| 试论苏、黄等词的同体异用现象 |
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| 引用本文： | 邓子勉.试论苏、黄等词的同体异用现象[J].金陵法律评论,2005(3):100-104. |
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| 作者姓名： | 邓子勉 |
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| 作者单位： | 江苏教育学院,中文系,江苏,南京,210013 |
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| 摘 要： | 词发展到北宋中期,苏轼及其弟子对词诸方面进行了新的诠释,其突出点是表现在词的同体异用,主要点是对词之传统性的反动,有意识地破坏词体的固有特点,更多的是引导词体对诗体的认同.以诗为词,古今均有探讨,多是从创作手法、艺术风格、文体递变等处比照分析,在词的文本方面用功甚深.而词的同体异用现象的产生,是与苏、黄等人对词体定位、有意识地引导和创作分不开的,是他们促使词体的雅化和开放,以及回避诗歌创作诸种因素合成作用的结果,具有一定的时效性.
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| 关 键 词： | 苏轼 黄庭坚 同体异用 词体 |
| 文章编号： | 1001-4608(2005)03-0100-05 |
| 修稿时间： | 2004年9月9日 |
The Different Use of the Same Genre: From Ci to Poetry |
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| DENG Zi-mian.The Different Use of the Same Genre: From Ci to Poetry[J].Journal of Nanjing Normal University (Social Science Edition),2005(3):100-104. |
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| Authors: | DENG Zi-mian |
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| Abstract: | In the middle of the Northern Song Dynasty, Su-shi and Huang Tingjian etc. wrote Ci as a form of poetry. This is a reaction to the traditional trammel of Ci. More importantly, this is a guide to the transition from Ci to poetry. This paper elucidates the emergence of this phenomenon and its time limited efficacy. |
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| Keywords: | different use the same genre fixed position synthesize the function time limited efficacy |
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