| “原生型”胶州大秧歌探源 |
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| 引用本文： | 张志康.“原生型”胶州大秧歌探源[J].山东行政学院山东省经济管理干部学院学报,2009(3):152-154. |
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| 作者姓名： | 张志康 |
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| 作者单位： | 齐鲁书画研究院胶州分院,山东,胶州,266300 |
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| 摘 要： | “原生型”胶州大秧歌形成之初不是一个独立的表演艺术形式。它是在古代歌舞与古优艺术、角觚戏与参军戏、外来表演艺术与歌舞综合发展的前提下，以齐文化的遗存为文化母体，以港口文化的丰富为促进剂，以农耕文化的思想为生命，随着上述各种艺术的发展而形成的。唐安史之乱至北宋是“原生型”胶州大秧歌的成熟期，南宋至元初是“原生型”胶州大秧歌的鼎盛时期。
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| 关 键 词： | 原生型 胶州大秧歌 探源 |
The Origin of"Primeval" JiaoZhou Yang-ge |
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| ZHANG Zhi-kang.The Origin of"Primeval" JiaoZhou Yang-ge[J].Journal of Shandong Administrative College and Shandong Economic Management Personnel College,2009(3):152-154. |
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| Authors: | ZHANG Zhi-kang |
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| Institution: | Painting and Calligraphy Institute of Qilu;Jiaozhou Branch;Jiaozhou266300;China |
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| Abstract: | The being of the "primeval" jiaozhou yang-ge is not absolute perform art form.Jiao Zhou Yang-ge was based on the traditional cultures of both Qi Kingdom and Lu Kingdom,enriched and promoted by Marine culture,and symbolized the spirits of Agricultural Cultivation,come into being along with the development of all kinds of the arts. |
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| Keywords: | Archetypal JiaoZhou Yang-ge Origin |
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