宋代咏物词的发展脉络

宋代咏物词的发展可分为承袭期、反正期、高涨期和汇合期四个阶段。承袭期注重描绘物象的外在形态，风格冶艳；反正期开始赋予事物以生命和情感，朝着敦煌、盛中叟原创期咏物词的录城大道反正、回归；高涨期更多借物抒情，托物言志，并在时代因素的作用下，形成家国身世之恨的新主题；在汇合期，家国之恨已成为咏物词创作的社会心理基础，而且不同词派都注重谋篇布局、造语运典、仍律合韵之法，表明南宋后期雅化、诗化已成为词体创作的共同蕲向。

The Developing of The Ci Poetry on Objects of The Song Dynasty

The ci poetry on objects of the Song Dynasty can fall into four periods--following period,returning period,rising period and joining period.In the first period,the ci poetry on objects mainly described the fine exterior of objects,and a lascivious style of the later period of the Dang Dynasty and the Five Dynasties remained.In the second period,they entrusted feelings and individualities to objects,returned to the realistic road established by the Ci poetry of Dunhuang and the ci poetry of flourishing age and middle period of the Dang Dynasty.In the third period,they layed special emphasis on poets' mind and heart,and became a new subject category,that is,mental agony of country conquered and family ruined.In the last period,this new subject category became the most general subject category,and the problem of artistic quality aroused general concern,poetrization and refinization became a vogue.