宋代词乐东传的踪迹

高丽时代的音乐分为左右二部，左为唐乐，指新罗以后传入的中国系统的音乐；右为乡乐，即高丽的本土音乐。宋徽宗政和年间，大晟新乐在创制不久即传入高丽，并在宫廷演出。联章体、《九章机》在中国始见于南宋绍兴十六年（1146）刊行的《乐府雅词》中，而在高丽文宗二十七年（1073）已见演出。《高丽史·乐志》中“唐乐呈才”部分录有《抛球乐》等五种歌舞，与《全宋词》所载史浩《采莲舞》、《柘枝舞》等队舞的表演形式基本相同，却比史浩的时代早了大致100年。又其“唐乐”部分录有44个词调及词作。对于认知宋代词乐提供了珍贵资料；在可以考知作者的15首词中，有8首为柳永词，可知“凡有井水处能皆歌柳词”，不独西夏，在海东高丽亦是如此。本文对《韩国音乐史》中译本的一些讹误也作了纠正。

Exploring Eastward Traces of the Music of Ci in Song Dynasty

The music of Koryo era is divided into two parts ： left and right. The former refers to Tang Music, i. e. the Chinese systematic music introduced after SiUa period, while the latter is Xiang Music, Koryo＇s local music. During the Zhenghe years under the reign of Huizong of Song Dynasty, Dasheng music was introduced to Koryo and performed in the court soon after its creation. The Chapter-after-chapter Style of Jiu Zhang flfirst appeared in Yue Fu Ya Ci published in 16th year of Shaoxing period in the South Song Dynasty （1146）, and wasalready performed in the 27th year of Wenzong of Koryo （1073） . The Tang Music in Koryo History ？ Musical Records recorded five different dances like Throwing Ball Music, which weresimilar to some dance forms created by Shi Hao such as Lotus-gathering Dance, Zhezhi Dance recorded in Quan Song Ci, but were roughly a hundred years earlier than Shi Hao＇s dances. The Tang Music includes 44 Ci tunes and works, which provide valuable information to understand the music of Ci. Of the 15 Ci with verifiable authors, 8 Ci were written by Liu Yong, which proves that wherever you go, you can find Liu Yong＇s Ci. It＇s not only true in the Westem Xia Dynasty but also in Koryo. In addition, this paper has also corrected some errors in the translation of History of Korean Music.