| 论公安题材影视纪实作品中的“复原拍摄”手法 |
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| 作者姓名： | 邹辉 |
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| 作者单位： | 云南警官学院,云南昆明650223 |
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| 摘 要： | 当今视觉传播方式逐渐成为主流的趋势，公安题材成为影视作品的关注热点。由于无法全程跟踪拍摄，“复原拍摄”手法以“情景再现”或“现场模拟”的名义对案件过程进行场景的还原记录，这其中不可避免地牵扯到了还原“度”的问题。公安题材影视纪实作品作为纪录片的一种类型，具有“真实性”的特点，而这种个性特点自然也就是创作此类作品时应该遵循的通行法则。
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| 关 键 词： | 公安题材 纪录片 复原拍摄 个性与法则 |
Public Security＇s Restoration Shoot in Documentary Record |
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| Authors: | ZOU Hui |
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| Institution: | ZOU Hui ( Yunnan Police Officer Academy, Kunming, Yunnan, 650223 ) |
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| Abstract: | Currently, visual communication has become a dominant trend. Despite massive popularity on the screen, police theme cannot be tracked in the whole course. Instead, restoration shoot, in the name of ＂situation represent＂ or ＂ spot simulation＂, represents original scenes or stories, which however involves to what extent the restoration goes. Public security＇s screen documentary, as one of the documentary films or TV, is born with genuineness that is ought to be adhered to once it is being created. |
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| Keywords: | police theme documentary restoration shoot individual and principle |
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