Official Language Policies in Multilingual Societies: Evidence from the United States,South Africa,and Canada

This paper explores the resonance between Coetzee’s first novel Dusklands and McCarthy’s fifth novel Blood Meridian through a discussion of how scenes of violence are represented and rationalised in these two texts. Where Coetzee is impatient of realism and preoccupied with history as a discourse, McCarthy’s narrative seems photorealistic in its evocation of the real, but this effect is destabilised by stylised formal features and the trickster figure of Judge Holden. It is shown that in Coetzee’s egocentric protagonists the desire for detached power over others is expressed in the fantasy of an unchallenged gaze that conveys a broader anxiety about authorship and the writing of history, while in McCarthy’s text the narrator’s contextualisation of the characters’ violence against a harsh and indifferent desert environment limits psychological insight and underscores the impernanence of any historical record. Holden and Jacobus Coetzee, finally, are shown to be akin in enabling the metafictional reflections of these two novels.