| 中国古典诗论中的诗趣论 |
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| 引用本文： | 邱美琼,谌贻春.中国古典诗论中的诗趣论[J].思想战线,2003,29(6):66-69. |
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| 作者姓名： | 邱美琼 谌贻春 |
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| 作者单位： | 1. 江西教育学院,江西,南昌,330029
2. 南昌航空工业学院,江西,南昌,330034 |
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| 摘 要： | “趣”是我国古典诗论的重要审美范畴,它衍化于唐前,成型于唐宋,盛兴于明代,深化于清代,在历时视野中呈现出不断提升与拓展、深化的特征。“趣”作为一个重要的审美范畴,标示出了我国古典诗论对诗歌审美本质及其特征的多样性认识。
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| 关 键 词： | 古典诗论 诗趣论 提升 拓展 深化 |
| 文章编号： | 1001-778X(2003)06-0066-04 |
| 修稿时间： | 2003年8月11日 |
The Poetic Interest in the Classic Chinese Poetic Theories |
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| QIU Mei-qiong,CHEN Yi-chun.The Poetic Interest in the Classic Chinese Poetic Theories[J].The Ideological Front(Yunnan University's Journal of Social Sciences),2003,29(6):66-69. |
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| Authors: | QIU Mei-qiong CHEN Yi-chun |
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| Abstract: | Qu" (interest) was an important element of aesthetics in the classic Chinese poetic theories. The concept derived before the Tang Dynasty, matured in the Tang and Song Dynasties, thrived in the Ming Dynasty, and was intensified in the Qing Dynasty, during which it had been elevated and extended. This aesthetic notion is one of many an approach by which the classic Chinese poetic theories work on the aesthetic nature of poetry. |
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| Keywords: | classic poetic theory idea of poetic interest elevation expansion intensification |
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