| 曲径通幽相看不厌——天人合一与古代艺术散论 |
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| 引用本文： | 武占江,冯超卓.曲径通幽相看不厌——天人合一与古代艺术散论[J].河北省社会主义学院学报,2004(3):63-65. |
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| 作者姓名： | 武占江 冯超卓 |
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| 作者单位： | 河北经贸大学人文学院,河北,石家庄,050061 |
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| 摘 要： | 天人合一思想是中国传统哲学最基本的命题.本文主要分析天人合一与古代艺术的相互影响与融通.分别从中国古代文学、绘画和建筑三方面来一一论列.天人合一思想影响了古代文学作品的创作,促进了绘画的形成和发展,且渗透到了建筑理念中,它为这些艺术形式提供了一定的思想基础;而一些艺术作品则将天人合一的思想表现得淋漓尽致.二者相辅相成,密不可分.
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| 关 键 词： | 天人合一 古代艺术 和谐统一 |
| 文章编号： | 1009-6981(2004)03-0063-03 |
| 修稿时间： | 2004年4月1日 |
Some Reflections the Ancient Art and the Theory That Man is an Integral Part of Nature |
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| Wu Zhanjiang,Feng Chaozhuo.Some Reflections the Ancient Art and the Theory That Man is an Integral Part of Nature[J].Journal of Socialist College,2004(3):63-65. |
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| Authors: | Wu Zhanjiang Feng Chaozhuo |
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| Abstract: | The theory that man is an integral part of nature is the basic subject of Chinese traditional philosophy. The essay mainly makes analysis on the inter-influence between the ancient art and the theory that man is an integral part of nature from such aspects: Chinese ancient literature, art and the theory that man is an integral part of nature influences the creation of ancient literature works, promotes the art's forming and development, infiltrates the architecture's idea, that is, it puts forward a certain ideology basis for these art form and some art works makes thorough representation of the theory that man is an integral part of nature. The two parts exist side by side and can't be separated. |
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| Keywords: | the theory that man is an integral part of nature ancient art harmonious unity |
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