Choctaw Tales: An Interview with LeAnne Howe

LeAnne Howe, a citizen of the Choctaw Nation of Oklahoma and the Eidson Distinguished Professor of American Literature in the Franklin College of Arts and Sciences at the University of Georgia, writes poetry, fiction, screenplays, plays, creative non-fiction and critical essays. Her work is primarily concerned with the experiences and the perspectives of American Indian people and communities. Howe’s latest book, Choctalking on Other Realities (2013), which she describes as ‘three parts memoir, one part tragedy, one part absurdist fiction, and one part “marvellous realism”’, received the inaugural Modern Language Association Prize for Studies in Native American Literatures, Cultures and Languages in 2014. Along with being the recipient of a United States Artists Ford Fellowship and a Lifetime Achievement Award from the Native Writers’ Circle of the Americas, Howe also received the 2015 Western Literature Association Distinguished Achievement Award. Howe’s writing could easily be described as enlivening, eclectic and often hectic, and, more often than not, she brings together a plethora of stories concerning the historical and contemporary experiences of the Choctaw Nation. Various geographical, spiritual, familial and narratological spaces are revealed or plotted during the course of Howe’s narratives, and, as a consequence, images that relate to the act of mapping, the basis of storytelling, and the subject of community and place become recurring motifs throughout her writing. Concerned with the ways in which Choctaw lifeways have been mapped out across time, Howe appears to be especially interested in the representation of travel, exchange, contact and consumption not only in the pre-contact and post-contact United States, but also within the global village.     

Managing furia latina: the making of a Romanian football system and style of play

This article investigates the creation of a Romanian football style and system of play, best espoused by the Romanian national teams of the 1990s. It does so by engaging the works of Virgil Economu (1896–1978), undoubtedly the leading Romanian practitioner in the field. The analysis develops around the notions of furia latina – Latin fury – and “élan” and traces their elaboration and implication at two different historical periods, the interwar and the postwar. Premised on these notions, Economu sought to develop a distinctly Romanian style of football play, one emphasizing speed and individual technique. The successes of Romanian football in the 1980s and early 1990s, the rise of the midfielder Gheorghe Hagi, and the popular meanings attached to them are all intimately connected with Economu’s contributions. Overall, my arguments document football’s crucial role for modern Romanian nationalism.     

“Holding Nationalist Flags Against Red Flags” —Anti-American Icons in Contemporary China and their Reconstruction by the Public (1999–2003)

Focusing on the construction and reconstruction process of anti-American icons in contemporary China, this paper compares the patterns of interactions between the Chinese government, intellectuals and general public during four events centering on China-US relations: the 1999 Belgrade embassy bombing, the early 2001 plane collision incident, the September 11 attacks, and the 2003 war in Iraq. The article suggests that the proliferation of anti-American icons in China does not only point towards the existence of anti-foreign ideologies. It is also a channel for different players in China to advance their personal and group interests. As long as tolerance from Beijing is signalled, much nationalist rhetoric is a coded way of directing limited dissent at the Chinese state itself, but how exactly the Chinese public hold the “nationalist flags” — which is allowed by the party–state — against the “red flags” of the same regime remains relatively unexplored. Filling up such an intellectual vacuum is the central focus of this paper.