《红线》中女性人物的文化身份

在澳大利亚当代作家尼古拉斯·周思的作品《红线》中，女主人公鲁丝的文化身份最明显的特征就是杂糅性：她是位地道的澳大利亚女性，但非常痴迷中国的传统文化；来到中国与沈复灵相识后，受启于佛教转世轮回的思想，与沈一道成为《浮生六记》中芸娘与沈复的转世，在今生续写了两人未了的爱恋。从杂糅性的概念、杂糅视角的特征，以及中国文化对西方文化的启示来分析鲁丝的生存状态发现，她身上更多体现出的是中澳文化的平等对话，而无所谓到底谁是主流秩序。

The Cultural Identity of the Heroine in Red Thread

In Red Thread by Australian writer Nicholas Jose, the heroine Rue may be identified as a woman with hybridity. Although she is a native Australian, she loves Chinese traditions sincerely. Inspired by reincarnation in Buddhism, she, when meeting Shen Fuling, is recognized as the incarnation of Yun in Six Chapters of a Floating Life by Shen Fu. In this paper, the author will analyze the survival condition of Rue in terms of the definition of hybridity, the feature of hybridity, and the enlightenment of Chinese traditions to the Occidental culture. The equality between Sino - Australian cultures has been shown in Rue, so there is no domination of any kind of culture.