Study in blue: trauma,affect, event

As contemporary student activists in the United States embrace a vocabulary of trauma and microaggressions, some critics on the left consider this a depoliticizing move symptomatic of the university’s growing thralldom to neoliberalism. The author argues that such criticism neglects how talk of trauma and microaggressions attempts to affectively manage structural violence’s failure to manifest in the form of discrete, identifiable, and extraordinary events. To illustrate this, she turns to the poetry of Claudia Rankine and the performance art of Emma Sulkowicz as aesthetic treatments of racial microaggression and sexual trauma, respectively. Rankine’s and Sulkowicz’s works belong to an emergent genre the author calls the coincidence report, in which subjects with no proof of structural violence except for their own feelings must cope with what happens when an event doesn’t. Ultimately, both artists sideline attempts to reconstruct the event in favor of redistributing specific affects throughout their respective publics. In both cases, these affects are blue – that is, depressive (Rankine) and obscene (Sulkowicz). Subjects in the blue find themselves ambivalently attached to living politically in the shadow of an event even as they detach from the fantasy that political life is less disappointing, depressing, or deflating than it actually is.     

‘Lovers of liberty’?Prostitution and the Politics of Choice in Emma Donoghue’s Slammerkin

This article explores the way in which Emma Donoghue’s novel Slammerkin (2000) reflects long-standing feminist debates surrounding prostitution. We argue that not only does Donoghue’s portrayal of prostitution resist the pro versus anti dichotomy in which feminist perspectives on sex work are so often narrowly situated, but Slammerkin also foregrounds the complexity with which the politics of choice intersects with women’s decision to sell their bodies.