| 简论"言意之辨"与中国古代文艺理论 |
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| 引用本文： | 牛军.简论"言意之辨"与中国古代文艺理论[J].思想战线,2002,28(2):93-96. |
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| 作者姓名： | 牛军 |
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| 作者单位： | 云南大学人文学院,云南,昆明,650091 |
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| 摘 要： | 魏晋玄学中的“言意之辨”作为一个哲学命题渗入到我国古代文艺理论中 ,是很值得关注的问题。玄学认为“道”是“无名”、“无形”亦即无限 ,便产生了“道”能否用名言概念和具体形象来表述的问题。在持续不断的争议中 ,无论是古代还是现代 ,这一命题都在不断地促进、丰富着我国文艺理论的发展建构。
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| 关 键 词： | 玄学 言” “意” 古代文艺理论 |
| 文章编号： | 1001-778X(2002)02-0093-04 |
| 修稿时间： | 2001年12月28 |
A Tentative Study on the "Distinction between Word and Meaning" and Its Import to China's Art Philosophy in Ancient Times |
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| NIU Jun.A Tentative Study on the "Distinction between Word and Meaning" and Its Import to China's Art Philosophy in Ancient Times[J].The Ideological Front(Yunnan University's Journal of Social Sciences),2002,28(2):93-96. |
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| Authors: | NIU Jun |
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| Abstract: | The "distinction between word and meaning" as a philosophical argument of the Chinese metaphysics that started in the Wei and Jin Period extended its influence over China's art philosophy in ancient times. This phenomenon calls for our attention. The metaphysicists argued that since "Dao" is "nameless" and "formless", hence the question of whether it is possible to talk about it in terms of concepts and images. The argument lasted for a long time, giving shape toand enriching China's art philosophy. |
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| Keywords: | Metaphysics word meaning ancient art philosophy |
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