| 南侗"嘎老"传承的当代变迁及其文化意义 |
| |
| 引用本文： | 杨晓.南侗"嘎老"传承的当代变迁及其文化意义[J].贵州民族研究,2003,23(4):31-38. |
| |
| 作者姓名： | 杨晓 |
| |
| 作者单位： | 四川师范大学,四川·成都,610066 |
| |
| 摘 要： | 本文讨论的是一种南侗民间的重要歌种--嘎老--在当代语境中呈现出的传承变迁现象.文章以"乡间"、"学校"及"舞台"这三种场域来概括当代嘎老传承的主要方式,并试图解释民间歌唱传承方式变迁中所蕴涵的音乐与文化意义.
|
| 关 键 词： | 嘎老 传承 传承变迁 学校 舞台 音乐变迁 |
| 文章编号： | 1002-6959(2003)04-031-008 |
| 修稿时间： | 2003年7月20日 |
Contemporary Transformation of the Kgal Laox's Transmission and its Cultural Significance |
| |
| YANG Xiao.Contemporary Transformation of the Kgal Laox's Transmission and its Cultural Significance[J].Guizhou Ethnic Studies,2003,23(4):31-38. |
| |
| Authors: | YANG Xiao |
| |
| Abstract: | What this paper discusses is the transmission's transformation of Kgal laox, an important kind of folk song of south Dong people. Three ways of transmission in places of "village", "campus" and "concert hall" are described to narrate the Contemporary Kgal Laox's transmission, with an attempt of explaining the musical and cultural significance during the transformation of folk song's transmission. |
| |
| Keywords: | kgal laox dong's dage transformation of transmission campus concert hall |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
