The sublime and the cultures of the extreme: An exploration

Abstract

The article traces the relationship between the concept of the traditional sublime and the contemporary cultures of the extreme and their fascination with unlimitation. It is asked to what degree the aesthetic category of the sublime, generally defined as a ‘formlessness’, can assist in exploring and making sense of the cultures of the extreme. The cultures of the extreme are analysed by means of three tropes, namely the ecstasy of speed, the immersion into immediacy, and the shrinking of the natural landscape. By utilising these three tropes or hermeneutical tools, the author attempts to show how these events typify the contemporary obsession with extremes, and can indeed be likened to a pseudo-sublime or kitsch sublime.