| 试论中国电影参与全球化的策略 |
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| 引用本文： | 杨静.试论中国电影参与全球化的策略[J].思想战线,2004,30(3):102-106. |
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| 作者姓名： | 杨静 |
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| 作者单位： | 云南大学,国际文化学院,云南,昆明,650091 |
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| 摘 要： | 自20世纪80年代以来,中国电影参与全球化的策略经历了三个阶段的调整变化,在好莱坞电影的压力下,以开放的姿态日益走上成熟的多元化文化产业发展道路。《英雄》作为迄今为止最为成功的中国民族电影商业大片,体现出高度的民族主体意识,这对于好莱坞霸权文化的肆虐无疑是一种积极有效的反抗力量,对于低糜的民族电影产业也是一种激励和鼓舞。
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| 关 键 词： | 中国电影 全球化策略 价值标准 多元化 民族主体意识 |
| 文章编号： | 1001-778X(2004)03-0102-05 |
| 修稿时间： | 2004年2月21日 |
The Strategies for the Chinese Films to Enter into the Globalization |
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| YANG Jing.The Strategies for the Chinese Films to Enter into the Globalization[J].The Ideological Front(Yunnan University's Journal of Social Sciences),2004,30(3):102-106. |
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| Authors: | YANG Jing |
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| Abstract: | Since 1980s, the strategies for the Chinese films to enter into the globalization have experienced three stages of adjustment. Under the impact of Hollywood films, the Chinese films have become mature during multicultural industrialization in the opening-up pose. The Hero, the most successful commercial film of the Chinese nation so far, embodies a high national sense of identity. This national sense is undoubtedly an effective counterforce against the cultural hegemony of Hollywood and will inspire the Chinese film production to make further progress. |
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| Keywords: | the Chinese films strategies for globalization value standard multi-sided tendency the sense of national identity |
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