Reviews |
| |
| Authors: | Loren Edelson Editor Susan Tenneriello Jean Whaley Williams Colleen Lanki Margaret Coldiron Matsuoka Kazuko |
| |
| Affiliation: | 1. Ph.D. candidate in Performance Studies and a Faculty Instructor in Expository Writing , New York University;2. Assistant Professor of Dance , Barnard College;3. Certification in movement analysis , Laban/Bartenieff Institute of Movement Studies;4. Teaches writing , New York University;5. Department of Performance Studies , Tisch School of the Arts |
| |
| Abstract: | ![]()
The Absence of lzanagi By Kei Takei Performed at La MaMa E.T.C., New York June 22–25, 2000 Otome Bunraku performs two Japanese classics Japan Society, New York September 13–16, 2000 Towa—Part I—Kanojo (Eternity—Part I—She) By Kishida Rio Performed at Kinokuniya Southern Theatre, Tokyo August 31‐September 9, 2000 Toothless By Kazuko Hohki Performed at Battersea Arts Centre, London June‐July 2000 Hagi‐ke no San‐Shimai (Three Sisters of the Hagi Family) By Nagai Ai Performed at Theatre Tram, Setagaya Public Theatre, Tokyo November 4–19, 2000 Women's Gidayū and the Japanese Theatre Tradition. By A. Kimi Coaldrake. 1998. London and New York: Nissan Institute, Routledge Japanese Studies Series. Xxix+262. With nine‐track CD. Takarazuka: Sexual Politics and Popular Culture in Modern Japan. By Jennifer Robertson. 1998. University of California Press, Japan. Xvi+278. Angura: Posters of the Japanese Avant‐Garde. David G. Goodman. 1999. New York: Princeton Architectural Press. Viii+91. About Face: Performing Race in Fashion and Theater. By Dorinne Kondo. 1997. New York and London: Routledge. xiii +277. |
| |
| Keywords: | |
|
|
