentin Tarantino, the Coen Brothers, Mike Figgis, and John Waters produce films that are often highly original and even subversive, their departure from conventional Hollywood formulas and motifs that define the studio system - their pronounced cultural radicalism - is rarely associated with any sort of political radicalism even where a harsh social critique might be visible. Postmodern cinema helps reproduce the very popular mood of anxiety, uncertainty, fear, and cynicism that it mirrors in the general society.