Politics and ethics in cultural criminology

This essay offers both a critique of the theory and practice of criminology and an alternative programme via a sketch of a cultural criminology utilising cultural and literary analysis. The first part of the essay calls for the problematisation of the issues of value and representation in the criminological project and offers a competing account of the theoretical basis of the project of criminology based upon a cultural politics of difference and the ethics of radical alterity. The second part of the essay is a demonstration of how this theoretical basis might operate in practice through a cultural criminological reading of Maurice Blanchot's novelThe Most High (1948, 1996). This novel is an account of the relationship between language and transgression in a totalitarian society at the end of history. An alteration in the discursive practices of the criminological project premised upon a competing theoretical perspective suggests that criminology (specifically the relation between law and transgression, deviancy and regulation) can become an important element in explanations regarding the organisation and disorganisation of contemporary urban culture utilising the strengths of its prior application (specifically narratology) and abandoning its fear of culture.