论杜夫海纳的艺术语言差异观

上世纪中叶，在索绪尔语言学发生深远影响的理论背景下，杜夫海纳从审美经验现象学基本立场出发，以索绪尔语言学基本观点反观艺术，认为艺术与语言存在很大程度的相似性，但不能完全把艺术等同于语言而纳入语言结构加以研究。这种始终包含在审美经验现象学艺术思考中，从艺术与语言的相似性出发，却最终达至二者差异性和非同一性的艺术语言差异观，一方面体现了上世纪美学及文艺理论的语言学转向，特别是索绪尔语言学理论的影响，另一方面也表现出现象学美学研究方法对后者的超越。

The Difference Between the Art and the Language in Dufrenne's Thoughts

In the middle of last century, on the background of the profound and far - reaching influence of Saussure＇ s linguistic theory, Dufrenne examines the art with the fundamental ideas of art, based on his phenomenology of aesthetic experience. Dufrenne holds the ideas that in spite of the large similarity between the art and the language, we should not identify the two concepts or therefore research the art in the language structure. Concluded in the artistic contemplation of phenomenology of aesthetic experience, this thought on the difference between the art and the language begins with the similarity of the twos and finally arrives at their difference, which embodies the influence of the linguistic direction turning in the domain of aesthetic and literary theory that happened the last century, specially that of Sanssure ＇ s linguistic theory and which represents the transcendence realized by the research method of phenomenological aesthetic.