| Abstract: | What distinguishes the global novel from other kinds of boundary-crossing narrative? And why are there so few examples of this genre from South Africa, a country of such salient worldwide interest? This essay reads Mark Behr’s 2009 novel Kings of the Water as a conflicted attempt to globalize South African literature, specifically the farm novel or plaasroman. In contrasting the complexity of the work’s South African setting with its under-developed representation of San Francisco, it traces Behr’s problematic relation to conventional thinking on global émigré fiction. The essay concludes that Kings of the Water is a timely case study in the ethical challenges of locational fixation, one that through its narrative configuration questions the dominance of the transnational paradigm. |
