现代文学场域下的女性写作--论女作家陈学昭的创作风格及其文坛地位的形成

本文通过现代女作家陈学昭创作风格的形成,探讨女性写作在现代文学史上成长的可能性空间,事实证明,女性写作是在一种被男性文学叙事规约和询唤的美学潮流的引领下进行的,适应并不断复制主流话语,是在文学场域得以生存的条件,除此之外,似乎别无他路。陈学昭的创作只有适应主流叙事的那种被界定为清丽温婉的美学情调得到了认可,而作品里独特的、鲜活的、可以触摸的生命意志被遮蔽掉了。对于一个并不自主的制度化场域来说,文学与新民主主义革命的独特关系,使得陈学昭一类的作家缺少必要的写作空间。

Women's Writing in the Modern Literary Field--On Chen Xue-zhao's Style of Creative Writing and the Name She Carved in the Literary Arena

Through the formation of the modern Chinese woman writer Chen Xue-zhao's style of creative writing, this paper seeks to explore the possible space for the growth of women's writing in modern literary history. Facts have proved that women's writing was swept along by the aesthetic tide of the musculine literature and had to adapt itself to and reproduce the mainstream speech, which was the only way out for it to assert itself in the literary field. Chen Xue-zhao's works were recognized only when they adapted to the lucid and graceful aesthetic appeal of the mainstream narration, blotting out their unique, vivid and tangible will of life. The peculiar relationship between literature and new-democratic revolution in a non-independent, institutionalized field had deprived Chen Xue-zhao and writers of her like of the necessary space for writing.