No solid ground: Max Aub’s roots and routes

While Max Aub’s unique and prolific body of work has been the subject of numerous studies and monographs, his work remains undervalued in transnational contexts. An analysis of two of his plays, San Juan (1943) and El rapto de Europa (1946), and a collection of poems, Diario de Djelfa (1944), makes it possible to rethink the ways in which aesthetic projects, produced either during World War II or shortly afterwards, reveal a geography of the war’s forced displacements, in which the Spanish Civil War, European colonialism in North Africa, and its enduring postcolonial remainders become the most important landmarks. While the present analysis centers on Aub’s routes between Spain, France, Algeria, and, finally, Mexico, a persistent yearning for roots, for a sense of belonging, or, to use one of his characters’ words, for “solid ground” haunts his writing. The interplay between roots and routes therefore makes it possible to consider Aub’s work in a postcolonial context and within a transnational memory.     

“It Is Better to Do Business in Africa than in Europe” – Socio-Economic Positionings among Business-Minded European Somalis Moving to Kenya

Abstract

Using the example of European Somalis moving to Kenya, this article argues that although these middle class return migrants share many similarities, they also differ in significant ways. Focusing on economically independent migrants, this paper will show that their move to Kenya is both return and onward migration at the same time. The transnational socio-economic positioning of Somali returnees in Kenya, this article demonstrates, rests on the importance of legal capital for enabling transnational mobility, which in turn is relevant for the convertibility of capital in the various local settings in which migrants settle.