诗钟与击钵吟之辨

诗钟与击钵吟一样,都源于古代“刻烛联吟”、“击钵催诗”活动,诗钟的创作活动程 式就是参照“击钵吟课”建立起来的,二者在发展过程中相生相伴,在社会文化生活中产生过广泛 而深刻的影响,特别是日据台湾时期,诗钟与击钵吟一起,“延一脉斯文于不坠”,成为传承中华文 化的重要载体,为延续中国传统文化发挥过特殊的作用。但是,二者分属两种不同的诗歌体裁,在 体裁形式、内部结构体系、发展情状及历代评论家对它们的态度等方面部存在明显差别。

The Differentiation and Analyzation about ShiZhong and JiBoYin

ShiZhong and JiBoYin stemmed from the activities of "carving candle for intoning verses" and "striking bell for urging to compose poemes" in antiquity. ShiZhong's composing pattern was founded by referring to "the lessons of JiBoYin". ShiZhong and JiBoYin existed and accompanied together in their developing courses, and they have produced extensive and propound influence in the life of society and culture. Particularly.during the period of Japan occupying,TaiWan's ShiZhong "continued Written Chinese for not falling" with JiBoYin together, and became an important carrier of spreading and inheriting Chinese culture, and served a special function for continuing the traditional culture of China. However, ShiZhong and JiBoYin belong to different styles of two poemes. They have obvious differences in the forms of style, the internal structures and systems, the developing situations, and the manners of the past critics to them.