| 法政优戏:狂欢化的泰式政治戏曲表演 |
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| 引用本文： | 金勇.法政优戏:狂欢化的泰式政治戏曲表演[J].南洋问题研究,2014(3):92-98. |
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| 作者姓名： | 金勇 |
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| 作者单位： | 北京大学 东方文学研究中心/外国语学院，北京，100871 |
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| 基金项目： | 国家社会科学基金项目“《三国演义》在泰国的传播模式研究” |
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| 摘 要： | 20世纪60年代以来,泰国出现了一种称作"法政优戏"的特殊的表演形式,它中泰合璧,用泰文来演唱中国戏曲,剧目以《三国演义》的故事为主,用中国的故事影射泰国当代的政治事件,模仿戏讽、针砭时弊。这种表演以其狂欢化的特征和颠覆性的特质受到人们的热烈欢迎。作为中泰文化交流的产物,法政优戏在泰国数次重要的政治事件中都发挥了作用,因此也被泰国人称作"卫国优戏"。
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| 关 键 词： | 法政优戏 中国戏曲 泰国 《三国演义》 |
Ngiu Thammasat:The Thai Chinese-Opera with Carnival Aesthetic Features |
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| JIN Yong.Ngiu Thammasat:The Thai Chinese-Opera with Carnival Aesthetic Features[J].Southeast Asian Affairs,2014(3):92-98. |
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| Authors: | JIN Yong |
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| Institution: | JIN Yong ( School of Foreign Languages, Peking University, Beijing 100871 ) |
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| Abstract: | From 1960s on, a kind of special performance which was called Ngiu Thanmmasat appeared in Thailand, it was a combination of Chinese and Thai style, which performed Chinese opera in Thai language, and mostly played the Chi- nese literature The Romance of the Three Kingdorm, which was used to allude to Thai contemporary political events imita- ted, satirized and commented on politics. This kind of performance was warmly welcomed by the Thai people for its carnival aesthetic features and disruptive traits. As a product of cultural communication between China and Thailand, Ngiu Tham- masat joined in several important political events in Thailand, therefore, was called Patriotic Ngiu Performance by some Thai people. |
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| Keywords: | Ngiu Thammasat Chinese opera Thailand Romance ofthe Three Kingdoms |
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