| 山水实景演出的意义与问题 |
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| 引用本文： | 孙海兰,焦勇勤.山水实景演出的意义与问题[J].山东行政学院山东省经济管理干部学院学报,2010(3):148-150. |
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| 作者姓名： | 孙海兰 焦勇勤 |
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| 作者单位： | 海南大学人文传播学院,海南,海口,570228 |
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| 基金项目： | 2009年海南省社科基金项目，海南省高校科研项目 |
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| 摘 要： | 山水实景演出作为一项文化创新产业项目在中国内地形成一股热潮。它缘起于景观歌剧,伴随着2003年张艺谋《印象.刘三姐》的首演成功而诞生。它不仅带来了巨大的经济效益,而且创造了一种新的演出形式。同时,这种开发热潮也可能引发一系列潜在的问题。
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| 关 键 词： | 山水实景演出 景观歌剧 张艺谋 |
The Meaning and Problems of the Real-life Scenery Performance |
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| SUN Hai-lan,JIAO Yong-qin.The Meaning and Problems of the Real-life Scenery Performance[J].Journal of Shandong Administrative College and Shandong Economic Management Personnel College,2010(3):148-150. |
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| Authors: | SUN Hai-lan JIAO Yong-qin |
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| Institution: | (Hainan University,Haikou 570228,China) |
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| Abstract: | As a cultural innovation industry projects the real-life scenery performance take an upsurge in the China.Zhang Yimou created its origin in the landscape opera.He first produced ＂Impression · Liu Sanjie＂ in 2003.It has not only brought the huge economic efficiency,and has created one kind of new artistic form.In the meanwhile,the kind of over development also possibly causes a series of latent questions. |
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| Keywords: | the Real-life Scenery Performance Landscape Opera Zhang Yi-mou |
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