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61.
Dave Cowan Sarah Blandy Emma Hitchings Caroline Hunter Judy Nixon 《Journal of law and society》2006,33(4):547-571
In this article, we draw on data obtained in interviews with District Judges about the factors which they say influence the exercise of their discretion in possession proceedings. Analysing the data set enabled us to create three ideal types of judicial decision—making which we have labelled 'liberal', 'patrician', and formalist'. We discuss the differences between each ideal type across five different variables: the District Judge role; approach; view of occupiers; the problem; behaviour of occupiers. Our data demonstrate a set of reasons to explain different approaches and outcomes between different District Judges (as well as the perhaps unlikely identification of a 'maverick' or 'idiosyncratic' style of judging). We conclude by suggesting on the basis of our data that, despite calls to structure or remove the discretion from District Judges, any such changes are unlikely to have much effect. 相似文献
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Women are frequently depicted as non-human objects or animals. While female animalization has typically been conceptualized in the psychological literature as communicating a unitary perception of women, linguistic research suggests that there are at least two distinct animalizing linguistic metaphors for women that depict women at opposite ends of a sex-based power differential: ‘women-are-predators’ and ‘women-are-prey’. Are these linguistic metaphors able to shape sexist attitudes towards women? US Male and female undergraduates read an article, which concerned women voters in an election year, containing language that described women as predatory, prey-like, or in a humanized manner (baseline). They then reported their ambivalent sexist attitudes towards women in general. Consistent with both metaphors’ emphasis on sex-based power differentials, both male and female participants, who read about predatory women, exhibited greater agreement with hostile sexist attitudes than participants who read about prey-like women. This study suggests that the continued transmission of animalizing metaphors for women may help perpetuate prejudicial beliefs about appropriate roles for women in society. Media communicators might learn to identify and eliminate the use of the animalizing terms in their own work. 相似文献
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Hafer Carolyn L. Busseri Michael A. Rubel Alicia N. Drolet Caroline E. Cherrington Jennifer N. 《Social Justice Research》2020,33(1):1-17
Social Justice Research - Drawing on justice motive theory (Lerner et al. in Berkowitz and Walster (eds) Advances in experimental social psychology. Academic Press, New York, 1976), in the present... 相似文献
67.
Caroline Holmqvist 《Cambridge Review of International Affairs》2013,26(4):631-650
Contemporary Western war-fighting is animated by the fictitious imagination of a war free from antagonism. In this logic, winning wars is about winning the ‘hearts and minds’ of local populations, about persuasion rather than confrontation. In recent years, the concept of ‘strategic communication’ (SC) has been elevated to the top echelons of strategic thinking in United States military circles, focusing attention on how to communicate ‘effectively’ with local populations. Via an analysis of the concept of SC, this article examines the ethico-political dimensions of contemporary Western-led ‘population-centric’ war. Through a reading inspired by Judith Butler's recent work in Precarious life (London: Verso 2006) and Frames of war (London: Verso 2009), and an analysis that turns on the link between ethics and ontology, I reflect on the significance of the ‘communications turn’ in warfare for our study of war in ontological terms. 相似文献
68.
Caroline Zilboorg 《Women: A Cultural Review》2013,24(3):292-295
Susan Hill's novel The Woman in Black (1983) is a radical example of women's Gothic horror. It is a popular ghost story that has been successfully adapted for the London stage. In addition, it offers a social critique of motherhood and contemporary rhetoric surrounding the family. Scullion interprets the novel from several critical perspectives: feminist, psychological, biographical, generic and intertextual. Principally, however, she offers a reading of the novel that engages with its immediate historical context. The contention is that Hill's novel mediates women's anxieties about motherhood and autonomy during the early 1980s when the institution of the family in Britain was an ideological battleground. Set primarily during the 1860s, The Woman in Black exposes Victorian hypocrisy towards the unmarried mother, and indirectly probes the quasi-Victorian values promulgated in the 1980s, during the first term of a Conservative right-wing government. The protagonist of the novel, the eponymous woman in black, resists the lot of the so-called fallen woman. In her physical form, she refuses to submit to Victorian patriarchal values by attempting to reclaim her illegitimate child. In spectral form, she repeatedly inflicts suffering on families by causing the death of their children. Her excessive revenge knows no compassion, and recognizes no boundaries of place and time. Her ghost is never laid to rest. Neither is order restored by the closing pages. Thus the novel, as well as being a popular ghost story, challenges assumptions about women's 'natural' acquiescence and their unconditionally generous responses to husbands, partners and children. Shaped by the social climate in which it was written, The Woman in Black suggests that mothers under extreme pressure have the potential, like any other members of the family, for cruelty to children. Through its forceful rejection of either idealized or derogatory stereotypes of women, this novel belongs to the genre of radical Gothic horror. 相似文献
69.
Caroline Daley 《Women's history review》2013,22(3):343-359
Abstract While feminist historians have long used oral history, and continue to revise the ways oral sources can be employed, historians of masculinities have been slow to embrace new approaches to oral history. Using interviews conducted with women and men for a community study, this article suggests that a gendered, relational reading of oral history is instructive, not just in showing how different men and women's experiences have been, but also how their memories have been shaped by prevailing ideas of gender-appropriate behaviour and values. This raises the issue of the form as well as the content of oral history being gendered. 相似文献
70.
Rural internet use, although still limited, is growing, raising the question of how rural people are using social media politically. As a vehicle of communication that permits the rapid transmission of information, images and text across space and connections between dispersed networks of individuals, does technological advance in rural areas presage significant political transformations? This article investigates this question in the light of a poor result for the Cambodian People’s Party in the 2013 elections, and the subsequent banning of the main opposition party, before the 2018 elections. Expanding internet use in rural areas has linked relatively quiescent rural Cambodians for the first time to networks of information about militant urban movements of the poor. Rural Cambodians are responding to this opportunity through strategies of quiet encroachment in cyberspace. This has had real effects on the nature of the relationship between the dominant party and the rural population and suggests the declining utility of the election-winning strategy used by the party since 1993. However, the extent of this virtual information revolution is limited, since neither the urban nor rural poor are mapping out new online political strategies, agendas or identities that can push Cambodia’s sclerotic politics in new directions. 相似文献