| 酬神潮剧与泰语潮剧——关于泰国潮剧的社会学反思 |
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| 引用本文： | 张长虹.酬神潮剧与泰语潮剧——关于泰国潮剧的社会学反思[J].南洋问题研究,2010(1):65-71. |
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| 作者姓名： | 张长虹 |
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| 作者单位： | 厦门大学,东南亚研究中心,福建,厦门,361005 |
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| 摘 要： | 本文以中国潮剧在泰国本土化的两种形态——酬神潮剧和泰语潮剧为研究对象,探讨泰国华族与佬族是怎样在泰国潮剧这一场域中实现国家与社会地位关系的转变的,进而尝试分析潮剧如何超越国界与族群社区,在泰国多元文化结构中获得特殊的社会意义,同时揭示体现在泰国潮剧发展形态中的艺术与社会政治、不同文化、不同艺术传统之间的关系。
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| 关 键 词： | 酬神潮剧 泰语潮剧 社会场域 |
Teochew Opera for Thanking Gods and Teochew Opera in Thai——Sociological Reflection Teochew Opera in Thailand |
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| ZHANG Chang-hong.Teochew Opera for Thanking Gods and Teochew Opera in Thai——Sociological Reflection Teochew Opera in Thailand[J].Southeast Asian Affairs,2010(1):65-71. |
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| Authors: | ZHANG Chang-hong |
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| Institution: | Center for Southeast Asian Studies/a>;Xiamen University/a>;Xiamen 361005/a>;Fujian |
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| Abstract: | Teochew opera for thanking gods and Teochew opera in Thai are two localized patterns of China's Teochew opera in Thailand by which this paper studies how ethnic Chinese group and Lao in Thailand exchange their relationships on national and social status in the field of Teochew opera in Thailand. Furthermore,this paper tries to analyze the reasons that Teochew opera goes beyond the national boundaries and ethnic communities so as to acquire special social meaning in the multi-cultural structure of Thailand. ... |
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| Keywords: | Teochew opera for Thanking Gods Teochew opera in Thai Social field |
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