文艺的突围与话语的孕育——20世纪30年代“文艺大众化”理论话语研究

在马克思主义文论中国化的历史进程中，20世纪30年代“左联”所倡导的“文艺大众化”从文艺的形式与内容、作家立场、社团组织、实践功能等方面探讨了文艺如何大众化，促进了马克思主义文论中国化的发展，在中国特定语境中推动了马克思主义“文艺人民性”话语形式的孕育。20世纪30年代“文艺大众化”也展现了文艺突围中马克思主义文论中国化艰难探索的过程，体现出对马克思主义文论中国化系统化、共识性理论方略的追求，但由于理论论争不彻底等因素，影响了话语表现的不同意见。但从思潮史、理论史的角度而言，20 世纪 30年代“文艺大众化”对马克思主义“文艺人民性”话语的孕育，对马克思主义文论中国化的历史迈进仍然具有积极的理论价值。

Breakthrough of Literature and Art and the Gestation of Utterance:A Study on Theoretical Discourse of “Popularization of Literature and Art” in the 1930s

In the 1930s during the historical advancement of the Sinicization of Marxist Literary Theory,the “popularization of literature and art” movement advocated by the “Left League” in the 1930s explored ways to realize the popularization of literature and art from the aspects of the form and content of literature and art, the position of writers, community organizations and practical functions, which promoted the development of the Sinicization of Marxist literary theory, and in the specific context of China, it promotes the breeding of Marxist discourse form of “people's nature of literature and art”. The “popularization of literature and art” in the 1930s also showed the difficult exploration process of the Sinicization of Marxist literary theory in the breakthrough of literature and art, and reflected the pursuit of the systematic and theoretical consensus strategy of the Sinicization of Marxist literary theory. However, due to the incomplete theoretical debate and other factors, different opinions on the expression of discourse were affected. The “popularization of literature and art” in the 1930s, however, still has a positive theoretical value for the historical advancement of the Sinicization of Marxist literary theory in terms of the history of ideological trends and theoretical history thanks to its gestation of utterance in the “people of literature and art”.